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Annual Report 2008-9 - The British School at Rome

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has been able to ensure th<strong>at</strong> despite the surge in reader<br />

numbers, the Library has retained its welcoming<br />

<strong>at</strong>mosphere.<br />

Valerie Scott has also carried forward, despite the tough<br />

financial clim<strong>at</strong>e, her programme of projects and exhibitions<br />

of m<strong>at</strong>erial from our archive of historical photographs and<br />

other m<strong>at</strong>erial. <strong>The</strong> Getty Found<strong>at</strong>ion has been a key ally<br />

in recent years, and the workshop held in Los Angeles on<br />

Sir William Gell, <strong>at</strong> which both Valerie and I spoke,<br />

underlined our common interests. A new ally is the Sir John<br />

Soane Museum, which proved the perfect partner for an<br />

exhibition of the <strong>Rome</strong> photographs of F<strong>at</strong>her Peter Paul<br />

Mackey. <strong>The</strong> sponsors who made this possible are thanked<br />

below, but it is right here to pay tribute to the energy and<br />

determin<strong>at</strong>ion of the team of Jill Pellew and Valerie Scott,<br />

who ensured th<strong>at</strong> the right support was found. Such<br />

partnerships are an essential way forward for the future, and<br />

the ongoing series of photographic exhibitions is another<br />

point where the disciplines converge; photography and fine<br />

art on the one hand (and our new partnership with<br />

Photoworks is also relevant here), and archaeology and the<br />

history of art on the other.<br />

I turn finally, among our activities, to archaeology. <strong>The</strong><br />

<strong>British</strong> Academy is keen to emphasise th<strong>at</strong> the institutes it<br />

supports abroad are not simply bases for archaeological<br />

fieldwork, and the <strong>British</strong> <strong>School</strong> is equally keen to remind<br />

them th<strong>at</strong> our aims have never been limited in this way.<br />

Nevertheless, archaeology has a fundamental role in our<br />

mission. If it were not for the physical reality of the past, it<br />

might not be so necessary to spend long periods of time<br />

abroad in trying to get to grips with it. Ancient historians<br />

(including myself) and classical philologists and even art<br />

historians might sit <strong>at</strong> home in their libraries. But the past is<br />

physically present, even when it seems invisible, as in the<br />

street p<strong>at</strong>terns of contemporary <strong>Rome</strong> or Naples (or for th<strong>at</strong><br />

m<strong>at</strong>ter most other Italian cities), which continue to steer<br />

humans between modern buildings down routes used for<br />

thousands of years. <strong>The</strong> study of the physical traces of the<br />

8<br />

past will always be the core activity of this institution. But it<br />

is not the focus of a narrow disciplinary subset. It is an<br />

inherently interdisciplinary activity. Every group of residents<br />

who visit a monument rapidly understands how the presence<br />

of artists and architects, art historians and social scientists,<br />

field archaeologists and philologists, converges in the reading<br />

of the visible past. <strong>The</strong> <strong>School</strong> is not merely a facility: it is a<br />

missionary enterprise th<strong>at</strong> seeks to convert all those who<br />

come through it to an understanding of this visible, physical<br />

past. Our Hugh Last Fellow, Stephen Heyworth, a<br />

distinguished editor of L<strong>at</strong>in poetry from Oxford, left a<br />

convert to topography, the discipline of Sir William Gell and<br />

Thomas Ashby, and their successors today, like Filippo<br />

Coarelli and Robert Co<strong>at</strong>es-Stephens.<br />

Working <strong>at</strong> Herculaneum in an ambitious project of<br />

conserv<strong>at</strong>ion, I have learned above all th<strong>at</strong> archaeology is<br />

neither a single discipline, nor one th<strong>at</strong> can exist in<br />

isol<strong>at</strong>ion. We always knew th<strong>at</strong> archaeologists would have<br />

to join hands with architects, conserv<strong>at</strong>ors, surveyors and<br />

engineers to address the problems of the site, and to keep<br />

wh<strong>at</strong> I have called the ‘visible past’ in such a st<strong>at</strong>e to ensure<br />

its visibility to future gener<strong>at</strong>ions. Wh<strong>at</strong> has taken me by<br />

surprise is the number of other disciplines we have found<br />

ourselves involving. Geologists have taught us to<br />

understand the long process of volcanic eruption and the<br />

transform<strong>at</strong>ions, sometimes slow, sometimes alarmingly<br />

rapid, of the landscape. Chemists have shown us how to<br />

analyse the salts th<strong>at</strong> e<strong>at</strong> away frescoes and the mortars and<br />

grouting th<strong>at</strong> affect the ancient surfaces. Computer<br />

specialists have shown how a Laser Speckle Interferometer<br />

or Polynomial Texture Mapping can reveal otherwise<br />

invisible faults or bring back ancient colours. It is not just<br />

the applic<strong>at</strong>ion of high-tech solutions. <strong>The</strong> world of<br />

heritage management brought together by ICCROM has<br />

taught us th<strong>at</strong> beyond technical solutions, you have to work<br />

on the right rel<strong>at</strong>ions with the stakeholders, from visitor<br />

management to rel<strong>at</strong>ions with the local community.<br />

Urbanists and social scientists have taught us to study a site

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