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Final Thesis - John Williams - ScholarsArchive at Oregon State ...

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1:39:27-1:45:15 - Quiet but high pitched strings cre<strong>at</strong>e a tense <strong>at</strong>mosphere as<br />

H<strong>at</strong>sumomo thre<strong>at</strong>ens Sayuri’s most precious belonging (the Chairman’s<br />

handkerchief). Deep resounding drums and continued string screeching increases<br />

the tension as the okiya c<strong>at</strong>ches fire in the midst of their struggle. H<strong>at</strong>sumomo is<br />

pushed over the edge of jealousy as she adds fuel and more fire to the blaze. A lone<br />

wailing cry is heard overtop of the deep resounding drums. And a sad melody<br />

accompanies H<strong>at</strong>sumomo’s exit of the okiya. The main theme heard throughout this<br />

scene is “The Fire Scene…and the Coming of War.” The same drum be<strong>at</strong>s continue<br />

along with a similar sad melody as soldiers pour into the city and Sayuri and<br />

Mameha are forced to flee to the countryside.<br />

1:45:40-1:46:05 - A mournful and minor reprise of “The Chairman’s Waltz” can be<br />

heard as the Chairman sends Sayuri into the countryside to work for a kimono<br />

maker for safety from the war.<br />

1:51:19-1:52:08 - A quiet melody accompanies Sayuri’s return to wh<strong>at</strong> is left of the<br />

okiya, as she tries to convince Mameha to help her become a geisha once again.<br />

1:55:24-1:57:00 - As Sayuri starts becoming a geisha again, “The Chairman’s Waltz”<br />

plays in the background, perhaps referencing Sayuri’s enduring dream to be with<br />

the Chairman and help his cause.<br />

1:57:25-1:58:15 - An upbe<strong>at</strong> 40s tune “Three Little Sisters” begins playing as<br />

Pumpkin makes her spunky entrance to the airstrip as the group prepares to leave<br />

to a resort. The lyrics are fitting as the three geisha “sisters” have joined together<br />

once again for a common cause.<br />

2:03:00-2:07:37 - Nobu offers to be Sayuri’s danna which is punctu<strong>at</strong>ed by<br />

“Destiny’s P<strong>at</strong>h” which is a fast paced fluid tune. It sounds hurried and imp<strong>at</strong>ient as<br />

Sayuri tries to develop a plan to avoid becoming tied to Nobu, when she really wants<br />

the Chairman. It ends abruptly when Pumpkin brings the Chairman to “interrupt”<br />

Sayuri with the Colonel, when she really wanted Nobu to see and become upset.<br />

Sayuri believes her future has been changed forever.<br />

2:07:45-2:10:23 - A similar version of “Sayuri’s Theme” plays as she looks out over<br />

the Japanese mountainside seemingly without hope. It quietly changes into the<br />

mournful tune of “A Dream Discarded.”<br />

2:11:18-2:12:19 - A delic<strong>at</strong>e flute melody plays as Sayuri ventures to the teahouse<br />

to meet who she thinks is Nobu offering once again to be her danna. Her face is full<br />

of melancholy as she feels she has lost hope and given up on her dreams.<br />

2:13:30-2:16:56 - The Chairman is the one who shows up to meet Sayuri, and<br />

explains th<strong>at</strong> he has been helping her achieve her dreams all along, including asking<br />

Mameha to take Sayuri on as a maiko (geisha in training). A quiet violin version of<br />

“Sayuri’s Theme” plays in the background as they realize their feelings for one<br />

35

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