A Christmas Carol - The Kansas City Repertory Theatre

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2007 1992 1996 From top: 1992 ‐ Peggy Friesen (The Ghost of Christmas Past) and Gary Holcombe (Scrooge); 1993 ‐ Gary Holcombe (Scrooge) and Peggy Friesen (The Ghost of Christmas Past); 1996 ‐ Richard James‐Greene (The Ghost of Christmas Past) and Gary Holcombe (Scrooge); 2005 ‐ Peggy Friesen (The Ghost of Christmas Past) and Gary Neal Johnson (Scrooge); 2007 ‐ Kathleen Warfel (The Ghost of Christmas Past). A Christmas Carol: Learning Guide Page 20 2005 1993
THE DIRECTOR: KYLE HATLEY A Christmas Carol is directed by Kyle Hatley, the Associate Artistic Director of Kansas City Repertory Theatre. A Christmas Carol marks the eighth production Kyle has directed while at the Rep, including Little Shop of Horrors, The Borderland, Broke‐ology, Circle Mirror Transformation, A Christmas Carol (2010 & 2011); and August: Osage County (Associate Director). Kyle, who received his training from Rhodes College, was also seen as The Gentleman Caller in the Rep’s acclaimed production of The Glass Menagerie in 2009 and Caleb in The Whipping Man in 2012. Other local directing credits include Carousel (The Living Room); Titus Andronicus (The Living Room); Ben Franklin’s Apprentice (Coterie Theatre); and Hamlet (Two Thirds). Kyle has also written and directed Head, The Death of Cupid, Six, and Watering The Grave for the Kansas City Fringe Festival. Regional credits acting and directing credits include Take Me Out (Steppenwolf Theatre); The Last Supper (World Premiere, InFusion Theatre Company); Picasso At The Lapin Agile, Twelfth Night (Noble Fool Theatre); Picasso At The Lapin Agile, Romeo and Juliet, Who’s Afraid of Virginia Woolf?, Gross Indecency: The Three Trials of Oscar Wilde, Hamlet (title role), and The Woman In Black (Playhouse on the Square). Additionally, he has been seen on television in “Prison Break” and “As the World Turns.” In 2009, Kyle was named Best Director for The Pitch’s Best of Kansas City awards and in 2011 he was named Charlotte Street Foundation Generative Artist Fellow. He is also the Artistic Director and a co‐ founder of Chatterbox Audio Theater, a non‐profit, web‐based theatre that produces fully soundscaped audio plays for free streaming or download at www.chatterboxtheater.org. A Christmas Carol: Learning Guide Page 21
Page 1 and 2: Directed by Kyle Hatley November 16
Page 3 and 4: A LETTER FROM THE ARTISTIC DIRECTOR
Page 5 and 6: PLOT SYNOPSIS Act I On Christmas Ev
Page 7 and 8: THE AUTHOR: CHARLES DICKENS Dickens
Page 9 and 10: Collins on the play The Frozen Deep
Page 11 and 12: VOCABULARY The following terms belo
Page 13 and 14: DICKENS AS A SOCIAL REFORMER Charle
Page 15 and 16: CHARLES DICKENS AND THE CHRISTMAS S
Page 17 and 18: LONDON’S YOUNG POOR Many children
Page 19: GHOST’S OF CHRISTMAS CAROLS PAST
Page 23 and 24: ideas that helped enhance that mate
Page 25 and 26: POST‐SHOW DISCUSSION QUESTIONS TO
Page 27 and 28: What does “redemption” mean to
Page 29 and 30: in the winter. However, the Church
Page 31 and 32: REFLECT & CONNECT SCROOGE’S ALPHA
Page 33 and 34: Pairs The chart to the right lists
Page 35 and 36: REFLECT & CONNECT TALES FROM EBENEZ
Page 37 and 38: RESOURCES BOOKS Ackroyd, Peter. Dic
Page 39 and 40: STATE & NATIONAL STANDARDS A Christ
Page 41 and 42: TIPS FOR YOUR VISIT We want you to
Page 43 and 44: I have a student with special needs
Page 45 and 46: EDUCATION & OUTREACH PROGRAMS REP O
Page 47 and 48: 2012—2013 STUDENT MATINEE SERIES
Page 49 and 50: Waiting for You (On the Corner of 1
Page 51 and 52: EDUCATION PARTNER: UMKC UMKC is a g

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