december-2011
december-2011
december-2011
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Clockwise from left: Virginia Maja-Stack’s<br />
weekly column chronicles the vibrant local<br />
life; Takeshi Maruyama at work on a sculpure;<br />
resident poet and university professor Cesar<br />
Ruiz Aquino; one of the many murals in<br />
Silliman University.<br />
Artists’ choice<br />
“Dumaguete has become a hub of<br />
artists from all over the country,<br />
perhaps because of the infl uence of<br />
Silliman and other universities that<br />
promote creative and arts opportunities<br />
for students and visitors,” agrees<br />
Virginia Maja-Stack, a balikbayan<br />
retiree who now writes a column for the<br />
Dumaguete Metro Post. “And I certainly<br />
think that it also has something to<br />
do with the people’s attitude here,<br />
[because they are] are open to new<br />
initiatives and creative forms.”<br />
Spend any amount of time in<br />
Dumaguete, and it will be impossible<br />
not to stumble upon the wellsprings<br />
of creativity that run deep in the city.<br />
Dumaguete is still synonymous with<br />
the annual National Writers’ Workshop<br />
that’s been run by Silliman for decades<br />
Spend any amount of time<br />
in Dumaguete, and it will be<br />
impossible not to stumble upon<br />
the wellsprings of creativity that<br />
run deep in the city<br />
now, and which count among its<br />
generations of fellows a great number of<br />
the country’s literary elite. But creativity<br />
in many forms runs rampant. In a<br />
short visit there, I was able to meet a<br />
world-class Japanese ceramic artist,<br />
Takeshi Maruyama — a teacher at<br />
the Foundation University who, with<br />
the help of photographer Hersley Ven<br />
Casero, is putting together a proposal<br />
to install 100 of<br />
{ 162 }<br />
his pieces around<br />
town. I also spoke<br />
to Diane Pool, an<br />
American who<br />
has settled in<br />
the community<br />
of Tambobo<br />
Bay, just outside<br />
Dumaguete, where she has helped<br />
put up a couple of schoolhouses for<br />
the children of Siaton. With some likeminded<br />
friends, she is hoping to turn<br />
part of the foundation’s offi ces into an<br />
artists’ retreat, which will help fund their<br />
work in the schoolhouses.<br />
And there does seem to be a strong<br />
impetus towards connections, both<br />
towards the community in Dumaguete<br />
and outward, drawing people towards<br />
the place. Maja-Stack herself is involved<br />
in a pilot project with New York-based<br />
restaurateur and food writer Amy Besa,<br />
Manila’s Enderun Colleges, and Silliman<br />
University to create community kitchens<br />
to teach nutrition and sustainable eating.<br />
Indeed, this kind of involvement in<br />
community-oriented projects speaks