mjcca news - The Jewish Georgian
mjcca news - The Jewish Georgian
mjcca news - The Jewish Georgian
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
September-October 2012 THE JEWISH GEORGIAN Page 39<br />
A winning leader in the arts<br />
BY<br />
Carolyn<br />
Gold<br />
One of a continuing series of articles about women<br />
who are community leaders.<br />
Guess what happened to the girl next door. We<br />
watched that pretty child of our cherished neighbors<br />
grow through elementary and high school. Now she<br />
has become one of Atlanta’s leading women in the<br />
arts.<br />
That’s Amy Landesberg, a public artist and<br />
winner of the national competition to design the art<br />
installation in Hartsfield-Jackson Atlanta<br />
International Airport’s new international terminal.<br />
Her site-specific artwork, called Veneers, is 640 feet<br />
long and runs in the underground connector between<br />
Concourse E and the new Concourse F.<br />
It consists of enormously enlarged wood grains<br />
of 29 endangered species of rare trees. <strong>The</strong> natural<br />
wood-grain patterns have been computer magnified<br />
and colorized to show their designs in a new way.<br />
<strong>The</strong>se woods are endangered because they have been<br />
used historically as decorative veneers.<br />
Amy has created a meaningful connection<br />
between a city known for its trees, a mode of transportation<br />
that flies way above those trees, and colorful<br />
images bringing together ecological issues and<br />
art.<br />
Veneers, Atlanta International Airport<br />
EF Connector, south-side view looking<br />
west, bays 17-29<br />
<strong>The</strong> national competition was held in 2004-<br />
2005. Five artists were qualified by a panel to compete.<br />
Amy was the only local competitor, and she<br />
won. Her design, using 508 pieces of laminated<br />
glass, functions both as art and architecture, a glass<br />
dividing wall between the two corridors. LED light<br />
passes through the glass, projecting colors much as<br />
stained glass, onto passersby.<br />
<strong>The</strong> drawing took three people a year to complete.<br />
<strong>The</strong> entire construction took two years, and the<br />
whole project with the airport involved eight years,<br />
at a cost of $1.5 million. <strong>The</strong> high-tech project<br />
employs steel, glass, and lighting. Amy says, “It was<br />
like building a building.” It is situated in a space the<br />
length of three football fields.<br />
Amy Landesberg’s visual art background made<br />
her well qualified for this major project. As an undergraduate,<br />
her first interest in art was pottery, her<br />
major at the University of New Hampshire. Upon<br />
returning to Atlanta, she earned a master’s degree in<br />
visual art, again with emphasis in pottery, from<br />
Georgia State University.<br />
In 1981, she married John Whittemore, an<br />
installer of exhibitions at art museums. Amy became<br />
interested in architecture, and, a few years later, she<br />
entered Yale. <strong>The</strong> family, with one daughter, moved<br />
to New Haven, Connecticut. After three years and<br />
another daughter, Amy earned a master’s degree in<br />
architecture from Yale.<br />
Back in Atlanta, Amy worked for a couple of<br />
architectural firms. Now she works independently as<br />
Veneers, Cipres de la Guaitecas,<br />
Atlanta International Airport EF<br />
Connector, bay 6 bench<br />
either an artist, doing public art by commission, or as<br />
an architect. Her firms are Amy Landesberg Art &<br />
Design Incorporated, Amy Landesberg Architects,<br />
and LP3, in which she is a principal, along with<br />
Stuart Romm.<br />
About this team effort, Stuart said, “Amy has<br />
been a great friend and amazing collaborator on so<br />
many challenging architectural projects over the last<br />
15 years. After growing up in the same community<br />
here in Atlanta, it was nevertheless a surprise to find<br />
ourselves teaching design studios side-by-side at<br />
Georgia Tech in 1992. <strong>The</strong>n, the Beth Jacob Mikvah<br />
was our first architectural commission together, followed<br />
by many more civic and college campus<br />
buildings. That’s where Amy’s probing art projects<br />
have opened up such vital insights into how to make<br />
our architecture far more unique and publicly<br />
responsive, both visually and environmentally.”<br />
Some of Amy’s recent public art projects<br />
include an installation on the exterior of the Fulton<br />
County Center for Health and Rehabilitation and an<br />
award-winning steel construction for an electrical<br />
sub-station owned jointly by Georgia Tech and<br />
Georgia Power. She has designed art galleries, museums,<br />
healthcare facilities, educational buildings, a<br />
rapid rail station, a fire station, and a university<br />
bookstore. Among her many honors and awards,<br />
over a nearly 30-year career of solo exhibitions,<br />
teaching, and building, is the Moulton Andrus Award<br />
for Art and Architecture, from the Yale School of Art<br />
and Architecture.<br />
Amy Landesberg believes that public art<br />
defines a civilization. Her latest winning work adds<br />
beauty, color, meaning, and the international issue of<br />
endangerment and preservation of natural resources<br />
to Atlanta’s international welcome.<br />
Veneers, Spanish Cedar, Atlanta<br />
International Airport EF Connector, bay 4