Timbral Spaces Sound Labyrinths - Edizioni Suvini Zerboni
Timbral Spaces Sound Labyrinths - Edizioni Suvini Zerboni
Timbral Spaces Sound Labyrinths - Edizioni Suvini Zerboni
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Chamber premiere at the<br />
Fundación BBVA in Bilbao<br />
and start of a four-year period<br />
as director of the Biennale<br />
Musica di Venezia<br />
Luciano Berio<br />
Roberto Fabbriciani will play<br />
Sequenza I for flute on October<br />
10 in Wellington (New<br />
Zealand), during the concertconference<br />
“Maderna e i nuovi<br />
percorsi del flauto nel secondo<br />
‘900”, and on October 18 at the<br />
Conservatory in Fermo.<br />
6<br />
Ivan Fedele<br />
The Unveiling of the Form<br />
O<br />
n December 11 in Bilbao the world premiere will be<br />
given of Fünfzehn Bagatellen for violin, cello and piano,<br />
commissioned by the Fundación BBVA for the Trio<br />
Arbós. The composer explains: «The<br />
Fünfzehn Bagatellen are a series of<br />
five musical ideas with three<br />
variations of each one. The idea of a<br />
small form seen as a “genetic code”<br />
of a macro form is a compositional<br />
option that has accompanied me for<br />
some time now, having almost totally<br />
abandoned the option of “narrative<br />
time” in favour of an idea of “frozen”<br />
time in the presentation of the<br />
intimate nature of the musical idea.<br />
That is to say, it is no longer the<br />
sound that “relates” a plot, but the<br />
sound that unveils its most intimate<br />
nature like a sculpture that, while remaining the same,<br />
reveals its more or less dense matter and/or<br />
transparency, its shadows cast into space, the<br />
smoothness or roughness of its surfaces, in different<br />
ways depending on the perspective or the light intensity<br />
that strikes the musical object. This is an approach that<br />
also requires the listener to perceive the sound event in<br />
a different manner». Peformances of Ivan Fedele’s work<br />
include Immagini da Escher for ensemble on September<br />
28 at the Shoe Factory in Nicosia (Cyprus), during the 4th International Pharos Contemporary Music Festival, with<br />
the Ensemble El Perro Andaluz; Études australes No. 4<br />
(Aptenodytes) and No. 1 (Tierra del fuego) for piano, on<br />
October 4 at the Istituto Italiano di Cultura in Paris, with<br />
the pianist Alfonso Alberti; Elettra for viola and live<br />
electronics on October 10 at the Festival di Nuova<br />
Consonanza in Rome, in the final concert of the<br />
Concorso Internazionale di Composizione “F.<br />
Evangelisti”, with the soloist Luca Sanzò; Paroles y<br />
palabras, four pieces for soprano and cello, in a partial<br />
performance, on October 25 at the Festival Spazio<br />
Musica in Cagliari, with the New Made Ensemble (Akiko<br />
Kozato, soprano, and Guido Boselli, cello), during a<br />
Biennale di Venezia<br />
The 56 th Festival Internazionale di Musica<br />
Contemporanea, in Venice, from October 6 to 13, will<br />
inaugurate Ivan Fedele’s mandate as director of the<br />
music sector of the Biennale di Venezia, directed by<br />
Paolo Baratta, for the four-year period 2012-2015.<br />
The Festival, entitled “+EXTREME–, ovvero<br />
minimalismi e massimalismi musicali del nostro<br />
tempo” will include the awarding of the Leone d’Oro to<br />
Pierre Boulez for lifetime achievement and the Leone<br />
d’Argento to the Quartetto Prometeo. The eight rich<br />
days will offer three daily appointments including<br />
concerts, sound installations, ateliers, audio-visual<br />
performances and musical theatre, presenting the<br />
public with 51 new works, 28 of which in world<br />
Luis de Pablo<br />
On September 27 at the Conservatorio Superior de<br />
Música, the 28 th Festival de Música de Alicante included<br />
Dibujos for flute, clarinet, violin and cello, played by the<br />
Sax Ensemble directed by José Luis Temes. On<br />
October 10 in Wellington (New Zealand) Roberto<br />
Fabbriciani will play Per flauto for flute solo, during the<br />
Concert-conference “Maderna e i nuovi percorsi del<br />
flauto nel secondo ‘900”. A concert dedicated to the<br />
piano music of Luis de Pablo will be given by Francisco<br />
concert in collaboration with the New Made Ensemble<br />
and ESZ; Palimpsest, 4 th string Quartet on October 27 at<br />
the Associazione Chromas in Trieste with the Quartetto<br />
Prometeo; Morolòja kè erotikà for soprano and string<br />
quartet on October 28 during the Milano Musica Festival<br />
in the Auditorium San Fedele in Milan, with Valentina<br />
Coladonato and the Quartetto Prometeo. On October 29<br />
at the Limen Music & Arts centre in Milan, a presentation<br />
will be given, with the participation of the Quartetto<br />
Prometeo, of the new Limenmusic Cd/Dvd featuring the<br />
music of Ivan Fedele and the book Ali di Cantor. The<br />
Music of Ivan Fedele, edited by Cesare Fertonani and<br />
published by <strong>Edizioni</strong> <strong>Suvini</strong> <strong>Zerboni</strong> in 2011. The<br />
Cd/Dvd contains Palimpsest, Morolòja kè erotikà and<br />
Paroles y Palabras, performed by Valentina Coladonato,<br />
soprano, Francesco Dillon, cello and the Quartetto<br />
Prometeo. Imaginary Islands for flute, bass clarinet and<br />
piano will be played in November by the Trio Luxa 21 in<br />
Mexico at the Museo Iconografico in Guanajuato and in<br />
Orlando (Florida) during the Accidental Music Festival.<br />
Ritrovari (Suite francese VI) for viola can be heard at the<br />
Istituto Italiano di Cultura in Paris on November 19,<br />
played by Christophe Desjardins, while the Suite<br />
francese III for cello will be played by Christophe Beau,<br />
soloist of the Ensemble Accroche Note, at the Istituto<br />
Italiano di Cultura in Budapest. On December 1 st in the<br />
Abbazia di San Clemente in Casauria (Pescara)<br />
Fernando Caida Greco will play the Suite francese III for<br />
cello. The violinist Francesco D’Orazio and Daniel<br />
Kawka directing the Ensemble Orchestral Contemporain<br />
will perform Mosaïque for violin and chamber orchestra<br />
on January 17 at the Conservatoire Massenet in Saint-<br />
Étienne, during the “Concert-lecture autour de<br />
Mosaïque”, on January 18 at the Théâtre Copeau -<br />
Opéra Théâtre de Saint-Étienne, and on January 23 at<br />
the Grand Théâtre de Provence in Aix-en-Provence,<br />
during the Festival Présences of Radio France. Finally,<br />
the Quartetto Prometeo will play Palimpsest, 4 th string<br />
Quartet, at the 5 th Festival of the Ned Ensemble, Concert<br />
Season “Città di Desenzano”, in the Auditorium Celesti of<br />
Desenzano on January 27.<br />
premiere. The neo-director describes the<br />
characteristic of this year’s edition: «What strikes one<br />
most about today’s musical panorama is the presence<br />
of extreme orientations: minimalisms and<br />
maximalisms that wish to inhabit the same regions of<br />
the frontier of musical language, approaches that are<br />
apparently antithetic that instead share the radicality<br />
of their aesthetic-poetic intent, abandoning as such<br />
the “politically correctness” of the piece that “works”<br />
or “sounds right”». The Festival presents some<br />
important protagonists of these practices “of excess”,<br />
contextualized and set side by side with the “classics”<br />
of radicalism.<br />
Escoda on November 14 at the Instituto Cervantes in<br />
Hamburg, in collaboration with the NDR das neue werk,<br />
and will include Retratos y Transcripciones, 2 nd series,<br />
and Acrobacias. Finally, the Auditorio del Museo<br />
Nacional Centro de Arte Reina Sofía will host, on<br />
January 21, a performance of Federico Mompou in<br />
memoriam for violin, cello and piano, with the Grupo<br />
Cosmos 21.