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inging in the distance, I discover a<br />

highlight of the park: its old church, and<br />

am lucky enough to hear a spectacular<br />

bell concert.<br />

In contrast to Kolomenskoe Park,<br />

Kapkov has his work cut out with the All-<br />

Russian Exhibition Centre, commonly<br />

known as VDNKh, which suffered a similar<br />

fate to other parks after the fall of<br />

communism. First, there was the rapid<br />

dilapidation of the kiosks, then the 71<br />

pavilions, each dedicated to a different<br />

Soviet Republic, were blighted by an<br />

incongruous mix of cheap shops.<br />

With its exhibitions and museums on<br />

space travel and aeronautics, it still has<br />

promise, and I’m more than a little<br />

hypnotised by the soaring triumph of Vera<br />

Mukhina’s restored sculpture of a hammerwielding<br />

worker and windswept farm-girl,<br />

epitomising the earlier conception of the<br />

park as a tribute to agricultural and<br />

industrial achievement. But just how to<br />

tackle the dizzying hybrid of new and old<br />

values here?<br />

Victory Park, another commemorativestyle<br />

park, is free of this contradiction – it’s<br />

a straight-faced celebration of Russia’s<br />

wartime resilience. I reach it by Fili metro<br />

station, a former village long since<br />

swallowed up by Moscow. This was where<br />

General Kutuzov held his military council<br />

deciding to abandon the city to the French<br />

after the Battle of Borodino in 1812.<br />

Napoleon then waited on Poklonnaya Hill,<br />

the highest and most strategically<br />

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Photographes © Mireille Roobaert - Louis-Philipe Breydel - Ana Carvalho<br />

ARCHITECTURAL INTERIOR DESIGN BY PINTO & CO I WWW.PINTOANDCO.BE

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