CELIA MARIA ARNS.pdf - Universidade Federal do Paraná

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PROFESSOR ORIENTADOR Doutor Heriberto Arns Titular de Literatura Norte-Americana da Universidade Federal do Paraná iv
v ACKNOWLEDGEMENTS It is a pleasure for me to acknowledge my special gratitude to all those who have contributed to make this work possible.
Page 1 and 2: CÉLIA MARIA ARNS JACK RICHARDSON'S
Page 6 and 7: CONTENTS Page ABSTRACT viii 1. INTR
Page 8 and 9: ABSTRACT Greek dramatists based the
Page 10 and 11: 1. INTRODUCTION Modern American Dra
Page 12 and 13: ne 9 . When Jack Richardson wrote T
Page 14 and 15: could not attain to the quiet which
Page 16 and 17: and Aegisthus represent. But the mu
Page 18 and 19: erature, above the rest of world li
Page 20 and 21: the author's life and plays. Gilber
Page 22 and 23: of Greek ancient history as narrate
Page 24 and 25: It was at the University of Munich
Page 26 and 27: American Plays and Playwrights of t
Page 28 and 29: 2. GREEK COSMOVISION IN THE PRODIGA
Page 30 and 31: her husband if his possession of he
Page 32 and 33: Eumenides. However, the modern auth
Page 34 and 35: man. (P 33) In the second scene of
Page 36 and 37: ic between Agamemnon and Aegisthus
Page 38 and 39: 29 Why our child is not here to giv
Page 40 and 41: non is harmless. The usurper fears
Page 42 and 43: sandra a choice between hanging and
Page 44 and 45: 35 ... he must sacrifice His child,
Page 46 and 47: much as the other things that go on
Page 48 and 49: the priest's blessings of the marri
Page 50 and 51: seeing that vengeance was done - a
Page 52 and 53: Apollo: 43 ...The Furies will hound
Page 54 and 55:
setting for the development of the
Page 56 and 57:
torical oppositions between Aegisth
Page 58 and 59:
to the city. Orestes: Aegisthus kne
Page 60 and 61:
3 DEBUSSCHER, Gilbert. Modern Masks
Page 62 and 63:
3. AN OUTLINE OF THE CHARACTERS IN
Page 64 and 65:
his plays are fascinating in ways t
Page 66 and 67:
orders in the play, and reveal the
Page 68 and 69:
Is Iphigenia's sacrifice also a det
Page 70 and 71:
L Richardson preserves the essentia
Page 72 and 73:
is addressed to his family: Who wis
Page 74 and 75:
k. gos definitively. However, in a
Page 76 and 77:
But, the people do not accept Aegis
Page 78 and 79:
Chorus: ...But I, since Heaven's wi
Page 80 and 81:
cause them problems. But, when Agam
Page 82 and 83:
...Acting on -it, Apollo has introd
Page 84 and 85:
forces and has no choice: The world
Page 86 and 87:
i threatened by our poet's sword. (
Page 88 and 89:
i identified with the deeds of the
Page 90 and 91:
pretty and highly sensitive girl of
Page 92 and 93:
etween two terms: crowd and people.
Page 94 and 95:
i tive forces is not reached; the r
Page 96 and 97:
You're wiser than I was. I knew wha
Page 98 and 99:
In the last scene of the play, Cass
Page 100 and 101:
Cassandra: 91 ...there is only one
Page 102 and 103:
8 WELLWARTH, p.18. 9 FUNK & Wagnall
Page 104 and 105:
values of Argive society after the
Page 106 and 107:
everywhere. 8 This new political ph
Page 108 and 109:
tions of every type since ancient G
Page 110 and 111:
101 the humanitarian principle. But
Page 112 and 113:
103 the same way under certain cond
Page 114 and 115:
105 4.2. THE AMERICAN REVOLUTION AN
Page 116 and 117:
107 nature and should be overthrown
Page 118 and 119:
his powers unwisely. 109 These four
Page 120 and 121:
Ill terized by strong opposition to
Page 122 and 123:
113 Toynbee also emphasizes the rol
Page 124 and 125:
115 movement which rules the world
Page 126 and 127:
1 2 THUCYDIDES, p.351. 1 3 JAEGER,
Page 128 and 129:
119 34 Neither of these parties fin
Page 130 and 131:
5. RICHARDSON'S VIEW OF HISTORICAL
Page 132 and 133:
the former quality reigns unchallen
Page 134 and 135:
125 ance and does not follow the ki
Page 136 and 137:
victory of his order. 127 Agamemnon
Page 138 and 139:
129 thus' policy is his lack of con
Page 140 and 141:
131 would be worthwhile. He has man
Page 142 and 143:
133 life. k It is interesting to ob
Page 144 and 145:
to do. One is idealistic, the other
Page 146 and 147:
137 reason for Aegisthus 1 resolve
Page 148 and 149:
139 is oppressive and tyrannical, u
Page 150 and 151:
141 in the political structures of
Page 152 and 153:
NOTES 1 DEBUSSCHER, Gilbert. Modern
Page 154 and 155:
145 leader, the participation of pe
Page 156 and 157:
147 of political and historical ins
Page 158 and 159:
I elemento essencial de sua estrutu
Page 160 and 161:
151 DEBUSSCHER, Gilbert. Modern Mas
Page 162 and 163:
153 POUILLON, Jean. 0 Tempo no Roma
Page 164 and 165:
i Clytemnestra APPENDIX CHARACTERS
Page 166:
i 157 argument because Pylades does
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