july-2012
july-2012
july-2012
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inging in the distance, I discover a<br />
highlight of the park: its old church, and<br />
am lucky enough to hear a spectacular<br />
bell concert.<br />
In contrast to Kolomenskoe Park,<br />
Kapkov has his work cut out with the All-<br />
Russian Exhibition Centre, commonly<br />
known as VDNKh, which suffered a similar<br />
fate to other parks after the fall of<br />
communism. First, there was the rapid<br />
dilapidation of the kiosks, then the 71<br />
pavilions, each dedicated to a different<br />
Soviet Republic, were blighted by an<br />
incongruous mix of cheap shops.<br />
With its exhibitions and museums on<br />
space travel and aeronautics, it still has<br />
promise, and I’m more than a little<br />
hypnotised by the soaring triumph of Vera<br />
Mukhina’s restored sculpture of a hammerwielding<br />
worker and windswept farm-girl,<br />
epitomising the earlier conception of the<br />
park as a tribute to agricultural and<br />
industrial achievement. But just how to<br />
tackle the dizzying hybrid of new and old<br />
values here?<br />
Victory Park, another commemorativestyle<br />
park, is free of this contradiction – it’s<br />
a straight-faced celebration of Russia’s<br />
wartime resilience. I reach it by Fili metro<br />
station, a former village long since<br />
swallowed up by Moscow. This was where<br />
General Kutuzov held his military council<br />
deciding to abandon the city to the French<br />
after the Battle of Borodino in 1812.<br />
Napoleon then waited on Poklonnaya Hill,<br />
the highest and most strategically<br />
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