08.04.2013 Views

Narrative Point of View in Louise Erdrich's Tracks - MIUSE

Narrative Point of View in Louise Erdrich's Tracks - MIUSE

Narrative Point of View in Louise Erdrich's Tracks - MIUSE

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Anthony Piccolo<br />

It Comes Up Different Every Time: <strong>Narrative</strong> <strong>Po<strong>in</strong>t</strong> <strong>of</strong> <strong>View</strong> <strong>in</strong> <strong>Louise</strong> Erdrich‟s <strong>Tracks</strong><br />

Paul<strong>in</strong>e‟s narrations, though, are generally more problematic (or, as I prefer, more<br />

ambiguous) for the reader. Take, for example, Paul<strong>in</strong>e‟s account <strong>of</strong> the events <strong>in</strong><br />

Argus. Fleur arrives <strong>in</strong> Argus and f<strong>in</strong>ds a job at Kozska‟s Meats, a butcher shop.<br />

S<strong>in</strong>ce wages alone will not be enough to earn the money for the tax payment on her<br />

land, Fleur <strong>in</strong>volves herself <strong>in</strong> the nightly poker games with the three butchers: Lily,<br />

Tor, and Dutch. Fleur, the better card player, slowly lures the men <strong>in</strong> over a number<br />

<strong>of</strong> weeks until one night she w<strong>in</strong>s big and takes them for all their money. In a<br />

drunken fury, the men take their revenge by attack<strong>in</strong>g and (maybe) rap<strong>in</strong>g Fleur.<br />

Paul<strong>in</strong>e‟s account leaves room for doubt. Paul<strong>in</strong>e also works at the butcher shop with<br />

her younger cous<strong>in</strong>, Russell, do<strong>in</strong>g odd jobs. As such, she can provide first-person,<br />

eyewitness account <strong>of</strong> what transpires. The men pursue and catch Fleur <strong>in</strong> the<br />

smokehouse, at which po<strong>in</strong>t Paul<strong>in</strong>e tells us:<br />

I closed my eyes and put my hands on my ears, so there is noth<strong>in</strong>g more to describe<br />

but what I couldn‟t block out: those yells from Russell, Fleur‟s hoarse breath, so<br />

loud it filled me, her cry <strong>in</strong> the old language and our names repeated over and over<br />

among the words. (T 26)<br />

Although, earlier, Paul<strong>in</strong>e has said that she “knew everyth<strong>in</strong>g [that happened <strong>in</strong><br />

Argus] . . . what they did to Fleur” (T 16), her eyewitness account becomes closer to<br />

circumstantial evidence. Her eyes are “closed” and she covers her ears with her hands;<br />

yet, we are told, she “couldn‟t block out” the yells and cries. Russell, the other<br />

possible witness, has been struck by Dutch and left “shout<strong>in</strong>g and bawl<strong>in</strong>g <strong>in</strong> the sticky<br />

weeds” (T 26). What he sees or hears afterwards we are not told. Paul<strong>in</strong>e holds<br />

back on exactly what she sees or hears; her account is, at best, ambiguous. The<br />

events <strong>of</strong> the follow<strong>in</strong>g day, though, would seem to <strong>in</strong>dicate actions motivated by<br />

knowledge that Fleur has <strong>in</strong>deed been raped by the men. On the morn<strong>in</strong>g after the<br />

attack on Fleur, Argus is struck by a tornado. The butcher shop and much <strong>of</strong> the<br />

town are destroyed. The men have taken shelter <strong>in</strong> the thick-walled, ice-filled meat<br />

- 125 -

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!