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Final Thesis - John Williams - ScholarsArchive at Oregon State ...

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Influences<br />

Early Career Influences<br />

As discussed in the biography section, jazz played a large part in <strong>John</strong><br />

<strong>Williams</strong>’ early life and career. His f<strong>at</strong>her was a drummer for the Raymond Scott<br />

Quintet where he was able to contribute a unique percussive style th<strong>at</strong> cre<strong>at</strong>ed a<br />

found<strong>at</strong>ion for many o the band’s compositions. He also cre<strong>at</strong>ively added cowbell,<br />

wood block, and tuned percussion in addition to the regular jazz drum and cymbal<br />

setup ("<strong>John</strong>ny <strong>Williams</strong> (Drummer)"). It is possible th<strong>at</strong> growing up around his<br />

f<strong>at</strong>her’s influence caused <strong>John</strong> <strong>Williams</strong> to seek jazz out as a cre<strong>at</strong>ive outlet and<br />

means to pay for school while <strong>at</strong>tending Juilliard. Jazz also perme<strong>at</strong>es some of his<br />

l<strong>at</strong>er scores, such as the “Cantina Band” song anomaly in Star Wars and the retro-<br />

60s sound of the score for C<strong>at</strong>ch Me If You Can. In a funny anecdotal story told by<br />

<strong>Williams</strong>, he originally saw the “Cantina” scene without music, but with strange<br />

looking cre<strong>at</strong>ures playing instruments. Because no similar piece had been written<br />

like th<strong>at</strong> in the film, he wasn’t sure how to approach the style, whether it is<br />

electronic, futuristic, etc. George Lucas actually came up with the idea of making it a<br />

futuristic sounding Benny Goodman swing band. So when <strong>Williams</strong> scored the piece<br />

with his acoustic instruments he purposely had some of them slightly out of tune<br />

and a little off tempo to make it seem as if the aliens were trying to recre<strong>at</strong>e a piece<br />

of human music (Byrd).<br />

Another influence on his early career was his tutoring from Italian composer<br />

Mario Castelnuovo-Tedesco, who also taught Jerry Goldsmith and Marty Paich. He<br />

8

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