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COTAC Conference on Training in Architectural Conservation Multi ...

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ICOMOS Guidel<strong>in</strong>es, Para 5 (Colombo, 1993):<br />

5. C<strong>on</strong>servati<strong>on</strong> works should <strong>on</strong>ly be entrusted to pers<strong>on</strong>s competent <strong>in</strong> these specialist<br />

activities. Educati<strong>on</strong> and tra<strong>in</strong><strong>in</strong>g for c<strong>on</strong>servati<strong>on</strong> should produce from a range of<br />

professi<strong>on</strong>als, c<strong>on</strong>servati<strong>on</strong>ists who are able to:<br />

a) read a m<strong>on</strong>ument, ensemble or site and identify its emoti<strong>on</strong>al, cultural and use<br />

significance;<br />

b) understand the history and technology of m<strong>on</strong>uments, ensembles or sites <strong>in</strong> order<br />

to def<strong>in</strong>e their identity, plan for their c<strong>on</strong>servati<strong>on</strong>, and <strong>in</strong>terpret the results of<br />

this research;<br />

c) understand the sett<strong>in</strong>g of a m<strong>on</strong>ument, ensemble or site, their c<strong>on</strong>tents and<br />

surround<strong>in</strong>gs, <strong>in</strong> relati<strong>on</strong> to other build<strong>in</strong>gs, gardens or landscapes;<br />

d) f<strong>in</strong>d and absorb all available sources of <strong>in</strong>formati<strong>on</strong> relevant to the m<strong>on</strong>ument,<br />

ensemble or site be<strong>in</strong>g studied;<br />

e) understand and analyze the behaviour of m<strong>on</strong>uments, ensembles and sites as<br />

complex systems;<br />

f) diagnose <strong>in</strong>tr<strong>in</strong>sic and extr<strong>in</strong>sic causes of decay as a basis for appropriate acti<strong>on</strong>;<br />

g) <strong>in</strong>spect and make reports <strong>in</strong>telligible to n<strong>on</strong>-specialist readers of m<strong>on</strong>uments,<br />

ensembles or sites, illustrated by graphic means such as sketches and<br />

photographs;<br />

h) know, understand and apply Unesco c<strong>on</strong>venti<strong>on</strong>s and recommendati<strong>on</strong>s, and<br />

ICOMOS and other recognized Charters, regulati<strong>on</strong>s and guidel<strong>in</strong>es;<br />

i) make balanced judgements based <strong>on</strong> shared ethical pr<strong>in</strong>ciples, and accept<br />

resp<strong>on</strong>sibility for the l<strong>on</strong>g-term welfare of cultural heritage;<br />

j) recognize when advice must be sought and def<strong>in</strong>e the areas of need of study by<br />

different specialists, e.g. wall pa<strong>in</strong>t<strong>in</strong>gs, sculpture and objects of artistic and<br />

historical value, and/or studies of materials and systems;<br />

k) give expert advice <strong>on</strong> ma<strong>in</strong>tenance strategies, management policies and the policy<br />

framework for envir<strong>on</strong>mental protecti<strong>on</strong> and preservati<strong>on</strong> of m<strong>on</strong>uments and their<br />

c<strong>on</strong>tents, and sites;<br />

l) document works executed and make same accessible.<br />

m) work <strong>in</strong> multi-discipl<strong>in</strong>ary groups us<strong>in</strong>g sound methods;<br />

n) be able to work with <strong>in</strong>habitants, adm<strong>in</strong>istrators and planners to resolve c<strong>on</strong>flicts<br />

and to develop c<strong>on</strong>servati<strong>on</strong> strategies appropriate to local needs, abilities and<br />

resources.<br />

2

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