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Narrative Point of View in Louise Erdrich's Tracks - MIUSE

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Anthony Piccolo<br />

It Comes Up Different Every Time: <strong>Narrative</strong> <strong>Po<strong>in</strong>t</strong> <strong>of</strong> <strong>View</strong> <strong>in</strong> <strong>Louise</strong> Erdrich‟s <strong>Tracks</strong><br />

Works Cited<br />

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Columbia: U <strong>of</strong> Missouri P, 1999. Pr<strong>in</strong>t.<br />

Chavk<strong>in</strong>, Allan, ed. The Chippewa Landscape <strong>of</strong> <strong>Louise</strong> Erdrich. Tuscaloosa: U <strong>of</strong><br />

Alabama P, 1999. Pr<strong>in</strong>t.<br />

Erdrich, <strong>Louise</strong>. The B<strong>in</strong>go Palace. New York: Perennial-HarperColl<strong>in</strong>s, 1994. Pr<strong>in</strong>t.<br />

---. The Last Report on the Miracles at Little No Horse. New York: Perennial-<br />

HarperColl<strong>in</strong>s, 2001. Pr<strong>in</strong>t.<br />

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Faulkner, William. As I Lay Dy<strong>in</strong>g. 1930. New York: V<strong>in</strong>tage, 1990. Pr<strong>in</strong>t.<br />

Jacobs, Connie A. The Novels <strong>of</strong> <strong>Louise</strong> Erdrich: Stories <strong>of</strong> Her People. New York: Peter<br />

Lang, 2001. Pr<strong>in</strong>t.<br />

Morace, Robert A. “From Sacred Hoops to B<strong>in</strong>go Palaces: <strong>Louise</strong> Erdrich‟s Carnivalesque<br />

Fiction.” Chavk<strong>in</strong> 36-66.<br />

Owens, Louis. Other Dest<strong>in</strong>ies: Understand<strong>in</strong>g the American Indian Novel. Norman: U <strong>of</strong><br />

Oklahoma P, 1992. Pr<strong>in</strong>t.<br />

Peterson, Nancy J. “History, Postmodernism, and <strong>Louise</strong> Erdrich‟s <strong>Tracks</strong>.” PMLA 109.5<br />

(1994): 982-994. JSTOR. Web. 8 Feb. 2011.<br />

Purdy, John. “Aga<strong>in</strong>st All Odds: Games <strong>of</strong> Chance <strong>in</strong> the Novels <strong>of</strong> <strong>Louise</strong> Erdrich.”<br />

Chavk<strong>in</strong> 8-35.<br />

Ra<strong>in</strong>water, Cather<strong>in</strong>e. “Ethnic Signs <strong>in</strong> Erdrich‟s <strong>Tracks</strong> and The B<strong>in</strong>go Palace.” Chavk<strong>in</strong><br />

144-160.<br />

Silberman, Robert. “Open<strong>in</strong>g the Text: Love Medic<strong>in</strong>e and the Return <strong>of</strong> the Native<br />

American Woman.” <strong>Louise</strong> Erdrich’s Love Medic<strong>in</strong>e: A Casebook. Ed. Hertha D.<br />

Sweet Wong. New York: Oxford UP, 2000. 136-154. Pr<strong>in</strong>t.<br />

Smith, Jeanne Rosier. Writ<strong>in</strong>g Tricksters: Mythic Gambols <strong>in</strong> American Ethnic Literature.<br />

Berkeley: U <strong>of</strong> California P, 1997. Pr<strong>in</strong>t.<br />

Stookey, Lorena L. <strong>Louise</strong> Erdrich: A Critical Companion. Westport: Greenwood, 1999.<br />

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Treuer, David. Native American Fiction: A User’s Manual. Sa<strong>in</strong>t Paul: Graywolf, 2006.<br />

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