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364 COSMOS.<br />

Arabic. 224 ; of <strong>the</strong> Middle Ages, 245,<br />

246, 255, 283 ; modern, 303-352.<br />

Mayow on <strong>the</strong> iuHuence of nitrous particles<br />

in <strong>the</strong> air, 345.<br />

Mediterranean, its geographical position<br />

and contiguration, liy ; its triple con-<br />

struction, 120, 121.<br />

Megas<strong>the</strong>nes, 155, 156 ;<br />

his descriptive ac-<br />

curacy, 156 ; embassies, 109.<br />

Meleager of Gadara, his Idyl " on Spring,"<br />

Uenander <strong>the</strong> Rhetorician, his severe criticism<br />

on <strong>the</strong> poems of Empedocles, 30.<br />

Messina, Antonio di, transplanted <strong>the</strong> predilection<br />

for landscape painting to Venice,<br />

87.<br />

Microscope, its discovery and scientific<br />

results, 106, 318.<br />

Migration, direction of its early impulses,<br />

186, 167, 202.<br />

Miletus, 149.<br />

Milton, character of <strong>the</strong> descriptions of<br />

nature in his "Paradise Lost," 74.<br />

Minnesingers, love of nature as expressed<br />

in <strong>the</strong>ir poetry, 44-46.<br />

Minucius, Felix, early Christian writer<br />

on nature, 39.<br />

Missals, landscape illustrations in, 86.<br />

Mohammed, 206, 208.<br />

Mohammed Ben-Musa, his compendium<br />

of Algebra, 224.<br />

Mongolians, battle at Liegnitz, 202, 249 ;<br />

Buddhism, 202.<br />

Monsoon, Indian, causes of, 123.<br />

Monsoons, known to <strong>the</strong> companions of<br />

Alexander, 172.<br />

Mosaics, Byzantine, 86.<br />

Miiller, Johannes. <strong>See</strong> Regiomontanus.<br />

Miiller, Otfried, on <strong>the</strong> characteristics of<br />

<strong>the</strong> landscape paintings of <strong>the</strong> ancients,<br />

85 ; on <strong>the</strong> myth<br />

of <strong>the</strong> destruction of<br />

Lyktonia, 121; on national myths blended<br />

with history and geography, 121 ;<br />

date of <strong>the</strong> Doric immigration into <strong>the</strong><br />

Peloponnesus, 124.<br />

Museum of Alexandria, 175, 176.<br />

Naddod, his discoveiy of Iceland, 230, 231.<br />

Nature, incitements to <strong>the</strong> study of, 19 ;<br />

inducements, three ditferent kinds, 19,<br />

20 i. Poetical ; descriptions of nature,<br />

21-82 ; ii. Landscape painting, 82-98,<br />

100 ; iii. Cultivation of tropical plants,<br />

99-105 ; powerful etfect in after years<br />

of striking impressions in childhood,<br />

20 an ; increased impulse lent to <strong>the</strong><br />

study of nature by <strong>the</strong> discovery of<br />

America, 65 modern ;<br />

descriptive and<br />

landscape poetry, 80, 81.<br />

Nautical astronomy, 255-262, 291-301.<br />

Nearchus, 156, 172.<br />

Neku, commenced <strong>the</strong> canal of <strong>the</strong> Red<br />

Sea, 173.<br />

Neophytos, numeral characters of, 226.<br />

Nestorians, <strong>the</strong>ir intercourse with <strong>the</strong><br />

Arabs and Persians, and its results, 208,<br />

209.<br />

Nowton, Sir Isaac, his invention of <strong>the</strong><br />

of <strong>the</strong><br />

mirror sextant, 292 : discovery<br />

lavf of gravitation, 313. 316, 331. 3.)0<br />

351 ; rvperiments on <strong>the</strong> velocity t»f<br />

light, 3Li.j ; early electrical experiment<br />

313.<br />

Niebelungen, absence of any description<br />

of natural scenery in, 45.<br />

Nominalists, school of, in <strong>the</strong> Middit"<br />

Ages, 243.<br />

Nonnus, his Dionysiaca, 27.<br />

Norman, Robert, his invention of <strong>the</strong> dipping<br />

needle, 281, 335.<br />

North, natiojs of, <strong>the</strong>ir love of nature, 44.<br />

Northmen, dates of <strong>the</strong>ir discovery and<br />

colonization of America, Greenland,<br />

and Iceland, 230-232.<br />

Numerals, Indian, 169 ; spread of, 22.5-<br />

227 ; early methods of expressing <strong>the</strong><br />

multiplier of <strong>the</strong> fundamental groups,<br />

225-226; " Suanpan," "Method of Eutocius,"<br />

"Gobar," Arabian "dust-writ<br />

ing," characters of Neophytos, 225-227.<br />

Oceanic discoveries, 228-301.<br />

Omar, Calif, his religious toleration, 20a<br />

204.<br />

Onesicritus on <strong>the</strong> Indian fig-tree, 159;<br />

on <strong>the</strong> Indian races, 104.<br />

Ophir, conjecture on its locality /36-138,<br />

its exports, 137.<br />

Oppianus of Cilicia, poem on fishes, 194.<br />

Optical instruments, dates of <strong>the</strong>ir discovery,<br />

317-319 ; optical experiments ot<br />

Claudius Ptolemajus, 183, 193, 194.<br />

Osiander, Andreas, his preface to <strong>the</strong><br />

v/ritings of Copernicus, 306.<br />

Ossian and <strong>the</strong> Celto-Irish poems, 48.<br />

Ovid, his vivid pictures of nature, 33, 34.<br />

Oxygen and its properties, first notices<br />

of, 346.<br />

Pacific, discovery and navigation of, 266-<br />

273 its results ;<br />

on <strong>the</strong> extension of cosmical<br />

knowledge, 267.<br />

Painting, Landscape, its influence on <strong>the</strong><br />

study of nature, 82-98 ; early paintings<br />

of <strong>the</strong> Greeks, 83, 84 ;<br />

of <strong>the</strong> Romans,<br />

85, 80 ; of <strong>the</strong> Indians, 84, 85 ; paintings<br />

found at Herculaneum, Pompeii, Stabia?,<br />

85 ; missals and mosaics of Byzantine<br />

art, 86 Flemish school ;<br />

of <strong>the</strong> Van<br />

Eycks, 87 ; Venetian and Bolognese<br />

schools, 87, 88 ;<br />

Claude and <strong>the</strong> Landscape<br />

painters, 89, 90 ; early paintings<br />

of tropical scenery, 90-92 ; advantages<br />

otiered to <strong>the</strong> artist by <strong>the</strong> landscapes<br />

and vegetation of <strong>the</strong> tropics, 93-95 ;<br />

panoramas, dioramas, and neoramas,<br />

<strong>the</strong>ir scenic eftect, 97, 98.<br />

Palajontological science, da%vn of, 347-<br />

349.<br />

Panoramas, more productive of eflfect<br />

than scenic decorations, 98 ; suggestions<br />

for <strong>the</strong>ir increase, 98.<br />

Pantschab, Chinese expedition under, to<br />

<strong>the</strong> shores of <strong>the</strong> Caspian, 186.<br />

Parks of <strong>the</strong> Persian kings, 101, 102.<br />

Pastoral romances, <strong>the</strong>ir defects, 68.<br />

Pendulum, earliest use as a time measur<br />

er, 219 ; modern, 350.<br />

Persia, extension of its rule, 142.<br />

Persians <strong>the</strong>ir poetry :n relation to na-

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