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Portrait of a Gallery - The Scottish Gallery

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David McClure RSA, RSW (1926-1998)<br />

Paola with Flowers c.1963 oil on board 76 x 63 cms<br />

In 1957 McClure was the first <strong>of</strong> younger second-wave Edinburgh School painters to be <strong>of</strong>fered a solo<br />

exhibition at <strong>The</strong> <strong>Scottish</strong> <strong>Gallery</strong> showing recent watercolours and gouaches painted as an Andrew Grant<br />

Fellow in Florence and Sicily. <strong>The</strong>se works reveal the influences the artist had absorbed from his teachers<br />

particularly Gillies and Henderson Blyth at ECA and from Anne Redpath with whom he had painted in Fife.<br />

He was recruited that year by his subsequent life-long friend and colleague, Alberto Morrocco (in 1957<br />

he also had his first solo show with the gallery) to join the staff <strong>of</strong> Dundee College <strong>of</strong> Art and McClure<br />

is credited with bringing a feeling for the painterly qualities and regard for strong, vibrant colour <strong>of</strong> the<br />

Edinburgh School to Dundee.<br />

Much <strong>of</strong> McClure’s work is infused with the celebratory spirit <strong>of</strong> the French Post-Impressionists –<br />

Chagall, Gauguin, Matisse and Braque. In this painting, which is a charming portrait <strong>of</strong> the artist’s daughter<br />

Paola, contains echoes <strong>of</strong> another major inspiration, Odilon Redon, partly gleaned through the work <strong>of</strong><br />

a further teacher at Edinburgh, John Maxwell, about whom McClure wrote a sensitive and perceptive<br />

monograph for Edinburgh University Press.<br />

26

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