Annual Report 2008-9 - The British School at Rome
Annual Report 2008-9 - The British School at Rome
Annual Report 2008-9 - The British School at Rome
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Pound, 2009, by Penelope Cain (Australia Council Resident)<br />
Celia Hempton, Eddie Peake and Liz Rideal) opened on 12<br />
May <strong>at</strong> Æmilia Hotel in Bologna. K<strong>at</strong>ie Cuddon, Celia<br />
Hempton and Eddie Peake particip<strong>at</strong>ed in the seventh<br />
edition of Spazi Aperti, cur<strong>at</strong>ed by Mirela Pribac <strong>at</strong> the<br />
Romanian Academy. <strong>The</strong> second edition of Academy<br />
Architects <strong>at</strong> the Acquario <strong>at</strong> the Casa dell’Architettura, cur<strong>at</strong>ed<br />
by Shara Wasserman, opened on 3 June. This included<br />
Joseph Bedford and Pierre Gendron, the inaugural Quebec<br />
Architecture Resident.<br />
Don’t Look Away, the final Fine Arts exhibition for <strong>2008</strong>–9,<br />
opened on 12 June, involving new works by Joseph Bedford,<br />
K<strong>at</strong>ie Cuddon, Graham Durward, Pierre Gendron, Celia<br />
Hempton, Eddie Peake, David Spero and Amikam Toren.<br />
David Spero was invited to take part in the exhibition A<br />
Question of Time. Roman Campaigns: Historical and Contemporary<br />
Photography, which opened on 15 June <strong>at</strong> the American<br />
Academy in <strong>Rome</strong>. <strong>The</strong> show combined historic<br />
photographs of <strong>Rome</strong> with new interpret<strong>at</strong>ions of the same<br />
sites by six contemporary photographers.<br />
<strong>The</strong> year was given a fitting conclusion on 27 June with<br />
the performance/exhibition Second Style: an Odyssey Frieze,<br />
conceived and directed by Ralegh Radford <strong>Rome</strong> Scholar<br />
Marden Nichols, staged in the BSR gallery — adorned with<br />
large scale mural replicas of the first-century BC Odyssey<br />
Frieze painted by Celia Hempton — and performed by<br />
K<strong>at</strong>ie Cuddon, Celia Hempton, Jessica Harris, Sarah<br />
Keenan-Jones, Duncan Keenan-Jones, and Joseph Bedford.<br />
F I N E A R T S S C H O L A R S ’ A C T I V I T I E S<br />
This was followed by a farewell party in honour of Andrew<br />
and Jo Wallace-Hadrill.<br />
A series of monthly screenings of films on modern <strong>Rome</strong><br />
made between 1945 and 2005 ran throughout the year. <strong>The</strong><br />
films were selected and introduced by David Forgacs and<br />
Jacopo Benci, who also discussed each film with the<br />
particip<strong>at</strong>ing residents.<br />
Fine Arts site visits included a tour of a selection of the<br />
<strong>Rome</strong> galleries opening for the October Roma Art Weekend;<br />
a visit to Monte Testaccio, the Protestant Cemetery, the<br />
Testaccio quarter, and Luigi Moretti’s Ex-GIL on 21<br />
October; and a joint Fine Arts and Humanities trip to<br />
Vicenza and Parma for the Palladio and Correggio<br />
exhibitions (7–9 November). A walk around the 1930s–40s<br />
monumental area of EUR, on 9 February 2009, included<br />
specially arranged tours of the Palazzo dei Congressi and<br />
the Palazzo degli Uffici. A second visit to Luigi Moretti’s<br />
Ex-GIL, hosted by Architect Luigi Prisco of Regione Lazio,<br />
took place on 19 February, and a tour of the 1920–31<br />
Garb<strong>at</strong>ella council-housing est<strong>at</strong>es took place on 17 April.<br />
Scholars were provided with inform<strong>at</strong>ion on events <strong>at</strong> the<br />
other foreign academies and <strong>at</strong> <strong>Rome</strong> galleries and<br />
museums; and were given advice and support for individual<br />
and group explor<strong>at</strong>ions of <strong>Rome</strong> and further afield. An<br />
excellent example of a fruitful use of these opportunities<br />
was Joseph Bedford’s film <strong>The</strong> Walls of <strong>Rome</strong>: Towards<br />
DeTermin<strong>at</strong>ion, shown <strong>at</strong> the <strong>School</strong> in the Don’t Look Away<br />
exhibition. <strong>The</strong> film had been growing through the year,<br />
incorpor<strong>at</strong>ing places, issues and people Joseph had come<br />
across through discussions, film screenings and site visits<br />
and through contacts secured by members of staff.<br />
Research Assistant Alessandra Giacinti provided<br />
constant, effective support for all of the events, worked on<br />
sourcing m<strong>at</strong>erials and suppliers for the Fine Arts scholars,<br />
and helped them engage with the city.<br />
Jacopo Benci<br />
Assistant Director (Fine Arts)<br />
31