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CLASSIC SIX METRE NEWSLETTER

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considerable problems during the whole measurement process. I resolved that if I ever were<br />

to use this technique again, I would use a perfectly level concrete floor.<br />

The data was sent to a naval architect to be processed. It later turned out that his experience<br />

was limited to designing cruising ships. When we received plots of the frames, they did not<br />

match the old ones, so we took the difficult decision to cut the boat to pieces. This was, in<br />

fact, the only way to remove the steel frames out without losing their shape.<br />

Our lofting was then a combination of old and new; digital data and old rusty frames on the<br />

floor.<br />

The technique has improved since then. Working with an architect with experience with<br />

Sixes, this CAN be the way to go in the future.<br />

Several years later, we did a 55 m 2 skerry cruiser using laser measuring. It provided us with<br />

usable printouts, and no lofting was required.<br />

* * * * * *<br />

Given the value of the heritage which the current fleet of classic Sixes represents, the editors<br />

encourage all owners of Sixes without plans to add a laser modelling to their maintenance<br />

budgets for the next few years. This would avoid the total disappearance of an existing boat<br />

due to the rare, but catastrophic, ravages of fire and other accidents.<br />

Martin Rosenstedt built his first boat at the age of 15 and, since then, he has never<br />

understood that the possibility of stopping existed. Now he is running a boatyard with a<br />

crew of five and a big number of old woodies. He currently sails a 1948 Tore Holm<br />

Baltic Eight, and can be seen in the crew of almost any classic yacht Tim Street is owner<br />

of the Six, Abu, co-author, with Pekka Barck, of the book The Six Metre – 100 years of<br />

Racing. and president of ISMA.<br />

Transporting a classic Six – my personal experience<br />

1. Lifting<br />

Transport itself is usually not the most dangerous part, but rather the lifting of the boat in/out<br />

of the water and onto the transport.<br />

The most frequent cases of damage to boats have been caused by crane personnel. The<br />

struggles with crane operators to lift our boats correctly have been numerous and sometimes<br />

tempestuous. The operators always think that they know how to lift a Six and are offended if<br />

told how it should be done. Never hesitate. Supervise it yourself!<br />

The lifting of classics with two straps, with the aft one passing under the counter above the<br />

rudder, is a disaster - especially for older boats which haven’t been refastened.<br />

At the WC in Saint-Tropez in 2003, Alexandra was damaged by improper lifting of this sort.<br />

The stresses applied to Alexandra led to the opening of a plank seam which required lifting<br />

her out again almost immediately and the intervention of a marine carpenter to close the<br />

seam. She also missed several days of participation because of this emergency.<br />

Similarly, at the 2007 WC at Cowes, we observed damage inflicted to Fléau, the World<br />

Champion modern Six, due to wrong hoisting at Hamble. Again, straps had been improperly<br />

passed around her outer body.<br />

We always lift Fågel Blå with one strap under the front part of the keel and the other strap<br />

under the aft part, forward of the rudder. We always insist on the straps being adjusted so<br />

that she is lifted in horizontal position. It is also very important to connect the forward and<br />

aft lifting straps with two (tight) diagonals to prevent the lifting straps from moving during<br />

lifting. Do not compromise on these points!<br />

The alternative to using lifting straps is to lift the boat by an internal hoisting ring connected<br />

to one or more keel bolts inside the boat. This is not suitable for every boat. If you don’t<br />

know the condition of your keel bolts, it can spell disaster. Many boats that regularly used<br />

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