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September-October 2012 THE JEWISH GEORGIAN Page 39<br />

A winning leader in the arts<br />

BY<br />

Carolyn<br />

Gold<br />

One of a continuing series of articles about women<br />

who are community leaders.<br />

Guess what happened to the girl next door. We<br />

watched that pretty child of our cherished neighbors<br />

grow through elementary and high school. Now she<br />

has become one of Atlanta’s leading women in the<br />

arts.<br />

That’s Amy Landesberg, a public artist and<br />

winner of the national competition to design the art<br />

installation in Hartsfield-Jackson Atlanta<br />

International Airport’s new international terminal.<br />

Her site-specific artwork, called Veneers, is 640 feet<br />

long and runs in the underground connector between<br />

Concourse E and the new Concourse F.<br />

It consists of enormously enlarged wood grains<br />

of 29 endangered species of rare trees. <strong>The</strong> natural<br />

wood-grain patterns have been computer magnified<br />

and colorized to show their designs in a new way.<br />

<strong>The</strong>se woods are endangered because they have been<br />

used historically as decorative veneers.<br />

Amy has created a meaningful connection<br />

between a city known for its trees, a mode of transportation<br />

that flies way above those trees, and colorful<br />

images bringing together ecological issues and<br />

art.<br />

Veneers, Atlanta International Airport<br />

EF Connector, south-side view looking<br />

west, bays 17-29<br />

<strong>The</strong> national competition was held in 2004-<br />

2005. Five artists were qualified by a panel to compete.<br />

Amy was the only local competitor, and she<br />

won. Her design, using 508 pieces of laminated<br />

glass, functions both as art and architecture, a glass<br />

dividing wall between the two corridors. LED light<br />

passes through the glass, projecting colors much as<br />

stained glass, onto passersby.<br />

<strong>The</strong> drawing took three people a year to complete.<br />

<strong>The</strong> entire construction took two years, and the<br />

whole project with the airport involved eight years,<br />

at a cost of $1.5 million. <strong>The</strong> high-tech project<br />

employs steel, glass, and lighting. Amy says, “It was<br />

like building a building.” It is situated in a space the<br />

length of three football fields.<br />

Amy Landesberg’s visual art background made<br />

her well qualified for this major project. As an undergraduate,<br />

her first interest in art was pottery, her<br />

major at the University of New Hampshire. Upon<br />

returning to Atlanta, she earned a master’s degree in<br />

visual art, again with emphasis in pottery, from<br />

Georgia State University.<br />

In 1981, she married John Whittemore, an<br />

installer of exhibitions at art museums. Amy became<br />

interested in architecture, and, a few years later, she<br />

entered Yale. <strong>The</strong> family, with one daughter, moved<br />

to New Haven, Connecticut. After three years and<br />

another daughter, Amy earned a master’s degree in<br />

architecture from Yale.<br />

Back in Atlanta, Amy worked for a couple of<br />

architectural firms. Now she works independently as<br />

Veneers, Cipres de la Guaitecas,<br />

Atlanta International Airport EF<br />

Connector, bay 6 bench<br />

either an artist, doing public art by commission, or as<br />

an architect. Her firms are Amy Landesberg Art &<br />

Design Incorporated, Amy Landesberg Architects,<br />

and LP3, in which she is a principal, along with<br />

Stuart Romm.<br />

About this team effort, Stuart said, “Amy has<br />

been a great friend and amazing collaborator on so<br />

many challenging architectural projects over the last<br />

15 years. After growing up in the same community<br />

here in Atlanta, it was nevertheless a surprise to find<br />

ourselves teaching design studios side-by-side at<br />

Georgia Tech in 1992. <strong>The</strong>n, the Beth Jacob Mikvah<br />

was our first architectural commission together, followed<br />

by many more civic and college campus<br />

buildings. That’s where Amy’s probing art projects<br />

have opened up such vital insights into how to make<br />

our architecture far more unique and publicly<br />

responsive, both visually and environmentally.”<br />

Some of Amy’s recent public art projects<br />

include an installation on the exterior of the Fulton<br />

County Center for Health and Rehabilitation and an<br />

award-winning steel construction for an electrical<br />

sub-station owned jointly by Georgia Tech and<br />

Georgia Power. She has designed art galleries, museums,<br />

healthcare facilities, educational buildings, a<br />

rapid rail station, a fire station, and a university<br />

bookstore. Among her many honors and awards,<br />

over a nearly 30-year career of solo exhibitions,<br />

teaching, and building, is the Moulton Andrus Award<br />

for Art and Architecture, from the Yale School of Art<br />

and Architecture.<br />

Amy Landesberg believes that public art<br />

defines a civilization. Her latest winning work adds<br />

beauty, color, meaning, and the international issue of<br />

endangerment and preservation of natural resources<br />

to Atlanta’s international welcome.<br />

Veneers, Spanish Cedar, Atlanta<br />

International Airport EF Connector, bay 4

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