january-2012
january-2012
january-2012
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for Kundig’s avowed obsession with gadgetry<br />
and technology, yet it is still deferential to its<br />
prominent plot overlooking the Strait of Juan<br />
de Fuca. Shadowboxx features a facade of<br />
shuttered windows and sliding doors,<br />
allowing the living areas to be totally open to<br />
the outside world. Th row in the tilting roof of<br />
the bathhouse, a technical tour-de-force that<br />
turns alfresco bathing into an architectural<br />
performance, and you have a house that<br />
revels in the paradox of technology being<br />
used to enhance its relationship with nature.<br />
Th e Shadowboxx also contains a key<br />
piece of Kundig subversion, a direct riff from<br />
the outsider artists and hot-rodders he so<br />
admired in his youth. Push a button, and a<br />
cheeky sliver of decking pops out to extend<br />
beyond the designated building line – a<br />
means of frustrating a neighbour’s insistence<br />
on strictly following local codes. A similarly<br />
subversive idea underpins the Rolling Huts<br />
in Mazama, Washington, a group of six<br />
Corten steel and wooden wheeled structures<br />
that roam the client’s meadows. Offi cially<br />
classifi ed as recreational vehicles in order to<br />
skirt a prohibition on further development on<br />
the plot, they serve as vacation rentals, guest<br />
beds and extended living space.<br />
Over the past decade, Kundig and his<br />
team have spread out from Washington State<br />
to new environments, building in such<br />
far-fl ung locations as Hawaii, California and<br />
Spain. Th e latter project, in Sitges, was<br />
commissioned by a Norwegian living in Paris<br />
PRIVATDESIGN<br />
who was put on to the fi rm by a South African friend, testament<br />
to the internet’s ability to bring like-minded people together.<br />
Kundig says that his clients come from all walks of life, but there<br />
is a noticeable emphasis on art and artists, with his houses often<br />
serving as a bold backdrop to a lifetime’s collecting.<br />
Despite Olson Kundig’s size, the architect will stay focused on<br />
small projects. ‘I’ll be doing houses for the rest of my life. I meet all<br />
these interesting clients with all these diff erent histories. And then<br />
all these diff erent landscapes around the country and hopefully<br />
around the world,’ says Kundig. Like his architecture, the fi rm’s<br />
approach is pragmatic and low-key. ‘Our offi ce happens the way it<br />
happens,’ he says, ‘we “ski the trees”. You’ve got your skills, your<br />
talents and your equipment, and you don’t know where you’re<br />
going to wind up. You’re just following the space between the trees.<br />
I don’t know where it’s going to go. It’s exciting.’<br />
Forty-Eight<br />
Kundig is an architect<br />
of fi erce invention.<br />
Above left:<br />
Chicken Point Cabin’s<br />
window-wall opens<br />
the entire living space<br />
to the forest and lake.<br />
Above right: the<br />
main living space of<br />
the San Juan Islands’<br />
Shadowboxx (2010)<br />
contains six rolling<br />
platforms that serve<br />
both as sofas and beds.<br />
Above: Washington<br />
State’s Rolling Huts,<br />
(2007) are classed<br />
as RVs to get round<br />
planning restrictions<br />
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