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Fascist Spectacle.pdf

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<strong>Fascist</strong> <strong>Spectacle</strong> http://content.cdlib.org/xtf/view?docId=ft18700444&chunk.id=0&doc.v...<br />

At the end of the 1800s, there developed in France a "scientific" interest in the crowd. [15] Social<br />

theorists focused on mass movements in order to establish the scientific laws of human behavior, and<br />

new interpretations of people's conduct were thus produced. These theories arose in a climate of<br />

anxiety among intellectual elites over the fast development of an industrialurban society. [16] But they<br />

also reflected growing perceptions about societal crisis in the wake of France's large military defeat in<br />

1870 and the violent social upheavals that characterized the end of the Commune in 1871. [17]<br />

Suddenly, the old, familiar order seemed to be breaking into pieces, and the intellectual and scientific<br />

community began to doubt the primacy of France's civilizational role and the value of French culture.<br />

Modern discoveries and industries, and the new conditions of existence deriving from them, created<br />

uncertainties among members of the upper class, who worried about the continuity of a political and<br />

economic system that had privileged the individual against egalitarian tendencies. The specter of the<br />

crowd, with its disruptive potential and violent energy, came to haunt the imagination of France's<br />

privileged classes. [18]<br />

To be sure, the number of strikes had risen in France by the end of the nineteenth century, and<br />

workers' movements acquired unprecedented visibility. Yet research has shown that violent episodes<br />

occurred in only 3.6 percent of all labor protests, and only in one case had there been a murder. This<br />

notwithstanding, the public presence of the "masses" was increasingly interpreted as a social rupture,<br />

an internal disturbance. [19] Social psychologists reflected these perceptions by dedicating their<br />

attention to the study of the crowd. Under their pen, mass violence became magnified, and crowds<br />

came to embody the source and mirror of social problems.<br />

This new wave of psychologists seemingly continued the historical and literary tradition initiated by<br />

Hippolyte Taine and Émile Zola, who just a few years earlier had offered in their fiction suggestive and<br />

negative descriptions of crowds' behavior. [20] But whereas Taine and Zola had merely portrayed what<br />

they believed was the irrational nature of the crowds, the new social theorists tried to transform<br />

descriptive observations into general explanatory laws that would account for collective behavior in<br />

modern social<br />

― 18 ―<br />

relations. Gabriel Tarde, Henri Fournial, Alfred Espinas, Gustave Le Bon, and the Italian Scipio Sighele<br />

were the major representatives of the new science, and all shared a common premise: they believed<br />

that a gathering of people would cause the blinding of the individual minds participating. Accordingly, a<br />

collective mentality would dominate the group and turn it into an unpredictable and uncontrollable<br />

force. For Tarde and the others, the result of collective interaction was doubtlessly negative, and they<br />

identified the melding of minds with the suspension of reason—that is, with the necessary condition for<br />

the perpetration of crimes. [21] The first elaboration of crowd theories thus issued from a direct<br />

interest in determining the criminal responsibility of crowds. [22] Drawn on contemporary medical<br />

studies of nonrational processes in people's conduct, these theories extended the discussion of crowds'<br />

crimes to a general assessment of crowd behavior. Hence, Sighele believed that mass revolts, strikes,<br />

and riots made urgent a solution to the question of collective actions' general causes and<br />

consequences. [23] Though he proposed a differentiation between two kinds of collective crimes,<br />

premeditated and spontaneous, he still maintained that all kinds of crowds were susceptible to evil and<br />

tended to commit antisocial acts. [24] People, whenever grouped in a crowd, formed an irrational<br />

whole, an irresponsible acting subject. Following this trend, Le Bon stressed the element of irrationality<br />

in the "masses." For him, crowds were characterized by illogical spirit, instinctive character, and a<br />

propensity to be governed by feelings. "Little adapted to reasoning, crowds, on the contrary, are quick<br />

to act," Le Bon stated in the introduction to his popular text La psychologie des foules . [25] The book<br />

proceeded to list other distinctive attributes of the crowd: "impulsiveness, irritability, incapacity to<br />

reason, the absence of judgment and of the critical spirit, the exaggeration of the sentiments." [26] Le<br />

Bon affirmed that the qualities one could find in the crowd were the same as the ones in "beings<br />

belonging to inferior forms of evolution"—that is, women, savages, and children. [27] Crowds were<br />

instinctual and emotional, and feelings dominated them. Le Bon ultimately offered a portrayal of the<br />

"masses" as unable to participate responsibly in political processes.<br />

One of the main arguments social theorists used to support their negative judgment of the<br />

"masses" was the identification of crowds with women. Women, along with drunkards, had indeed<br />

become the object of strict pathological analyses in the Third Republic because of the belief in their<br />

potential power to undermine civilization. [28] Physicians, criminologists, and other social scientists<br />

dedicated their efforts to examining the female gender's pathologies and deranged behavior. [29]<br />

Having established women's biological impurity and consequent predisposition to insanity and hysteria,<br />

some<br />

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