Training in the Conservation of Paintings - Calouste Gulbenkian ...
Training in the Conservation of Paintings - Calouste Gulbenkian ...
Training in the Conservation of Paintings - Calouste Gulbenkian ...
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
THE PROBLEM<br />
will only be present <strong>in</strong> an <strong>in</strong>stitution where actual conservation <strong>of</strong><br />
works <strong>of</strong> art is <strong>the</strong> prime object, as it is <strong>in</strong> a museum or gallery or <strong>in</strong><br />
<strong>the</strong> studio <strong>of</strong> a first class <strong>in</strong>dependent restorer. The Central <strong>Conservation</strong><br />
Institute which we recommend would be just such an <strong>in</strong>stitution.<br />
That is why we feel justified <strong>in</strong> stretch<strong>in</strong>g our terms <strong>of</strong> reference<br />
to recommend that, s<strong>in</strong>ce <strong>the</strong> two deficiencies <strong>of</strong> <strong>the</strong> exist<strong>in</strong>g<br />
set-up, <strong>the</strong> lack <strong>of</strong> regular tra<strong>in</strong><strong>in</strong>g and <strong>the</strong> lack <strong>of</strong> a central <strong>in</strong>stitute,<br />
are <strong>in</strong>terdependent, <strong>the</strong>y should both be solved toge<strong>the</strong>r by <strong>the</strong><br />
establishment <strong>of</strong> a Central <strong>Conservation</strong> Institute which should also<br />
provide tra<strong>in</strong><strong>in</strong>g.<br />
21