april-2012
april-2012
april-2012
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90 APRIL <strong>2012</strong> • HEMISPHERESMAGAZINE.COM<br />
THREE PERFECT DAYS<br />
HOUSTON<br />
CROSSING THE SPECTRUM Artist Dan Flavin’s<br />
installation at the Menil Collection; below, Hotel<br />
Granduca; opposite, Canino Produce Co.<br />
DAY ONE | With the sun creeping through the curtains<br />
at Hotel ZaZa (1), a swanky retreat that a racts pre y<br />
people with pricey tastes to its bar and design-savvy<br />
travelers to its suites, you manage to rise from the paralyzing<br />
comfort of your bed and step out onto your balcony.<br />
Gazing past the parks, museums and neighborhoods<br />
below, your eyes meet Houston’s skyline. You pull on your<br />
boots and start exploring.<br />
But fi rst, breakfast. You take a cab to Brasil (2), a café<br />
in the lively Montrose district that’s known for its contemporary<br />
diner menu and strong coff ee. Faced with the<br />
daunting choice of egg dishes, quiches and something<br />
called a breakfast salad, you eavesdrop on a local as she<br />
orders. Eggs El Salvador? You’ll have that too. When<br />
the bean-fi lled pupusa with chorizo, poached eggs and<br />
both red and green salsa arrives, you dig into the delicious<br />
mountain of food and resolve to eavesdrop on<br />
Houstonians’ orders more o en.<br />
Hopped up on salsa, you make the fi ve-minute walk<br />
to the Menil Collection (3), a warehouse-like art museum<br />
spread across a full city block. Opened in 1987, the<br />
Renzo Piano–designed building celebrates what appears<br />
to be Houston’s other favorite kind of oil—in paintings<br />
by the likes of Picasso, Ernst, Matisse and Magri e—<br />
although it turns out the two are intertwined here.<br />
Founder Dominique de Menil was the heir to a fortune<br />
amassed by her father and her uncle, who together<br />
patented a device that’s been called a divining rod for<br />
petroleum exploration.