january-2012
january-2012
january-2012
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Right: Mandalay Hill is an<br />
old Buddhist pilgrimage site and<br />
gives the city its name.<br />
Below: a master carver turns<br />
out another image of the Buddha<br />
Shwe Kyet Yet means ‘the Golden Rooster Lands’, and<br />
legend has it that the Buddha in one of his incarnations fl ew<br />
here. It’s a delightful settlement full of temples and busy boat<br />
traders, and the ideal place to disembark for Mandalay. After<br />
lunch I took a bus that weaved through villages and along<br />
causeways to the last royal capital. On the way to Mandalay we<br />
paused at Th ein Nyo, a silk workshop where women still work<br />
on 18th-century looms, and got out to wander down Kyauk<br />
Sittan, or ‘Marble Carving Street’.<br />
King Mindon, who made Mandalay his capital in 1857,<br />
decreed at the same time that Kyauk Sittan should be where all<br />
the statues of Buddha in his kingdom would be carved and all<br />
these years later this is still the case. About 40 families have<br />
workshops along this narrow busy road and, as only the master<br />
carver from each workshop can carve the face of Buddha, the<br />
street is lined with nearly fi nished statues with just a rough-hewn<br />
marble block for a face, each waiting their turn for completion.<br />
Modern Mandalay is the commercial capital of Upper<br />
Burma, but the moated walls of its massive palace remain, as<br />
does the Shwenandaw Monastery, a beautiful teak building<br />
covered in carvings in which King Mindon died. At Mahamuni<br />
Temple we saw a carving of the Buddha that is specially<br />
venerated because it is supposed to have been carved in his<br />
lifetime and therefore a good likeness. Over the years pilgrims<br />
have applied so much gold leaf to the statue that he appears to<br />
be covered in gold feathers. Th ere was a festival of the full<br />
moon being celebrated at the Kyauk Taw Gyi Pagoda and the<br />
PRIVATTRAVEL<br />
streets were full of stalls selling sizzling food.<br />
Music played from speakers and a woman with<br />
a basket full of birds on her head tried to sell<br />
me one for luck. I broke away from the crowds<br />
and strolled through an old fairground that had<br />
been constructed next to the Kuthodaw Pagoda<br />
complex. Th is golden structure contains the<br />
entire canon of Th eravada Buddhism on 729<br />
marble slabs. For this reason the Burmese refer<br />
to it as the World’s Largest Book. It was here at<br />
the end of my trip that I caught sight of the<br />
moon rising as pink thunder clouds loomed<br />
over the golden pagoda. It was an eerie,<br />
beautiful sight that seemed to belong not just<br />
to another country, but another world. My own<br />
personal Road to Mandalay had shown me<br />
sights beyond anything I’d imagined all those<br />
years ago listening to family recitals of Rudyard<br />
Kipling’s famous poem. As I refl ected on<br />
Mandalay, I couldn’t help but agree. Burma is<br />
really quite unlike any land you know.<br />
Seventy-Six<br />
RUDYARD<br />
KIPLING’S<br />
MANDALAY<br />
THEFIRSTSTANZA<br />
By the old Moulmein<br />
Pagoda, lookin’<br />
eastward to the sea,<br />
There’s a Burma girl<br />
a-se in’, and I know she<br />
thinks o’ me;<br />
For the wind is in the<br />
palm-trees, and the<br />
temple-bells they say:<br />
‘Come you back, you<br />
British soldier; come<br />
you back to Mandalay!’<br />
Come you back to<br />
Mandalay,<br />
Where the old<br />
Flotilla lay:<br />
Can’t you ’ear their<br />
paddles chunkin’ from<br />
Rangoon to Mandalay?<br />
On the road to<br />
Mandalay,<br />
Where the fl yin’fi<br />
shes play,<br />
An’ the dawn comes up<br />
like thunder outer<br />
China ’crost the Bay!<br />
IMAGES©AXIOM