Issue 3 - Columbia: A Journal of Literature and Art
Issue 3 - Columbia: A Journal of Literature and Art
Issue 3 - Columbia: A Journal of Literature and Art
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I'd only spoken it once. "Moira, <strong>and</strong> my son Brian."<br />
"Take <strong>of</strong>f those wet coats <strong>and</strong> have your tea,"<br />
Moira said, collecting more plates <strong>and</strong> cups from a shelf.<br />
Ivor hung the coats side by side near the stove. I wondered<br />
whether Moira was the wife <strong>of</strong> the father or the<br />
wife <strong>of</strong> the son: she looked the right age for neither. Her<br />
body was young <strong>and</strong> slight, but her dark hair had a<br />
patch <strong>of</strong> gray above each ear, as a cat might be marked,<br />
<strong>and</strong> her face was gently lined.<br />
"Kate's American."<br />
The son smiled. "That's gr<strong>and</strong>. Where in<br />
America?"<br />
"Philadelphia."<br />
"The Liberty Bell."<br />
"That's right."<br />
"There's a crack in it, so I believe—like this cup."<br />
"Sure there's no crack in that cup, Brian." Moira<br />
was buttering slices <strong>of</strong> wheaten bread.<br />
"Aye, there is, I can feel it."<br />
"Well if there is, it's a wee one, <strong>and</strong> never mind."<br />
She passed a plate <strong>of</strong> sausages around <strong>and</strong> a dish <strong>of</strong><br />
fried potatoes.<br />
Brian's fingers traced the edge <strong>of</strong> the cup. He had<br />
strong white h<strong>and</strong>s, <strong>and</strong> his face was smooth <strong>and</strong> white<br />
too. His eyes made me think <strong>of</strong> fever: bright blue, but<br />
somehow cloudy. "Did you study about the Liberty Bell<br />
at school?" I asked him, to make conversation.<br />
The shake <strong>of</strong> his head was almost imperceptible.<br />
"Brian doesn't study. Brian's blind," Moira said.<br />
"I'm very stupid."<br />
"I hear about things on the wireless," Brian said.<br />
Moira gave me a brief glance—yes, you are stupid, it<br />
said—<strong>and</strong> she picked up an orange <strong>and</strong> peeled it <strong>and</strong><br />
divided it into sections. But when she passed the orange<br />
on the plate to Ivor rather than to Brian, my feeling <strong>of</strong><br />
confusion increased. She turned away from me. "Did<br />
you sell all the mats, Ivor?"<br />
"Aye." He picked a bottle <strong>of</strong> whiskey out <strong>of</strong> a cupboard<br />
<strong>and</strong> poured himself a glass. "It's not a job I<br />
fancy."<br />
30<br />
"Tell me about America," Brian said. Moira<br />
brought the plates to the sink <strong>and</strong> scraped them.<br />
I thought it best to start from the inside out, because<br />
when you are blind you grope from sensation to<br />
abstraction. Or that's how it seemed to me. "The pavements<br />
are hard, people shove into you, even a cracked<br />
bell has a clearer sound than street noises. They're all<br />
mixed up. The smells, too. Nothing clear."<br />
He smiled politely, <strong>and</strong> that's not the reaction I<br />
wanted. Moira was now making up a folding cot next to<br />
the fire in the front room. I supposed it was for me. But<br />
no, I had to sleep in a proper bed, she told me.<br />
At the top <strong>of</strong> the stairs were two bedrooms. It<br />
turned out to be Brian who was displaced, who stayed<br />
downstairs on the cot.<br />
There were pictures <strong>of</strong> sailing ships on Brian's wall.<br />
As I was falling asleep I heard voices in the next room:<br />
Ivor's tight <strong>and</strong> bitter, <strong>and</strong> Moira's a flat monotonous<br />
undertone. I slept under layer upon layer <strong>of</strong> wool flannel<br />
coverlet.<br />
When I came down in the morning I found Brian in<br />
the kitchen. He was drinking tea. "My father went to<br />
bed with the bottle last night. Moira's at Mass."<br />
His face revealed nothing, but I was not so sure<br />
about my own voice. "Does that mean he won't be<br />
going to Belfast this morning?"<br />
He shrugged. "Tomorrow maybe."<br />
The situation was different now; I felt like a spade<br />
forgotten in the garden <strong>and</strong> left to rust. Or maybe not<br />
anything so useful as a spade. There was no way I could<br />
hitch from here, far <strong>of</strong>f the main road.<br />
"Do you mind staying?"<br />
"The trouble is, there's nothing I can do for you in<br />
return."<br />
He tapped a hard-boiled egg on the side <strong>of</strong> his bowl<br />
<strong>and</strong> removed the shell so that it was hardly cracked. He<br />
finished eating before he said, "There might be something<br />
you could do for me."<br />
31