16 - Franklin Township Public Library
16 - Franklin Township Public Library
16 - Franklin Township Public Library
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THUr-,SDAY, NOVEMBEP, <strong>16</strong>, $972<br />
NOW PL~,YING at theyear,roued<br />
BUCK COUNTY<br />
PUIYHOUSE<br />
2.B<br />
’ ’ ,1-,1 - =.. , ’ ’ Chorus Openings For ’Carmen’<br />
Theatre Reviews<br />
’ ’ i~ , The. Assocmhon ’, Princeton announces Opera. chorus call 466-2275 or 924-3991 before<br />
Nov. 21 for further information.<br />
openings in its coming production<br />
Cole Porter’s<br />
of Bizet’s "Carmen."<br />
-,,-7- ~ * . T1~7" ~ n 1¥<br />
I<br />
"/~ T ~ successful performances at<br />
Now through Tuesday "ANYTHING GOES’"<br />
November 21<br />
starring<br />
Barbra Streisand &<br />
Tom Poston<br />
McCarter Theatre has ]iv e d up Stepard’s 1 oss s a sere urger - ....... In-ors [’rank Lan,~ella as the the Opera Assoc alien s btingin<br />
kingdom for a throne Ann mm v’y . ’ = , . _ ’ g<br />
Omar Sharif<br />
Thurs.7:30 to its promise-to bring in- than life that we can empathize image of himself, the use of his singer who has ins best years<br />
its ’carmen produchon to<br />
in<br />
FrL-Sat. eve, 8:30 novative and stimulating plays to with l~im, even though to many of "mark," as Hess calls it, makes hehind him, gives aa intelligent McCarter Theater on Jan, 23.<br />
FUNNYGIRL<br />
Sat. matinee 2 p.m. the public’s attention--by its us his kingdom may seem vapid him vulnerable. Once the and dynamic portrayal of Hess.<br />
(Rated G)<br />
Box office (215) 862-2041 (Thea- exciting presentation of Sam and empty. Hess could be the Achilles heel is touched, our hero lle fleshes out the role of a man<br />
Evenings & Sat: 7 & 9:30 p.m. tre parties ask for Reasa) Shepard’s "Tooth of Crime" warrior-ehieftan, tile wily<br />
Sunday: 4:30, 7 & 9:30 p.m.<br />
......... J.<br />
falls, and we, the audience weep who is strong, yet not invincible;<br />
which opened last weekend at the politician, the athlete. He could for him. Mr. Shepard does not who is powerful, but yet at the<br />
college theatre.<br />
be each of these because in the view this change, this passage of ntorcy of his managers and<br />
SAT. 8~ SUN. MATINEE DANCING "The Tooth of Crime" is not an upward, obstacle-filled struggle the reins from one generation to business interest’ and who longs<br />
easy play; it is not a work for he has had to win his turf or another, as necessarily for tim [reedom of the days when<br />
NOV. 18& 19.AT 2P.M.<br />
matinee audiences for its kingdom in the fight for power. desirable, and he lets us know it. he was young, as yet untried, but<br />
THE LITTLE ARK EVERY SAT. & SUN. NIT[ message is not outright and The pursuit of power corrupts, ttow? Crow, the bald, gum was his own man. Gloria Maddox<br />
(RatedG)<br />
sootifing; and the author’s use of<br />
NOTI’INGHAM<br />
and the hero we see is a flawed chewing victor is clad in shabby, is both seductive and appealing<br />
four letter words may shock man, for he has paid his dues to<br />
AN EXCELLENT<br />
faded dungarees, a nondescript as Becky, Hess’ mistress. She is<br />
some of the older generation. For bc inside, and yet once inside he sleevless jacket, and wears particularly effective in a<br />
FAMILY<br />
M<br />
FIL BALLROOMthe<br />
bulk of the under-30 is insulated from those outside by leather thongs on one wrist. In humorous seduction scene, and<br />
.75 FOR EVERYONE<br />
Mercer St. Hamiltofi Square, N.J. generation the use of the four his entourage, who struggle to fact, the only elegant apparel he she carries this flashback that<br />
The Largest Ballroom in the.East letter words in question are no preserve and protect their man sports are his boots which are sonmhow does not quite fit into<br />
With all Big Bands mare offensive than the use of and their interests h’om the used to stomp out a tune. The the play. A large share of the<br />
Wednesday, November 22<br />
such words as loot and ship, and assaults of those outside. And throne he inherits is nothing acting credit is due a newcomer,<br />
Katharine Hepburn<br />
Sat. Stun Maze this is the work of an under-30 thus at the end of Act: I we find more titan an aging overstuffed Mark Motcalf, who, at least<br />
& Van¯sea Redgrave<br />
Sun. Harry Uber playwright. He has much to say our hero at the pinnacle, yet armchair, and his kingdom according to the program notes,<br />
8~ Irene Papas ir~<br />
of the world around us, and it is fearful of the inevitable battle nothing more than a jungle maze is making his first appearance<br />
the TROJAN WOMEN<br />
not pretty, nor is he, necessarily ahead, of the coming con- of steel. Hess, instead, feels that with a professional acting group.<br />
(Rated PG)<br />
pleased with it. Fie is a dramatist frontation.<br />
he has stood for something. Hess His Crow is the very per-<br />
Evenings ~,Sat. 7 & 9 p,m,<br />
RECYCLE worth listening to, for his style is In the second act, when Hess had studied those who had sonification of mindless cruelty,<br />
Sunday: 4:30, 6:40 & 9<br />
THIS<br />
poetic, and the manner in which meets his opponent, Crow, he preceded him in blues and rock of ruthless destruction. Clarence<br />
Both Rated (R)<br />
he reveals and relates his tale finds to his surprise, that the singing and has established his Folder, Gray Gage, Dale LITTLE ART (G)<br />
NEWSPAPER and message cannot fail to move challenger is not another super- own style; he had mostly played Helward and William Myers Sat., Sun. Matinee 2 p.m.<br />
us. Music and songs provide an star, but, instead, an unknown--a by the rules of the game round out the well-chosen cast.<br />
integral part of his drama.<br />
Concert Masters<br />
gypsy--whose style is ~i subtle yet (society); and he had com- "The Tooth of Crime" was first<br />
Mr. Shepard centers his tale brutal corruption of Hess. It is as<br />
proudly presents<br />
passion. Instead Crow, as the presented in London this sum-<br />
around Hoss, an over4g rock if Hess is faced with a mirror very name implies, had met. Hopefully MeCarter<br />
on Sun,, Nov. 19, 1972- 7:45 p.m.<br />
singer, who has made it to the top inmge of himself, devoid of the corrupted the rules of the game Theatre will be but its first stop in<br />
STEPHEN BERKELHAMMER<br />
of the heap, only to find the room softening niceties--the elegant, to suit his own purpose, and has this country. The author has<br />
in o program of music for recorder with<br />
at the top a lonely, arid place western-style clothes, the sihilat~t corrupted the rotor’s style for his something to convey, conveys it<br />
EDWARD BREWER<br />
CHRIS FINCKEL<br />
indeed. Wracked with self-doubt, grace--and instead sees the own personal profit, and com- well and poetically, and gives us<br />
tortured by insecurity, and kept vacant, harsh eyes, the brutal passion is passe.<br />
something to think about after<br />
Harpsichord<br />
Cello going by artificial stimulants, he play for sexual appeal, and the Louis Griss, McCarter’s ar- the lights on the stage have gone<br />
Hunterdon Central High School<br />
awaits his inevitable challenge harsh, strident tones of a singer tistic director who directed the out.<br />
LITTLE THEATRE<br />
aud downfall by another singer-- out for the kill, the battle cry to Sbepard work, has drawn near<br />
Rou te 523 near Route 31: Flemington<br />
or ehieftan. It is because Mr. move audiences for a rock [’lawless performances from his<br />
Elaine P. It¯in¯mann<br />
Adults $3.B0; Students $1.50. Fo~ tickets, send check with stamped<br />
self-addressed envelope to Concert Masters. Inc. RD Annandale, N.J.<br />
08801. For further informat on, cal Ei een aerkelhammer, director;<br />
735-5657.<br />
Alter I ~<br />
November15<br />
Richard Burton<br />
"Bh~ebeard"<br />
Rated (R)<br />
7:10-9,30<br />
Sat. & Sun.<br />
Jer~ Lewis Cinema<br />
RT,33, FREEHOLD<br />
(Opposite Foodto~/e)<br />
462-2141<br />
Children’s Matinee<br />
2:00 P.M.<br />
"Jesse James Meets<br />
Frankinstein’s Daughter"<br />
Children under 12<br />
50’<br />
AdulU $1.00<br />
"" .............. wttn ota 1yewdrama WashingtonCrossingStatePark<br />
11/1 cL, arter J eeps J+FOHtt g rr andthe GardenState ArtsCenter StartsWed.<br />
Intime Season Opens<br />
With Gay Bard Comedy<br />
Lassie Smith<br />
There is an enthusiasm thoughtful staging and direction. job of interpretation, and the comedy, in his later scenes with<br />
amougst Theatre Intime players It is obvious that the Intime addition, though amusing, Rosalind, and be convincing at<br />
that is unmatched amongst layers have really delved into,<br />
det,’acts rather than adds to the that. Eric Zwemer displays the<br />
would-be thespians in the area. reasoned and thought out what production,<br />
proper touch of villainy in his<br />
This enthusiasm is an infectious lay behind the surface of this<br />
(tHHounce$<br />
Thisisa minorquibble, though, portrayal of the jealous older<br />
thing, and it never fails to etherial Shakespearean comedy, The players have captured the brother, Oliver, while Kathie<br />
the beginning of her wlnter session<br />
transmit itself to the audience. and the audience is the better for spirit of those carefree Shentoa is hilarious as the buxom<br />
in<br />
Intime’s initial production this it. For while some may object to<br />
inhabitants of the forest and their country wench, Audrey. Jim<br />
season, "As Yau Like It," proves the addition of a narratoi’ in place<br />
tale is full of wit and fun, which is<br />
Shankmandoes a right good job<br />
no exception, and the actors of a prologue, as this reviewer what the Bard intended after all. as her lover, Touchstone, the<br />
transmit their joie de vitro and did, the bulk of the play holds up<br />
Hatha Yoga<br />
Intime is lucky in having chosen clown. Intime regular Pat<br />
gusto to theatregoers, making<br />
very well indeed by tile inspired<br />
two gifted players in the lead Gorntau, is, as always, lovely to<br />
the viewing of the comedy a performances of some very<br />
paris of Orlando and Rosalind. look at, but a bit stiff as the<br />
[hm’oughly enjoyable experience. talented cast members, many of Amte Louise Hoffman displays a banished Celia. Nov. 27 thru Feb. 1<br />
The play continues this weekend whom are well known to Intime gamine-like charm as she doffs<br />
The joy of the evening finds a<br />
~.7.7.7.7.7.~r~i.Ji.~iJi.~igi.RoI~~<br />
at Murray Theater on Thursday,<br />
~"<br />
patrons,<br />
feminine attire to follow her dimax in the finale, but to reveal<br />
Friday and Saturday nights with Trying to provide novelty, or<br />
banished cousin Celia into exile,<br />
thatwouldbetospoilthefun. Itis THE APARRI STUDIO<br />
*t~ .,.._<br />
BALLROOM DANCING<br />
~ an 8:30 curtain, relevance, to Shakespeare, the As her suitor, David Grant Gray worth seeing.<br />
it is not easy to produce a<br />
students have added "a prologue<br />
shows that he can switch from<br />
HIGHTSTOWIt COUNTRY CLUB SItakespeareanplay, muchlessa<br />
by Adam Smith," The authors<br />
sheer dramatic scenes (as the ElaiueP. lleinemam~ 217Nassau St. 9210433 ,<br />
EVERYWED.,FRI.&SAT. . ~ conmdy and carry it off. Intime provide a narrator who, after the<br />
fight with his brother, Oliver) to<br />
UNDER NEW MANAGEMENT<br />
first strains of the theme song of<br />
~ does this, despite uneveness in.<br />
pacing and uneveness in per- Masterpiece T!teatre, comments<br />
DOORPRIZES-- SNACKBAR ~" formances, and for this a large npan the ensumg action, tell!ng<br />
measure of the credit should go to us what tne Barawas up to, m me<br />
Wcd.,Nov. lS.StroudSmithoFri.,Nov, lT-EddieShaw Dane F Be’kowtz for his style of Ahstmre Cooke. he-<br />
Sat.,Nov. 18-Waltbiellor&S.Smith<br />
iually, Mr. Cooke does a better<br />
~ ¯<br />
J~l’’ ’ ’<br />
ROUTE 33, HIGHTSTOWN, N.J. _ Tnans,e s Fantastzcks<br />
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e* o* ee oe o¯ e~* ~¯ eo ue<br />
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the Princeton Triangle Club by Jonathan Rose and Phil<br />
ee oe oe oo oo ¯ eoooo ooooo oo ooeoo oe oo<br />
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Fantasticks." tots. Their dancing,<br />
! Notsin= S~ neerTrac~ yh t i<br />
The acting, singing and dan- choreographed by Charmaine<br />
¯<br />
¯ ring are first rate. The actors Andre, was hilarious, to say the<br />
: screenr:y-. ~..~ -- such~ g may be amateurs, but you’d least,<br />
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trials and triumphs of the young which s])e’aks clearly to this one.<br />
lovers, Matt andLuisa, played by What does it say? That depends<br />
Bill Milvaney and Marilyn Rnbie. on what you want to hear. First,<br />
The bandit and rape maker, El t destroys every romantic notion<br />
Guile, is played by Robert Cohen. in a liberal’s bag of gems, and<br />
t.ie has a touching death scene, then it destroys with equal terror<br />
llenry (George Guy) and Mor- the eytticism of the ’6O’s. The<br />
timer (Rich Kelley), brought resulU Another sappy ending<br />
many laughs and words of but tl~is one is realistic.<br />
wisdom to the play. The mute, T te above paragraph inserted<br />
Carter iVleAdams, plays his part ’d ao extra charge for the benefit<br />
to perfection, of those people who always look<br />
It’s difficult to pick out one for deel~, I]idden meanings is<br />
n e nber o’ the company and cite evervthin’g )<br />
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t we him would or her pick as the tile star. two If fathers, pressed,<br />
" ’F[LM stuart CrumpJr.t<br />
i plhf’ferenA: from an~hing i J FESTIVAL JURY PRIZE gWgRDJ<br />
ave seeno~film -.m,.~,~ |<br />
,’’ NU RJOE ’ ¯ ;<br />
i A ...... -II Wednesday Baigam Matinee All Seats $1,00 ~<br />
t I t[.llAIr~UIGN 10g,tyat;’&gPM<br />
O~NassauSt 924-0263- MahneesWed,,SaL&Sun, at2PM<br />
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