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Annual Report 2008-9 - The British School at Rome

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Pound, 2009, by Penelope Cain (Australia Council Resident)<br />

Celia Hempton, Eddie Peake and Liz Rideal) opened on 12<br />

May <strong>at</strong> Æmilia Hotel in Bologna. K<strong>at</strong>ie Cuddon, Celia<br />

Hempton and Eddie Peake particip<strong>at</strong>ed in the seventh<br />

edition of Spazi Aperti, cur<strong>at</strong>ed by Mirela Pribac <strong>at</strong> the<br />

Romanian Academy. <strong>The</strong> second edition of Academy<br />

Architects <strong>at</strong> the Acquario <strong>at</strong> the Casa dell’Architettura, cur<strong>at</strong>ed<br />

by Shara Wasserman, opened on 3 June. This included<br />

Joseph Bedford and Pierre Gendron, the inaugural Quebec<br />

Architecture Resident.<br />

Don’t Look Away, the final Fine Arts exhibition for <strong>2008</strong>–9,<br />

opened on 12 June, involving new works by Joseph Bedford,<br />

K<strong>at</strong>ie Cuddon, Graham Durward, Pierre Gendron, Celia<br />

Hempton, Eddie Peake, David Spero and Amikam Toren.<br />

David Spero was invited to take part in the exhibition A<br />

Question of Time. Roman Campaigns: Historical and Contemporary<br />

Photography, which opened on 15 June <strong>at</strong> the American<br />

Academy in <strong>Rome</strong>. <strong>The</strong> show combined historic<br />

photographs of <strong>Rome</strong> with new interpret<strong>at</strong>ions of the same<br />

sites by six contemporary photographers.<br />

<strong>The</strong> year was given a fitting conclusion on 27 June with<br />

the performance/exhibition Second Style: an Odyssey Frieze,<br />

conceived and directed by Ralegh Radford <strong>Rome</strong> Scholar<br />

Marden Nichols, staged in the BSR gallery — adorned with<br />

large scale mural replicas of the first-century BC Odyssey<br />

Frieze painted by Celia Hempton — and performed by<br />

K<strong>at</strong>ie Cuddon, Celia Hempton, Jessica Harris, Sarah<br />

Keenan-Jones, Duncan Keenan-Jones, and Joseph Bedford.<br />

F I N E A R T S S C H O L A R S ’ A C T I V I T I E S<br />

This was followed by a farewell party in honour of Andrew<br />

and Jo Wallace-Hadrill.<br />

A series of monthly screenings of films on modern <strong>Rome</strong><br />

made between 1945 and 2005 ran throughout the year. <strong>The</strong><br />

films were selected and introduced by David Forgacs and<br />

Jacopo Benci, who also discussed each film with the<br />

particip<strong>at</strong>ing residents.<br />

Fine Arts site visits included a tour of a selection of the<br />

<strong>Rome</strong> galleries opening for the October Roma Art Weekend;<br />

a visit to Monte Testaccio, the Protestant Cemetery, the<br />

Testaccio quarter, and Luigi Moretti’s Ex-GIL on 21<br />

October; and a joint Fine Arts and Humanities trip to<br />

Vicenza and Parma for the Palladio and Correggio<br />

exhibitions (7–9 November). A walk around the 1930s–40s<br />

monumental area of EUR, on 9 February 2009, included<br />

specially arranged tours of the Palazzo dei Congressi and<br />

the Palazzo degli Uffici. A second visit to Luigi Moretti’s<br />

Ex-GIL, hosted by Architect Luigi Prisco of Regione Lazio,<br />

took place on 19 February, and a tour of the 1920–31<br />

Garb<strong>at</strong>ella council-housing est<strong>at</strong>es took place on 17 April.<br />

Scholars were provided with inform<strong>at</strong>ion on events <strong>at</strong> the<br />

other foreign academies and <strong>at</strong> <strong>Rome</strong> galleries and<br />

museums; and were given advice and support for individual<br />

and group explor<strong>at</strong>ions of <strong>Rome</strong> and further afield. An<br />

excellent example of a fruitful use of these opportunities<br />

was Joseph Bedford’s film <strong>The</strong> Walls of <strong>Rome</strong>: Towards<br />

DeTermin<strong>at</strong>ion, shown <strong>at</strong> the <strong>School</strong> in the Don’t Look Away<br />

exhibition. <strong>The</strong> film had been growing through the year,<br />

incorpor<strong>at</strong>ing places, issues and people Joseph had come<br />

across through discussions, film screenings and site visits<br />

and through contacts secured by members of staff.<br />

Research Assistant Alessandra Giacinti provided<br />

constant, effective support for all of the events, worked on<br />

sourcing m<strong>at</strong>erials and suppliers for the Fine Arts scholars,<br />

and helped them engage with the city.<br />

Jacopo Benci<br />

Assistant Director (Fine Arts)<br />

31

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