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Magazines for All | Download in PDF - Ken Gilbert

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DIGITAL TOOLBOX<br />

3<br />

4<br />

6<br />

keyboard to get the Brush tool. The<br />

most challeng<strong>in</strong>g part of mak<strong>in</strong>g<br />

fake tilt/shifts is figur<strong>in</strong>g out how<br />

much to blur and where. S<strong>in</strong>ce<br />

you’ll be pa<strong>in</strong>t<strong>in</strong>g on your picture<br />

to <strong>in</strong>dicate which area you want to<br />

keep <strong>in</strong> focus, pick your brush size<br />

accord<strong>in</strong>gly. In this case, a brush<br />

550 pixels wide did the trick. Then<br />

set your brush’s hardness to 0.<br />

4<br />

Be<strong>for</strong>e you draw <strong>in</strong><br />

the selection you’ll<br />

use <strong>for</strong> your blur, hit Q on<br />

your keyboard to enter Quick Mask<br />

mode. Then set your <strong>for</strong>eground<br />

color to black, hold down the Shift<br />

key, and pa<strong>in</strong>t a straight l<strong>in</strong>e over<br />

the area you want to rema<strong>in</strong> <strong>in</strong><br />

focus. Tip: The effect often looks<br />

more realistic when it doesn’t go all<br />

the way to the edges. When you like<br />

your l<strong>in</strong>e, type Q aga<strong>in</strong> to exit Quick<br />

Mask mode and see your selection.<br />

5<br />

6<br />

Now it’s time to<br />

blur the image. Go to<br />

Filter > Blur > Lens Blur.<br />

5<br />

Once you’re <strong>in</strong> the<br />

filter dialogue, make<br />

sure that Source: None is<br />

selected under Depth Map. Mess<br />

around with the rest of the sliders as<br />

you see fit, but the key tool here is<br />

Radius. It determ<strong>in</strong>es just how much<br />

blur to add. Move it to the right until<br />

your scene looks like a m<strong>in</strong>iature<br />

world. Then click OK to see your<br />

f<strong>in</strong>ished image, complete with the<br />

effect of your Adjustment Layers.<br />

32 POP PHOTO FEBRUARY 2009

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