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Beaudelaine Pierre<br />

Preface<br />

Comment écrire et quoi écrire: how to write, and what to write. In front<br />

of you is a collection of texts from Haitian poets and writers describing<br />

the earthquake of January 12th, 2010 the way they lived it.<br />

The volume takes its french title from the piece by novelist Yannick<br />

Lahens, in which she reflects on the role of the writer as a builder of<br />

history.<br />

The project took off in the immediate wake of the earthquake. On<br />

the initiative of the International Writing Program at the University<br />

of Iowa, a dozen writers and poets answered the call and took up the<br />

challenge. In spite of everything, with deliberation and care, they<br />

made the effort to put into words that which was overwhelming, that<br />

which could barely be grasped. for how can the day of January 12th<br />

be written? How, and why, should one attempt the painful task of<br />

pulling out from the debris materials for a collective identity?<br />

In this volume we have gat<strong>here</strong>d some words. Nothing but words.<br />

With the hope that in bringing them together we will give ourselves<br />

and those who come after us a sense of who we are and of what will<br />

unite us from now on. for how not to write? Shouldn’t the writer,<br />

too, have her place in the rebuilding?<br />

In adding to the now coined ‘literature of 1/12/2010,’ the contributors<br />

to this collection assert and reestablish once again the sacred role<br />

of literature in the construction of memory, out of which identity is<br />

born. Because for all the pain that turns sobs into bleeding wounds<br />

and for all the memories tearing up our guts, the pen will not rest,<br />

nor will the words remain silent. The authors of this volume understand<br />

that no matter what, it is essential that it should be we, the<br />

daughters and sons of Haiti and the generations coming after us, who<br />

must build ourselves up to rebuild our world, drawing on the sense<br />

we make of our memories and of our past.<br />

Pierre / Preface<br />

contents<br />

61

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