Ida Ekblad MarIus Engh anawana haloba lars lauMann - Statoil
Ida Ekblad MarIus Engh anawana haloba lars lauMann - Statoil
Ida Ekblad MarIus Engh anawana haloba lars lauMann - Statoil
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
86, 87 Fussorius<br />
Courtesy of the artist and<br />
Supportico Lopez<br />
Photo: Mario Prato<br />
ANAWANA HALOBA<br />
IMAGES<br />
91 Whose Privacy? (manipulated)<br />
Photo: Sanghee Song<br />
93 Lamentation (manipulated)<br />
95 When the Private Became Public<br />
(manipulated)<br />
97 Anawana Haloba<br />
Photo: Lillian Jonassen<br />
100 Anawana Haloba<br />
Photo: Trond Isaksen<br />
104 Whose Privacy?<br />
Photo: Willem Wermaase<br />
106, 107 Whose Privacy?<br />
Photo: Sanghee Song<br />
108–111 Road Map<br />
Courtesy of the artist<br />
112 The Greater G8<br />
Advertising Market Stand<br />
Photo: Wolfgang Günzel<br />
110 The Greater G8<br />
Advertising Market Stand<br />
Photo: Halvor Bodin<br />
117–119 When the Private Became Public<br />
Courtesy of the artist<br />
120, 121 Lamentation<br />
Courtesy of the artist<br />
122 Can You See…, Can You Hear…<br />
Courtesy of the artist<br />
TEXT<br />
124 For The Acquaintance Of My Mind<br />
Courtesy of the artist<br />
LARS LAUMANN<br />
IMAGES<br />
129, 131 Morrissey Foretelling<br />
the Death of Diana (manipulated)<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
133 Berlinmuren (manipulated)<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
135 Lars Laumann<br />
Photo: Benjamin Alexander Huseby<br />
139 Lars Laumann<br />
Photo: Chris Maluszynski<br />
142 Installation view: Morrissey Foretelling<br />
the Death of Diana<br />
Kunsthalle Basel, Basel, Switzerland,<br />
as part of the exhibition Report on<br />
Probability, 2009<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
144, 145 Morrissey Foretelling<br />
the Death of Diana<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
146, 147 Morrissey Foretelling<br />
the Death of Diana Fanzine, for White<br />
Columns, New York City, NY, USA<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
149 Installation view: Swedish Book Store<br />
Galway Arts Centre, as part of the<br />
Galway Arts Festival,<br />
Galway, Ireland, 2009<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
150, 151 Swedish Book Store<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
153 Installation view: Berlinmuren<br />
Marian Goodman Gallery, New York<br />
City, NY, USA, as part of the exhibition<br />
As Long As It Lasts, 2009<br />
Courtesy of Maureen Paley, London, UK<br />
154–155 Berlinmuren<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
156 Installation view:<br />
Shut up Child, This Ain’t Bingo<br />
Maureen Paley, London, UK 2009<br />
Courtesy of Maureen Paley, London, UK<br />
158–161 Shut up Child, This Ain’t Bingo<br />
Courtesy of Maureen Paley,<br />
London, UK<br />
162–163 You Can’t Pretend To Be<br />
Somebody Else – You Already Are<br />
Stills and production photos, 2009<br />
Courtesy of Lars Laumann and<br />
Benjamin A Huseby<br />
THE JURY<br />
173 Olav Christopher Jenssen<br />
Photo: David Burke, <strong>Statoil</strong><br />
174 Göran Christenson<br />
Photo: Andreas Nilsson<br />
174 Solveig Øvstebø<br />
Photo: Helge Hansen, <strong>Statoil</strong><br />
175 Caroline M Ugelstad<br />
Photo: Trond Isaksen, <strong>Statoil</strong><br />
175 Øystein Ustvedt<br />
Photo: Trond Isaksen, <strong>Statoil</strong><br />
183
Change language