january-2012
january-2012
january-2012
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
IMAGES©NICOLASKOENIGTIMBIES<br />
PRIVATDESIGN<br />
‘Mountaineering and architect ure have<br />
many parallels – they’re about solving the<br />
problem in as clear and economic means as<br />
possible – it’s not about getting to the top’<br />
Forty-Five<br />
Left: outdoorsman and<br />
architect Tom Kundig is<br />
a believer in collaborative<br />
eff ort rather than<br />
individual genius<br />
Seattle suburbs. Set up in 1968 by Jim Olson<br />
(Kundig joined in 1986), the fi rm is now<br />
90-strong, and combines a disarmingly<br />
modest approach to networking and a<br />
no-frills approach to hiring. ‘We’re not a<br />
meet-and-greet kind of fi rm – we don’t do<br />
the country club scene, we’re not golfers,<br />
we’re not the socialising type,’ Kundig says,<br />
and his fi rm explicitly ‘only hires people<br />
willing to do everything from design through<br />
to construction’. Arranged as a collection of<br />
small ateliers, Olson Kundig has dozens of<br />
jobs on the board, ranging from tiny cabins<br />
to sprawling estates, apartment buildings,<br />
stores and galleries. Each project is in the<br />
hands of a small team who will see it through<br />
from design sketches to the fi nal nail.<br />
Retreats, vacation homes and cabins<br />
loom large in Kundig’s portfolio; the spirit<br />
of the frontier, the beauty of isolation and,<br />
above all, a sense of getting away from it all.<br />
Th ese range from the modest Gulf Island<br />
Cabin in British Columbia to the expansive<br />
Highlands House in North Carolina, which<br />
stalks through a wooded site on a forest of<br />
precise steel columns. Th e cabin on Gulf<br />
Island is a single room, secured by a sliding<br />
sheet of steel taken straight from a mill,<br />
with an outdoor shower and a kitchenette;<br />
it’s pared down but still luxurious in its<br />
generous relationship with its surroundings.<br />
Kundig drew early inspiration from a<br />
small project designed by his father’s<br />
employer, the Seattle architect Royal Alfred<br />
McClure, in 1960. Th e McClure Cabin<br />
stands on the shore of Lake Coeur d’Alene,<br />
stark in its wall-less simplicity, like a<br />
defenestrated, rusticated version of the<br />
Farnsworth House, or Th oreau housed by<br />
Pierre Koenig. ‘I was an outside kid and this<br />
was literally just a small platform basically for<br />
going outside.’ In more recent times, he has<br />
developed a strong affi nity with like-minded<br />
architects around the world. ‘Th ere’s a sort of