april-2012
april-2012
april-2012
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ILLUSTRATIONS BY TIM VIENCKOWSKI (CULTURAL VOCABULARY)<br />
LONDON<br />
Power Pointe<br />
MEET THE UNLIKELY SHOE OBSESSIVES<br />
KEEPING DANCERS ON THEIR TOES<br />
At the end of a murky hallway in the<br />
working-class east London neighborhood<br />
of Hackney, 12 men stand at<br />
battered workbenches under unfl attering<br />
fl uorescent lights. One wields<br />
a nail gun; another bangs away with<br />
a hammer. Machines hum. There<br />
is something severe and decidedly<br />
masculine about the whole scene,<br />
but what this factory, Freed of<br />
London, churns out is about as dainty<br />
as it gets: custom pointe shoes for<br />
the world’s prima ballerinas.<br />
The factory is managed by Gary<br />
Brooks, who came to Freed straight<br />
out of high school. “I was fascinated<br />
when I fi rst came here by how much<br />
work goes into making a shoe,” he<br />
says. “People either leave after six<br />
months or, like me, stay for 30 years.”<br />
The only things that have changed<br />
since Freed was founded in 1929 are<br />
the soccer posters on the wall and<br />
the songs coming from the radio.<br />
CULTURAL VOCABULARY A GUIDE TO CURIOUS WORDS AND GESTURES FROM AROUND THE GLOBE<br />
ISRAEL<br />
If someone’s full of hot air, call<br />
him on it by pointing at your<br />
upturned palm—signaling that<br />
grass will grow there before<br />
his words come true.<br />
nu: This Yiddish word can<br />
mean anything from “How did<br />
it go?” to “Hi, what’s up?”<br />
Each craftsman makes 40 pairs<br />
a day, all of which start with the<br />
same basic materials: satin, cotton,<br />
burlap, cardboard and leather. But, as<br />
with violin makers and their varnish,<br />
rumors abound of top-secret ingredients<br />
being added along the way to<br />
make one man’s shoes more prized<br />
than another’s. Because of this, once<br />
a dancer fi nds a craftsman she likes,<br />
she tends to stay with him for her<br />
entire career. In turn, the shoe makers<br />
take great pride in nabbing the<br />
best ballerinas. “I’ve had some top<br />
FINLAND<br />
When passing the salt, set it<br />
down on the table instead of<br />
handing it off directly, which<br />
would invite bad luck.<br />
kurrku: Equally important<br />
in doctors’ offi ces and<br />
restaurants, this means both<br />
“throat” and “cucumber.”<br />
COLOMBIA<br />
Recalculate your tip if you<br />
see your waitress tapping<br />
the underside of her elbow,<br />
which indicates you’ve been<br />
a bit stingy.<br />
avión: The Spanish word for<br />
airplane is also a colloquial<br />
term for a clever person.<br />
THE WORLD<br />
dancers—Tamara Rojo and Belinda<br />
Hatley,” says Pat Moran. He’s been<br />
at it for 18 years, he says, “and I still<br />
remember the times I’ve come to<br />
work and made the perfect shoe.”<br />
That’s not to say the craftsmen<br />
often see their handiwork in action.<br />
In fact, Brooks is unusual among his<br />
colleagues in that he’s actually been<br />
to the ballet. “I really enjoy watching<br />
their feet and what they do. It gives<br />
you a whole diff erent view,” he says.<br />
“But most of the blokes think it’s a bit<br />
girly.” —MARCIA ADAIR<br />
POLAND<br />
Flicking a fi nger against your<br />
neck is shorthand for “Want to<br />
get a drink?” (usually vodka).<br />
bułka z masłem: In Poland,<br />
something easy isn’t described<br />
as a “piece of cake” but rather<br />
a “roll with bu er.”<br />
HEMISPHERESMAGAZINE.COM • APRIL <strong>2012</strong> 23