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A Strange Manuscript Found in a Copper Cylinder James De Mille

A Strange Manuscript Found in a Copper Cylinder James De Mille

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186<br />

are. It shows us a world where our evil is made a good, and our good<br />

an evil; there all that we consider a bless<strong>in</strong>g is had <strong>in</strong><br />

abundance--prolonged and perpetual sunlight, riches, power, fame--and<br />

yet these th<strong>in</strong>gs are despised, and the people, turn<strong>in</strong>g away from them,<br />

imag<strong>in</strong>e that they can f<strong>in</strong>d happ<strong>in</strong>ess <strong>in</strong> poverty, darkness, death, and<br />

unrequited love. The writer thus mocks at all our dearest passions and<br />

strongest desires; and his general aim is to show that the mere search<br />

for happ<strong>in</strong>ess per se is a vulgar th<strong>in</strong>g, and must always result <strong>in</strong><br />

utter noth<strong>in</strong>gness. The writer also teaches the great lesson that the<br />

happ<strong>in</strong>ess of man consists not <strong>in</strong> external surround<strong>in</strong>gs, but <strong>in</strong> the<br />

<strong>in</strong>ternal feel<strong>in</strong>gs, and that heaven itself is not a place, but a state.<br />

It is the old lesson which Milton extorted from Satan:<br />

"'What matter where, if I be still the same--'<br />

"Or aga<strong>in</strong>:<br />

"'The m<strong>in</strong>d is its own place, and of itself<br />

Can make a heaven of hell, a hell of heaven--'"<br />

"That's good too," cried Oxenden. "That rem<strong>in</strong>ds me of the German<br />

commentators who f<strong>in</strong>d <strong>in</strong> the Agamemnon of AEschylus or the OEdipus<br />

of Sophocles or the Hamlet of Shakespeare motives and purposes<br />

of which the authors could never have dreamed, and give us a<br />

metaphysical, beer-and-tobacco, High-Dutch Clytemnestra or Antigone or<br />

Lady Macbeth. No, my boy, More was a simple sailor, and had no idea of<br />

satiriz<strong>in</strong>g anyth<strong>in</strong>g."<br />

"How, then, do you account for the perpetual undercurrent of mean<strong>in</strong>g<br />

and <strong>in</strong>nuendo that may be found <strong>in</strong> every l<strong>in</strong>e?"<br />

"I deny that there is anyth<strong>in</strong>g of the sort," said Oxenden. "It is a<br />

pla<strong>in</strong> narrative of facts; but the facts are themselves such that they<br />

give a new color<strong>in</strong>g to the facts of our own life. They are <strong>in</strong> such<br />

profound antithesis to European ways that we consider them as be<strong>in</strong>g<br />

written merely to <strong>in</strong>dicate that difference. It is like the Germania<br />

of Tacitus, which many critics still hold to be a satire on Roman<br />

ways, while as a matter of fact it is simply a narrative of German<br />

manners and customs."<br />

"I hope," cried Melick, "that you do not mean to compare this awful

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