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Portrait of a Gallery - The Scottish Gallery

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George Leslie Hunter (1879-1931)<br />

Street Scene c.1920 pastel and ink 26.5 x 20.5 cms<br />

Hunter produced much more on paper in the last ten years <strong>of</strong> his life than in oil. He was leading a<br />

peripatetic life moving from the South <strong>of</strong> France to London and Scotland in search <strong>of</strong> inspiration and the<br />

practicalities favoured drawing and watercolour. He was supported by his friend Tom Honeyman, then a<br />

partner in Reid and Lefèvre, but who was more than once disappointed to receive a package <strong>of</strong> works on<br />

paper for a planned exhibition <strong>of</strong> new work. But these vigorous and spontaneous drawings with crayon or<br />

watercolour are some <strong>of</strong> the most vivid, successful works <strong>of</strong> the artist’s maturity. <strong>The</strong> nervous energy<br />

in his marks are not obscured by overwork and the excitement the artist feels at work is communicated.<br />

He worked in Nice, Villefranche and here in the Antibes. This is perhaps one <strong>of</strong> the works entrusted to<br />

Willy and Denis Peploe for delivery to Lefèvre in London on their way returning to School at the end <strong>of</strong><br />

the summer holidays from Cassis in 1924.<br />

16

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