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Fascist Spectacle.pdf

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<strong>Fascist</strong> <strong>Spectacle</strong> http://content.cdlib.org/xtf/view?docId=ft18700444&chunk.id=0&doc.v...<br />

way to control spending. "Managing" luxury was the response to a feared loss of vitality and decay<br />

among the middle class, whereas the working classes' inclination to emulation was denounced as a<br />

possible source of class hatred and social disruption. This eventuality appeared all the more unsettling<br />

because the increasingly specialized nature<br />

― 128 ―<br />

of labor was believed to exacerbate social fragmentation. Educating consumers to discipline their<br />

desires offered a viable answer: ethical self-restraint would balance the pleasures of consumption.<br />

In the United States, Robert and Helen Lynd's comparative study of Middletown dramatized the<br />

elites' response to the moral conflicts raised by the emerging consumer culture. In Middletown: A<br />

Study in Modern American Culture , the Lynds presented a striking portrayal of the transformations<br />

that Muncie, Indiana, had experienced between the 1890s and the 1920s. In particular, they lamented<br />

the loss of genuine social relations and the decline of job satisfaction that seemed to characterize<br />

Muncie's transition from the nineteenth century to the twentieth. Alienation and passivity now defined<br />

people's lives and their everyday world. Casual relations and deteriorating social values substituted for<br />

inclusive participation and deeper human understanding. Within this context, the Lynds were especially<br />

concerned with the role of mass leisure activities in the new reality. They concluded that movies,<br />

radio, advertising, and the credit system created novel forms of "social illiteracy" that atomized<br />

individuals and made them pursue merely subjective needs. [40] Commercial culture circulated an<br />

image of money as the solution to people's problems and promoted irrational expenditure. Mass<br />

culture, the Lynds estimated, was detrimental to a dignified life and authentic pleasures. Overwhelmed<br />

by what they believed was the power of the new leisure ethic, the Lynds advocated limiting the<br />

deleterious implications of consumption. [41] In effect, facing the popular classes' need for diversion<br />

and compensatory recreation, the Lynds and other 1920s progressive reformers, critics, and ministers<br />

advocated a "managerial" approach to mass culture. [42] Managerial liberals resorted to social control<br />

in order to channel appetites and wants excited by mass leisure culture. [43]<br />

The disbelief in the possibility of stopping industrial development and halting a fast-growing<br />

consumer culture had pushed France, Wilhelmine Germany, and the United States to propose plans for<br />

disciplining and managing what could not be eliminated. A politics of control, as theorized by Foucault,<br />

became the normal and normalizing means of governing the social in an era of eroding traditions. In<br />

fascist Italy, the regime's response to the question of consumption and morality also entailed the<br />

restriction of materialistic orientations and emphasized the social over the individual. However, the<br />

regime faced conflictual internal demands vis-à-vis the economic issue of mass culture, conflicts that<br />

threatened to challenge the existence of the regime itself, its status, nature, and raison d'être. On the<br />

one hand, the regime intended to uphold the sacrality of society as dictated by its totalitarian view,<br />

which required the suppression of individual stances.<br />

― 129 ―<br />

On the other hand, it realized that if it wanted to compete in the international arena, it needed to<br />

preserve individual initiative in many fields, especially industry and commerce. Thus, because the<br />

regime firmly rested on a capitalist production system, Mussolini needed to circumvent the<br />

contradiction of attacking the bourgeoisie on moral grounds while cultivating it as an economic asset.<br />

He needed to reconcile the divergent programs of assailing consumption and spurring a market<br />

economy. The regime adopted contradictory strategies to answer a challenge that seemed difficult to<br />

transcend. One such measure was corporativism, which, through a policy encapsulating the relations<br />

between capital and labor, was supposed to contain the denounced materialistic conception of life<br />

typical of a modernized society. The regime's corporativism—or, better, its discourse on<br />

corporativism—exuded spiritualism through the pores of an industrialized production. It focused on<br />

national well-being while displacing consumption. With corporativism, fascism mimetically fought<br />

against the denied body's reincarnation, the reincorporation of desire.<br />

Mimetic Economy<br />

At the end of World War I, currents of revolutionary syndicalism and nationalism converged to<br />

elaborate an idea of "national syndicalism" based on the solidarity of all productive classes, from<br />

workers to managers to entrepreneurs. [44] Theorists and practitioners of this new form of syndicalism<br />

vowed not to renounce proletarian struggle; nevertheless, they believed it was in the interest of the<br />

working class to achieve emancipation within a politically and economically strong nation. The<br />

"revolutionary event" of the war had shown the importance of capitalists and the capitalist system in<br />

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