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for Kundig’s avowed obsession with gadgetry<br />

and technology, yet it is still deferential to its<br />

prominent plot overlooking the Strait of Juan<br />

de Fuca. Shadowboxx features a facade of<br />

shuttered windows and sliding doors,<br />

allowing the living areas to be totally open to<br />

the outside world. Th row in the tilting roof of<br />

the bathhouse, a technical tour-de-force that<br />

turns alfresco bathing into an architectural<br />

performance, and you have a house that<br />

revels in the paradox of technology being<br />

used to enhance its relationship with nature.<br />

Th e Shadowboxx also contains a key<br />

piece of Kundig subversion, a direct riff from<br />

the outsider artists and hot-rodders he so<br />

admired in his youth. Push a button, and a<br />

cheeky sliver of decking pops out to extend<br />

beyond the designated building line – a<br />

means of frustrating a neighbour’s insistence<br />

on strictly following local codes. A similarly<br />

subversive idea underpins the Rolling Huts<br />

in Mazama, Washington, a group of six<br />

Corten steel and wooden wheeled structures<br />

that roam the client’s meadows. Offi cially<br />

classifi ed as recreational vehicles in order to<br />

skirt a prohibition on further development on<br />

the plot, they serve as vacation rentals, guest<br />

beds and extended living space.<br />

Over the past decade, Kundig and his<br />

team have spread out from Washington State<br />

to new environments, building in such<br />

far-fl ung locations as Hawaii, California and<br />

Spain. Th e latter project, in Sitges, was<br />

commissioned by a Norwegian living in Paris<br />

PRIVATDESIGN<br />

who was put on to the fi rm by a South African friend, testament<br />

to the internet’s ability to bring like-minded people together.<br />

Kundig says that his clients come from all walks of life, but there<br />

is a noticeable emphasis on art and artists, with his houses often<br />

serving as a bold backdrop to a lifetime’s collecting.<br />

Despite Olson Kundig’s size, the architect will stay focused on<br />

small projects. ‘I’ll be doing houses for the rest of my life. I meet all<br />

these interesting clients with all these diff erent histories. And then<br />

all these diff erent landscapes around the country and hopefully<br />

around the world,’ says Kundig. Like his architecture, the fi rm’s<br />

approach is pragmatic and low-key. ‘Our offi ce happens the way it<br />

happens,’ he says, ‘we “ski the trees”. You’ve got your skills, your<br />

talents and your equipment, and you don’t know where you’re<br />

going to wind up. You’re just following the space between the trees.<br />

I don’t know where it’s going to go. It’s exciting.’<br />

Forty-Eight<br />

Kundig is an architect<br />

of fi erce invention.<br />

Above left:<br />

Chicken Point Cabin’s<br />

window-wall opens<br />

the entire living space<br />

to the forest and lake.<br />

Above right: the<br />

main living space of<br />

the San Juan Islands’<br />

Shadowboxx (2010)<br />

contains six rolling<br />

platforms that serve<br />

both as sofas and beds.<br />

Above: Washington<br />

State’s Rolling Huts,<br />

(2007) are classed<br />

as RVs to get round<br />

planning restrictions<br />

www.olsonkundigarchitects.com IMAGES©BENJAMINBENSCHNEIDERTIMBIES

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