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EVENTS /// PROFILES /// GADGETS /// PLACES /// STYLE /// DRINK<br />

022<br />

DISAPPEARING<br />

ASIA<br />

FADING<br />

PATTERNS<br />

The fate of Cantonese embroidery<br />

hangs by a thread as the younger<br />

generation shuns this age-old art<br />

According to accounts of the earliest<br />

history of Cantonese embroidery,<br />

in 805AD during the Tang Dynasty<br />

a 14-year-old girl embroidered a<br />

wordy sutra (religious formula) on a<br />

square foot of cloth. Seven hundred<br />

years later, Cantonese embroidery<br />

became known in Europe when a<br />

Portuguese traveller presented an<br />

embroidered dragon robe to his<br />

king. During the Qing Dynasty,<br />

when the British brought patterns<br />

to Guangzhou for crafting,<br />

embroidery masters brought a<br />

fresh perspective to their art by<br />

integrating elements of Western<br />

painting into their creations.<br />

Cantonese embroidery thrived<br />

and new styles such as silk, thread,<br />

bean and fl ake embroideries<br />

materialised. At its peak, the<br />

industry boasted more than 3,000<br />

masters and apprentices, who were<br />

mostly men.<br />

But the popularity of Cantonese<br />

embroidery declined when war broke<br />

out in 1900. The artists struggled<br />

to make a living when machineproduced<br />

embroidery was introduced.<br />

The last embroidery artist, Master Xu<br />

Chiguang, had to retire in 1992.<br />

“Cantonese embroidery is time<br />

consuming. A good masterpiece<br />

requires the collaboration of a few<br />

artists and could take more than<br />

a year to complete,” says Xu. “It’s<br />

also not easy to recruit and keep<br />

apprentices as it takes nearly a<br />

decade to train one.”<br />

Xu learned the art of embroidery<br />

from his father when he was seven<br />

years old. He has devoted more<br />

than 60 years to the art and has<br />

trained more than 400 apprentices.<br />

With support from his peers, he<br />

reopened his factory in 2003 and<br />

returned to his career. In 2006,<br />

he collaborated with other artists<br />

to complete an award-winning<br />

embroidery piece titled Lychee and<br />

Geese, which is valued at more than<br />

a million yuan.<br />

Besides working in the factory,<br />

this 80-year-old master offers free<br />

workshops for aspiring embroidery<br />

artists. “I can’t bear the thought of<br />

this art dying with my generation.<br />

None of my three grandchildren is<br />

interested to inherit this skill,” Xu<br />

says with a sigh.<br />

The Cantonese Embroidery Mansion is open for visitors<br />

FROM TOP: The<br />

award-winning<br />

Monday-Friday (9.30-11.30am, 2-5pm). Artworks<br />

GUAN<br />

Lychee and Geese; are available for purchase on the premises and at<br />

Xu conducts<br />

MAY<br />

free workshops;<br />

guangxiu.cn. 171 Dunhe Rd, Guangzhou Dadao Nan,<br />

another work by Xu tel: +86 (20) 8421 3332.<br />

WORDS:

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