29.03.2013 Views

Annual Report 2008-9 - The British School at Rome

Annual Report 2008-9 - The British School at Rome

Annual Report 2008-9 - The British School at Rome

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

FACULTY OF THE F INE A RTS<br />

This has been a year of considerable change and reassessment.<br />

As the new Chair of the Faculty of the Fine<br />

Arts, it is my pleasure to congr<strong>at</strong>ul<strong>at</strong>e Andrew Wallace-<br />

Hadrill on his new appointment and to thank him for his<br />

contribution to the role of Fine Arts <strong>at</strong> the <strong>School</strong>, for a<br />

building programme th<strong>at</strong> extended the gallery facilities and<br />

for the development of an ambitious range of opportunities<br />

for artists <strong>at</strong> the <strong>School</strong>. I must also thank Jenni Lomax<br />

who, for six years as Chair, has given her time, support and<br />

invaluable advice to both staff and the Faculty. I join with<br />

members of the Faculty in congr<strong>at</strong>ul<strong>at</strong>ing her following her<br />

award of the OBE, for ‘services to the visual arts’. I must also<br />

thank members of the Faculty who stepped down this year,<br />

C<strong>at</strong>hy Hawley and Alison Turnbull, and welcome new<br />

members, Sonia Boyce MBE, William Cobbing, Tania Kov<strong>at</strong>s<br />

and the architect Robert Tavernor.<br />

During the year two new opportunities were introduced<br />

to the <strong>School</strong>’s residency programme and, sadly, one, the<br />

Wing<strong>at</strong>e <strong>Rome</strong> Scholarship in the Fine Arts, ceased after a<br />

very successful ten-year period. <strong>The</strong> <strong>School</strong> is gr<strong>at</strong>eful to<br />

the Harold Hyam Wing<strong>at</strong>e Found<strong>at</strong>ion for its support of<br />

this scholarship, and the opportunity it provided for one<br />

artist each year to be a part of the <strong>School</strong> community for<br />

five months.<br />

<strong>The</strong> Photoworks Fellowship is the first residency <strong>at</strong> the<br />

BSR devoted exclusively to photography and lens-based<br />

media. It will be available every two years, and is designed to<br />

give mid-career artists an opportunity to undertake a threemonth<br />

period of studio-based research. <strong>The</strong> residency is<br />

supported by Photoworks, an independent visual arts<br />

organis<strong>at</strong>ion th<strong>at</strong> provides opportunities for emerging and<br />

established artists, cur<strong>at</strong>ors and writers.<br />

<strong>The</strong> Quebec Architecture Scholarship, funded by the<br />

Conseil des Arts et des Lettres du Québec, is a three-month<br />

residency for professionals in the field of architecture,<br />

landscape architecture, urban planning and environmental<br />

design. It adds further depth to the innov<strong>at</strong>ive architecture<br />

programme.<br />

32<br />

After twelve years, the year marked the end in its current<br />

form of the Contemporary Arts Programme <strong>at</strong> the <strong>School</strong>,<br />

which had presented an imagin<strong>at</strong>ive and ambitious<br />

programme. <strong>The</strong> Faculty extends gr<strong>at</strong>eful thanks to<br />

Cristiana Perrella, cur<strong>at</strong>or since 1998, who brought to the<br />

<strong>School</strong> and to <strong>Rome</strong> many of the most significant <strong>British</strong><br />

artists of the last decade. One-person shows included those<br />

by Martin Maloney, Mark Wallinger, Adam Chodzko,<br />

Richard Billingham, Yinka Shonibare, Sophy Rickett, Martin<br />

Creed, Mike Nelson, Douglas Gordon, Ian Kiaer and Chris<br />

Evans. Cristiana’s programme of recent video art has been<br />

recognised properly as a major contribution to the<br />

document<strong>at</strong>ion of contemporary film and has included<br />

Sweetie; Female Identity in <strong>British</strong> Art, Video Vibe, and the Video<br />

Zone series. Screenings and lecture series added considerably<br />

to local interest in the <strong>School</strong>’s programme.<br />

It was with gre<strong>at</strong> sadness th<strong>at</strong> we heard of the de<strong>at</strong>h in<br />

July of Gordon Burn, the inaugural Sargant Fellow in<br />

Cur<strong>at</strong>orial and Critical Studies, 2007–8.<br />

During the year, Tim Llewellyn, the distinguished art<br />

historian and BSR Council member, undertook a review of<br />

the fine arts <strong>at</strong> the <strong>School</strong> and reported to Council. <strong>The</strong><br />

primary focus of the review was the artists’ residencies and<br />

their rel<strong>at</strong>ionship with the rest of the <strong>School</strong>. Tim’s<br />

recommend<strong>at</strong>ions were welcomed by Council and Faculty as<br />

both timely and encouraging of a more coherent and<br />

engaging approach to contemporary visual practice. He<br />

proposes to establish long-term strands of investig<strong>at</strong>ion,<br />

embracing all disciplines, and to reintroduce the means by<br />

which distinguished practitioners might have a regular<br />

presence in the <strong>School</strong>. <strong>The</strong>re are many practical and<br />

financial implic<strong>at</strong>ions to the proposals, and the Faculty and I<br />

look forward to working with him, the staff, Council and<br />

the Faculty of Archaeology, History and Letters to realise<br />

many aspects of our aspir<strong>at</strong>ions for the future.<br />

John Gill<br />

Chair, Faculty of the Fine Arts

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!