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Issue 3 - Columbia: A Journal of Literature and Art

Issue 3 - Columbia: A Journal of Literature and Art

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I'd only spoken it once. "Moira, <strong>and</strong> my son Brian."<br />

"Take <strong>of</strong>f those wet coats <strong>and</strong> have your tea,"<br />

Moira said, collecting more plates <strong>and</strong> cups from a shelf.<br />

Ivor hung the coats side by side near the stove. I wondered<br />

whether Moira was the wife <strong>of</strong> the father or the<br />

wife <strong>of</strong> the son: she looked the right age for neither. Her<br />

body was young <strong>and</strong> slight, but her dark hair had a<br />

patch <strong>of</strong> gray above each ear, as a cat might be marked,<br />

<strong>and</strong> her face was gently lined.<br />

"Kate's American."<br />

The son smiled. "That's gr<strong>and</strong>. Where in<br />

America?"<br />

"Philadelphia."<br />

"The Liberty Bell."<br />

"That's right."<br />

"There's a crack in it, so I believe—like this cup."<br />

"Sure there's no crack in that cup, Brian." Moira<br />

was buttering slices <strong>of</strong> wheaten bread.<br />

"Aye, there is, I can feel it."<br />

"Well if there is, it's a wee one, <strong>and</strong> never mind."<br />

She passed a plate <strong>of</strong> sausages around <strong>and</strong> a dish <strong>of</strong><br />

fried potatoes.<br />

Brian's fingers traced the edge <strong>of</strong> the cup. He had<br />

strong white h<strong>and</strong>s, <strong>and</strong> his face was smooth <strong>and</strong> white<br />

too. His eyes made me think <strong>of</strong> fever: bright blue, but<br />

somehow cloudy. "Did you study about the Liberty Bell<br />

at school?" I asked him, to make conversation.<br />

The shake <strong>of</strong> his head was almost imperceptible.<br />

"Brian doesn't study. Brian's blind," Moira said.<br />

"I'm very stupid."<br />

"I hear about things on the wireless," Brian said.<br />

Moira gave me a brief glance—yes, you are stupid, it<br />

said—<strong>and</strong> she picked up an orange <strong>and</strong> peeled it <strong>and</strong><br />

divided it into sections. But when she passed the orange<br />

on the plate to Ivor rather than to Brian, my feeling <strong>of</strong><br />

confusion increased. She turned away from me. "Did<br />

you sell all the mats, Ivor?"<br />

"Aye." He picked a bottle <strong>of</strong> whiskey out <strong>of</strong> a cupboard<br />

<strong>and</strong> poured himself a glass. "It's not a job I<br />

fancy."<br />

30<br />

"Tell me about America," Brian said. Moira<br />

brought the plates to the sink <strong>and</strong> scraped them.<br />

I thought it best to start from the inside out, because<br />

when you are blind you grope from sensation to<br />

abstraction. Or that's how it seemed to me. "The pavements<br />

are hard, people shove into you, even a cracked<br />

bell has a clearer sound than street noises. They're all<br />

mixed up. The smells, too. Nothing clear."<br />

He smiled politely, <strong>and</strong> that's not the reaction I<br />

wanted. Moira was now making up a folding cot next to<br />

the fire in the front room. I supposed it was for me. But<br />

no, I had to sleep in a proper bed, she told me.<br />

At the top <strong>of</strong> the stairs were two bedrooms. It<br />

turned out to be Brian who was displaced, who stayed<br />

downstairs on the cot.<br />

There were pictures <strong>of</strong> sailing ships on Brian's wall.<br />

As I was falling asleep I heard voices in the next room:<br />

Ivor's tight <strong>and</strong> bitter, <strong>and</strong> Moira's a flat monotonous<br />

undertone. I slept under layer upon layer <strong>of</strong> wool flannel<br />

coverlet.<br />

When I came down in the morning I found Brian in<br />

the kitchen. He was drinking tea. "My father went to<br />

bed with the bottle last night. Moira's at Mass."<br />

His face revealed nothing, but I was not so sure<br />

about my own voice. "Does that mean he won't be<br />

going to Belfast this morning?"<br />

He shrugged. "Tomorrow maybe."<br />

The situation was different now; I felt like a spade<br />

forgotten in the garden <strong>and</strong> left to rust. Or maybe not<br />

anything so useful as a spade. There was no way I could<br />

hitch from here, far <strong>of</strong>f the main road.<br />

"Do you mind staying?"<br />

"The trouble is, there's nothing I can do for you in<br />

return."<br />

He tapped a hard-boiled egg on the side <strong>of</strong> his bowl<br />

<strong>and</strong> removed the shell so that it was hardly cracked. He<br />

finished eating before he said, "There might be something<br />

you could do for me."<br />

31

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