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It’s these ill informed understandings that<br />
become impressed in the minds of young<br />
women who breathe in mainstream hip <strong>hop</strong><br />
images like air. Fair enough, the impact of hip<br />
<strong>hop</strong> culture on women’s psyche is as reciprocal<br />
as women’s on the industry. There’s a huge<br />
difference between what we see on the screen<br />
and what goes on behind the scenes, and it<br />
takes cultural critics like Tricia Rose and Scott<br />
Poulson-Bryant to inform us of that gap. But for<br />
the eight year old girl who is not precocious<br />
enough to engage in such reading, there is<br />
little <strong>hop</strong>e. She sees booties flapping, bottles<br />
popping, blunts blazing and music booming.<br />
She doesn’t see a director telling the woman<br />
to jiggle a little more; to smile a little harder and<br />
show a little more skin. And as obvious as these<br />
music videos should be that it’s entertainment,<br />
it is not to her. Hell, it’s not even that obvious to<br />
me. There is something about us as a society<br />
these days where we aren’t able to distinguish<br />
reality from fantasy. But I ain’t even gonna lie.<br />
There have been times when I have danced in<br />
the mirror naked, aspiring to be a video vixen<br />
and have the eyes of millions on me. But where<br />
does that come from? There is a disconnection<br />
between the value of women and their<br />
impact on culture. There is an even greater<br />
disconnection between the value women<br />
place on themselves. Women allow themselves<br />
to be objectified. And we—women—support it<br />
by purc<strong>has</strong>ing the music. I know we’re all trying<br />
to survive out here, but there must be a point<br />
when integrity overshadows a $5000 check for<br />
an appearance in Weezy’s video. Maybe after<br />
Obama gets us out of this recession…<br />
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