CELIA MARIA ARNS.pdf - Universidade Federal do Paraná

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sandra a choice between hanging and exile, and she opted for the latter. Argos is living under the ty- ranny of Aegisthus 1 policy and the people are discon- tented. Agamemnon's name is scribbled on walls, some- times with Orestes' name beneath it, as a sign of protest. (P 107) And finally, Electra is to be married to an effeminate priest. Orestes, furious, says that ...The wife of a priest makes an easier victim than a princess and daughter of Agamemnon... (P 108) Orestes is surprised because Aegisthus and his gods have not brought anything better to the city. The human and philosophical ideas of Aegisthus have not been put into practice. Aegisthus has become a tyrant and his despotic government is dragging the people towards chaos. This is how Orestes becomes ...the lib- erator of Argos... CP 109) and decides to continue the pretensions of his father because he can resist the external pressures no longer. Yet he accepts his destiny under protest and for this reason he becomes a tragic hero. 2.3. GREEK RELIGIOUS AND MYTHOLOGICAL ASPECTS IN THE PRODIGAL Through an understanding of the Greek cosmo- 33
vision, especially its religious and mythological aspects, it is possible to establish to what extent Rich- ardson preserves these aspects in his modern version. These preliminary considerations will help to substan- tiate eventual conclusions concerning Agamemnon's and Aegisthus' political positions in relation to the scale of values of the two orders they represent. ...Our race from its first appearance proved a source of irresistible fascination to the immortals... COT 10) The ancient gods had great influence upon man's life and destiny. They imposed on man certain principles of behavior and man in turn tried various ways of influencing the gods to favour his accomplish- ments. Sacrifices were offered to them to try to win divine benefits or to thank the deities for a benefit received. This tribute to the gods constituted a con- nection between the gods and man. In very remote times, even human beings were sacrificed: prisoners of war or those who were demanded by the oracles or by the prophets to placate the anger of immortal beings. In Oresteia by Aeschylus, Agamemnon sacrifices his virgin daughter Iphigenia to placate the anger of the goddess Artemis. The king is condemned for this act by Clytem- nestra, who cleverly prepares to assassinate him on his return. The queen claims that Iphigenia's death is the principal reason for the murder: 34
Page 1 and 2: CÉLIA MARIA ARNS JACK RICHARDSON'S
Page 4 and 5: PROFESSOR ORIENTADOR Doutor Heriber
Page 6 and 7: CONTENTS Page ABSTRACT viii 1. INTR
Page 8 and 9: ABSTRACT Greek dramatists based the
Page 10 and 11: 1. INTRODUCTION Modern American Dra
Page 12 and 13: ne 9 . When Jack Richardson wrote T
Page 14 and 15: could not attain to the quiet which
Page 16 and 17: and Aegisthus represent. But the mu
Page 18 and 19: erature, above the rest of world li
Page 20 and 21: the author's life and plays. Gilber
Page 22 and 23: of Greek ancient history as narrate
Page 24 and 25: It was at the University of Munich
Page 26 and 27: American Plays and Playwrights of t
Page 28 and 29: 2. GREEK COSMOVISION IN THE PRODIGA
Page 30 and 31: her husband if his possession of he
Page 32 and 33: Eumenides. However, the modern auth
Page 34 and 35: man. (P 33) In the second scene of
Page 36 and 37: ic between Agamemnon and Aegisthus
Page 38 and 39: 29 Why our child is not here to giv
Page 40 and 41: non is harmless. The usurper fears
Page 44 and 45: 35 ... he must sacrifice His child,
Page 46 and 47: much as the other things that go on
Page 48 and 49: the priest's blessings of the marri
Page 50 and 51: seeing that vengeance was done - a
Page 52 and 53: Apollo: 43 ...The Furies will hound
Page 54 and 55: setting for the development of the
Page 56 and 57: torical oppositions between Aegisth
Page 58 and 59: to the city. Orestes: Aegisthus kne
Page 60 and 61: 3 DEBUSSCHER, Gilbert. Modern Masks
Page 62 and 63: 3. AN OUTLINE OF THE CHARACTERS IN
Page 64 and 65: his plays are fascinating in ways t
Page 66 and 67: orders in the play, and reveal the
Page 68 and 69: Is Iphigenia's sacrifice also a det
Page 70 and 71: L Richardson preserves the essentia
Page 72 and 73: is addressed to his family: Who wis
Page 74 and 75: k. gos definitively. However, in a
Page 76 and 77: But, the people do not accept Aegis
Page 78 and 79: Chorus: ...But I, since Heaven's wi
Page 80 and 81: cause them problems. But, when Agam
Page 82 and 83: ...Acting on -it, Apollo has introd
Page 84 and 85: forces and has no choice: The world
Page 86 and 87: i threatened by our poet's sword. (
Page 88 and 89: i identified with the deeds of the
Page 90 and 91: pretty and highly sensitive girl of
Page 92 and 93:
etween two terms: crowd and people.
Page 94 and 95:
i tive forces is not reached; the r
Page 96 and 97:
You're wiser than I was. I knew wha
Page 98 and 99:
In the last scene of the play, Cass
Page 100 and 101:
Cassandra: 91 ...there is only one
Page 102 and 103:
8 WELLWARTH, p.18. 9 FUNK & Wagnall
Page 104 and 105:
values of Argive society after the
Page 106 and 107:
everywhere. 8 This new political ph
Page 108 and 109:
tions of every type since ancient G
Page 110 and 111:
101 the humanitarian principle. But
Page 112 and 113:
103 the same way under certain cond
Page 114 and 115:
105 4.2. THE AMERICAN REVOLUTION AN
Page 116 and 117:
107 nature and should be overthrown
Page 118 and 119:
his powers unwisely. 109 These four
Page 120 and 121:
Ill terized by strong opposition to
Page 122 and 123:
113 Toynbee also emphasizes the rol
Page 124 and 125:
115 movement which rules the world
Page 126 and 127:
1 2 THUCYDIDES, p.351. 1 3 JAEGER,
Page 128 and 129:
119 34 Neither of these parties fin
Page 130 and 131:
5. RICHARDSON'S VIEW OF HISTORICAL
Page 132 and 133:
the former quality reigns unchallen
Page 134 and 135:
125 ance and does not follow the ki
Page 136 and 137:
victory of his order. 127 Agamemnon
Page 138 and 139:
129 thus' policy is his lack of con
Page 140 and 141:
131 would be worthwhile. He has man
Page 142 and 143:
133 life. k It is interesting to ob
Page 144 and 145:
to do. One is idealistic, the other
Page 146 and 147:
137 reason for Aegisthus 1 resolve
Page 148 and 149:
139 is oppressive and tyrannical, u
Page 150 and 151:
141 in the political structures of
Page 152 and 153:
NOTES 1 DEBUSSCHER, Gilbert. Modern
Page 154 and 155:
145 leader, the participation of pe
Page 156 and 157:
147 of political and historical ins
Page 158 and 159:
I elemento essencial de sua estrutu
Page 160 and 161:
151 DEBUSSCHER, Gilbert. Modern Mas
Page 162 and 163:
153 POUILLON, Jean. 0 Tempo no Roma
Page 164 and 165:
i Clytemnestra APPENDIX CHARACTERS
Page 166:
i 157 argument because Pylades does
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