Ida Ekblad MarIus Engh anawana haloba lars lauMann - Statoil

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168 Marius Engh Born 1974 in Oslo, Norway Lives and works in Oslo, Norway, and Berlin, Germany EDUCATION 1996–2000 The National Academy of Fine Arts, Oslo, Norway 1999–2000 The Royal Danish Art Academy, Copenhagen, Denmark 2000–2001 The National Academy of Fine Arts, Master studio, Oslo, Norway 1994–1996 Strykejernet Art School, Oslo, Norway RESIDENCIES 2006 oCA Office for Contemporary Art Norway/Platform Garanti Residency Program Istanbul, Istanbul, Turkey Milwaukee International Residency Program, Milwaukee, WI, USA 2005 The National Academy of Fine Arts, Oslo, Norway – Arcueil, Paris, France SOLO EXHIBITIONS 2009 Exhume to Consume, Supportico Lopez, Berlin Center of the World, Preus Museum, Horten, Norway (curator: Jonas Ekeberg) Toe Pincher, Snowball Editions, Oslo, Norway 2008 Lycanthropic Chamber, StANDArD (oSLo), Oslo, Norway 2006 All Items Must Fit In Basket, StANDArD (oSLo), Oslo, Norway The Moon is a Harsh Mistress, Green Gallery, Milwaukee, WI, USA (with Ida Ekblad) 2005 No Comply, Richard and Dolly Maass Gallery, State University of New York, Purchase College, New York City, NY, USA (curator: Paul Brewer) B-Sides, Projekt 0047, Berlin, Germany Cum Taedio In Infinitum, Q, The Royal Danish Academy of Art, Copenhagen, Denmark (with Tarje Eikanger Gullaksen) 2003 Free Drinks, Fotogalleriet, Oslo, Norway 1999 Notes From The Underground, Galleri 21:25, Oslo, Norway (with Gardar Eide Einarsson) GROUP EXHIBITIONS 2009 Six Degrees of Separation, Mehdi Chouakri, Berlin, Germany Two in One, Witte de With Center of Contemporary Art and De Appel, Christie´s, Amsterdam, the Netherlands Gjengangere, Bastard, Oslo Survival Kit, Latvian Centre for Contemporary Art (LCCA), Riga, Latvia (curator: Solvita Krese) 2008 Show Me, Don’t Tell Me, Brussels Biennial 1, Brussels, Belgium (curators: Nicolaus Schafhausen and Florian Waldvogel) Horror Vacui, Layr Wuestenhagen Contemporary, Vienna, Austria We Have Never Met Before, But It´s WIith Great Anticipation of Your Understanding That I´m Writing You And I Hope You Will In Good Faith Give A Deep Consideration To My Proposal Below, StANDArD (oSLo), Oslo, Norway (curators: Mikkel E Astrup and Eivind Furnesvik) Frieze Art Fair, StANDArD (oSLo), London, UK When You Carry A Hammer A Lot Of Things Look Like Nails, Skalitzer Strasse 64, Berlin, Germany Figureheads, Torpedo Bokhandel/The White Tube, Oslo, Norway Hydro Corporate Collection, Henie Onstad Art Centre, Høvik, Norway Nerhagen Skogsfestival, Vang, Norway Nationalmuseum, Nationalmuseum Berlin, Schönleinstr. 6, Berlin, Germany (curator: Lars Monrad Vaage) Master of Puppets, Planka, Oslo, Norway (with Sverre Gullesen) 2007 Frieze Art Fair, StANDArD (oSLo), London, UK Tempo Skien, Public Art Project, Skien, Norway Robert Smithson, Fotogalleriet, Oslo, Norway (curators: Lina Viste Grønli and Anders Smebye) Routines of Resistance, StANDArD (oSLo), Oslo, Norway (curator: Eivind Furnesvik) Unknown Unknowns, NordJyllands Kunstmuseum, Aalborg, Denmark (curator: Tarje Gullaksen) Future Primitive, UKS, Oslo, Norway (curator: Helga Marie Nordby) Skate Culture, Bildmuseet, Umeå, Sweden (curators: Jonas Ekeberg and Gardar Eide Einarsson) Paris Was Yesterday, La Vitrine, Paris, France (curator: Hanne Mugaas) Dislocations (Don’t Try Popping Them Back Into Place), ArCo – Special Projects Section/StANDArD (oSLo), Madrid, Spain (curator: Chus Martinez, with Gardar Eide EInarsson and Matias Faldbakken) 2006 NADA, StANDArD (oSLo), Miami, FL, USA Milwaukee International, Willy Wonka Inc., Milwaukee, WI, USA Dice Thrown (Will Never Annul Chance), Bellwether Gallery, New York City, NY, USA (curator: Joao Ribas) White Stains, StANDArD (oSLo)/ Extra City, Antwerpen, Belgium Skate Culture, Bergen Kunsthall, Bergen, Norway (curators: Jonas Ekeberg and Gardar Eide Einarsson) Street: Behind The Cliché, Witte de With Contemporary Art Center, Rotterdam, the Netherlands (curators: Nicolaus Schafhausen and Renske Janssen) Bokaktig, Fotogalleriet, Oslo, Norway The Norwegian Sculpture Biennial, The Vigeland Museum, Oslo, Norway (curator: Cecilia Widernheim) There Are Two Paths, Torpedo Kunstbokhandel, Oslo, Norway (curators: Ida Ekblad and Hanne Mugaas) Giving the People What They Want, Glassbox, Paris, France (curator: Hanne Mugaas) Several Ways Out, UKS Gallery, Oslo, Norway (curator: Craig Buckley)
Skate Culture, Preus Museum, Horten, Norway (curators: Jonas Ekeberg and Gardar Eide Einarsson) 50/50, AK 28, Stockholm, Sweden Villa Jelmini – The Complex of Respect, Kunsthalle Bern, Bern, Switzerland (curator: Philippe Pirotte) 2005 Blankness Is Not A Void, StANDArD (oSLo), Oslo, Norway (curator: Gardar Eide Einarsson) Gardar Eide Einarsson/Marius Engh/ Matias Faldbakken, StANDArD (oSLo)/Liste 05, StANDArD (oSLo), Basel, Switzerland 2004 Salon 100 – Works on Paper, Heimdalsgaten 4, Oslo, Norway (temporary exhibition space) Standard Escape Routes, ISCP, New York City, NY, USA (curator: Eivind Furnesvik) Pilot 1 – International Art Forum, Limehouse Town Hall, London, UK Rank Xerox, Bergen Kunsthall, Bergen, Norway (project by Gardar Eide. Einarsson and Matias Faldbakken) 10 Years After, Bomuldsfabriken Kunsthall, Arendal, Norway, (with Anders Smebye) Shugacube, Vincent Lunges Institutt, No. 9 – Visningssted for Samtidskunst, Oslo, Norway Vækerø Sculpture Garden, Public Art Project, Oslo, Norway Listepop, Fotogalleriet, Oslo, Norway Liste 04, under the auspicy of Fotogalleriet, Basel, Switzerland 2003 Institiution 2 , Kiasma, Helsinki, Finland (curator: Jens Hoffmann) Rathaus, Oslo Open, Atelier C, City Hall, Oslo, Norway Merry-Go-Round, Video program, Oslo Open, Oslo, Norway 2002 Museum of Installation, London, UK Bjørvika 17. august, Skur 55, Bjørvika, Subcomandante, Oslo, Norway Brøl, Zoo Copenhagen, Frederiksberg, Denmark 2001 UKS biennalen 2001, Seilduksfabrikken, Oslo, Norway Fane, Galleri Elbowroom, Gothenburg, Sweden Måske, Norbergfestivalen, Norberg, Sweden Heavy Backstage, Ballongmagasinet 2000 Postprofessionalism, VCA, Melbourne, Australia Presenting the piece/Her er værket!, Otto, Galleri Rhizom, Århus, Denmark Cantine del Borgo II, Underhaugsveien, Oslo, Norway Graduation Show, The National Academy of Fine Arts, The Stenersen Museum, Oslo, Norway Bergen Museum For Samtidskunst, Bergen, Norway Forrett, Statens kunstakademi, Seilduksfabrikken, Oslo, Norway 1999 Weisse Zwerge und Grosse Riesen, Galleri Neu Deli, Bauhaus Universität, Weimar, Germany Cantine del Borgo, Galleri 21:25, SKA, Oslo, Norway Vibrations, Rogaland Contemporary Art Center, Stavanger, Norway 1998 Die Faster Recordings, Quicksilver Gallery, Middelsex School of Art, London, UK Heavy Backstage – Live In Bergen, Bergen Museum For Samtidskunst, Bergen, Norway The Great Rock’n’Roll Battle (The Best Of Frode Fivel), Heavy Backstage, Galleri 21:25, Oslo, Norway Heavy Backstage, Telemark University College, Bø, Telemark, Norway Annekset, Galleri 21:25, Oslo, Norway (with Daniel Jensen) 1997 Heavy Backstage, Annekset, the National Academy of Fine Arts, Oslo, Norway (with Daniel Jensen) Punkpartyperformance, Galleri 21:25, Oslo, Norway OTHER ACTIVITIES 2008 Co-curator of the exhibition When You Carry A Hammer A Lot Of Things Look Like Nails, in Skalitzer Strasse 64, Berlin, with Marco Bruzzone 2005–2006 Co-founder and -curator of the gallery Bastard in Oslo, Norway, with Anders Smebye 2004 Curator of the public art project Vækerø Sculpture Garden, Oslo, Norway 169
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Ida Ekblad MarIus Engh anawana halo
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Editors Jens R Jenssen Bjarne Våga
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A WORD FROM THE JURY As chair it is
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IDA EKBLAD, OR FOR THE NEW YEAR One
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ut rather because it takes up the c
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The physicality (the gum from the a
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Political Song for Jessica Simpson
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If You Give To Me Oil on linen 200
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The Gold Bug Drift (nYc), Rockaway
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Tyrian Purple Oil on linen 200 x 16
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The Gold Bug Drift (nYc), Navy Yard
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A Woman Under the Influence Install
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The Gold Bug Drift (Clapham Common)
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Installation view: (from the left)
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Royal Festival Hall Welded found ir
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Francis Oil on linen 200 x 160 cm 2
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DEVILS, WEREWOLVES AND OTHER MYTHS
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Over the years its state of abandon
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“It embodies the parallelism betw
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Lycanthropic Chamber
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Collar Oak wood in four pieces 140
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Saltire Oak wood 228 x 119.5 x 5 cm
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Lead, Follow or Get the Hell Out of
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Hermes Polished granite stone slab
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Holiday in Bosnia Watercolour on te
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Fussorius Pickaxe, shovel and t-shi
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THE RITUAL WHEN THINGS FALL APART:
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When you look at me shirt once whit
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1. Édouard Glissant, Poétique de
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and Australia, initiated an externa
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Whose Privacy? Sound/sculptural int
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Road Map Sound/sculptural/drawing i
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114
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When the Private Became Public Vide
Page 120: Can you see…, Can you hear… Sou
Page 131: LARS LAUMANN
Page 134 and 135: 136 For the perfect flaneur, for th
Page 136 and 137: with their “normalising” agenda
Page 138 and 139: an authentic foreign language (an A
Page 141: Morrissey Foretelling the Death of
Page 150: Berlinmuren Video installation, Ger
Page 160: You Can’t Pretend To Be Somebody
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Page 165: Ida Ekblad Born 1980 in Oslo, Norwa
Page 169 and 170: Lars Laumann Born 1975 in Brønnøy
Page 171 and 172: OLAV CHRISTOPHER JENSSEN Born 1954
Page 173 and 174: CAROLINE M UGELSTAD Born 1972 in Os
Page 175 and 176: THE WRITERS DAVID LEWIS (American/I
Page 177 and 178: The Statoil art award is intended t
Page 179 and 180: acknowlEdgEMEnTs 181
Page 181 and 182: 86, 87 Fussorius Courtesy of the ar
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Ida Ekblad MarIus Engh anawana haloba lars lauMann - Statoil

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