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“The End of Art” - ETD - University of Notre Dame

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same “sequences… called stories, or histories.” For Adams, historians are at their worst<br />

when they fail to realize that historical study must continually be revolutionized in order to<br />

recognize and inhabit an elusive present. Adams was aware that the new forces he witnessed<br />

at the beginning <strong>of</strong> the twentieth century did not come out <strong>of</strong> nowhere but emerged<br />

historically from “hidden” conduits which his education must seek out: “Where he saw<br />

sequence, other men saw something quite different, and no one saw the same unit <strong>of</strong><br />

measure.…but he insisted on a relation <strong>of</strong> sequence, and if he could not reach it by one<br />

method, he would try as many methods as science knew”(E, 383).<br />

So he renews historical study, struggling each time, as if from scratch, to uncover a more<br />

dependable sequence between his present and the past. Only from that sequence does he<br />

think his education, and hence his self-understanding, will be responsive to the world around<br />

him. His well-known solution is to take everything that is disorienting about his world, its<br />

fragmentary and disjunctive nature, or what he calls its “multiplicity,” and relate that to some<br />

period <strong>of</strong> the past which can be characterized by its “unity.” He explains: “History had no<br />

use for multiplicity; it needed unity; it could study only motion, direction, attraction, relation.<br />

Everything must be made to move together; one must seek new worlds to measure…” (E,<br />

378). The historian’s “object,” he says, “is to triangulate from the widest possible base to the<br />

furthest point he thinks he can see, which is always far beyond the curvature <strong>of</strong> the horizon”<br />

(E, 395). The idea is that historical sequence can be triangulated by reaching back into the<br />

past and retracing the course <strong>of</strong> events that lead to the present. In other words, one end <strong>of</strong><br />

the triangulation (or the sequence) always points to himself, and hence the work <strong>of</strong> the<br />

historian is a form <strong>of</strong> autobiography. The problem Adams found is that when you start<br />

looking for where you come from, the answers have a way <strong>of</strong> reaching back further and<br />

further in time: “Education went backward… Education began at the end, or perhaps would<br />

34

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