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Clockwise from left: Virginia Maja-Stack’s<br />

weekly column chronicles the vibrant local<br />

life; Takeshi Maruyama at work on a sculpure;<br />

resident poet and university professor Cesar<br />

Ruiz Aquino; one of the many murals in<br />

Silliman University.<br />

Artists’ choice<br />

“Dumaguete has become a hub of<br />

artists from all over the country,<br />

perhaps because of the infl uence of<br />

Silliman and other universities that<br />

promote creative and arts opportunities<br />

for students and visitors,” agrees<br />

Virginia Maja-Stack, a balikbayan<br />

retiree who now writes a column for the<br />

Dumaguete Metro Post. “And I certainly<br />

think that it also has something to<br />

do with the people’s attitude here,<br />

[because they are] are open to new<br />

initiatives and creative forms.”<br />

Spend any amount of time in<br />

Dumaguete, and it will be impossible<br />

not to stumble upon the wellsprings<br />

of creativity that run deep in the city.<br />

Dumaguete is still synonymous with<br />

the annual National Writers’ Workshop<br />

that’s been run by Silliman for decades<br />

Spend any amount of time<br />

in Dumaguete, and it will be<br />

impossible not to stumble upon<br />

the wellsprings of creativity that<br />

run deep in the city<br />

now, and which count among its<br />

generations of fellows a great number of<br />

the country’s literary elite. But creativity<br />

in many forms runs rampant. In a<br />

short visit there, I was able to meet a<br />

world-class Japanese ceramic artist,<br />

Takeshi Maruyama — a teacher at<br />

the Foundation University who, with<br />

the help of photographer Hersley Ven<br />

Casero, is putting together a proposal<br />

to install 100 of<br />

{ 162 }<br />

his pieces around<br />

town. I also spoke<br />

to Diane Pool, an<br />

American who<br />

has settled in<br />

the community<br />

of Tambobo<br />

Bay, just outside<br />

Dumaguete, where she has helped<br />

put up a couple of schoolhouses for<br />

the children of Siaton. With some likeminded<br />

friends, she is hoping to turn<br />

part of the foundation’s offi ces into an<br />

artists’ retreat, which will help fund their<br />

work in the schoolhouses.<br />

And there does seem to be a strong<br />

impetus towards connections, both<br />

towards the community in Dumaguete<br />

and outward, drawing people towards<br />

the place. Maja-Stack herself is involved<br />

in a pilot project with New York-based<br />

restaurateur and food writer Amy Besa,<br />

Manila’s Enderun Colleges, and Silliman<br />

University to create community kitchens<br />

to teach nutrition and sustainable eating.<br />

Indeed, this kind of involvement in<br />

community-oriented projects speaks

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