The Work of Ismar David at the Cary - RIT Libraries - Rochester ...
The Work of Ismar David at the Cary - RIT Libraries - Rochester ...
The Work of Ismar David at the Cary - RIT Libraries - Rochester ...
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<strong>The</strong> <strong>Work</strong> <strong>of</strong><br />
<strong>at</strong> <strong>the</strong> <strong>Cary</strong> Collection<br />
<strong>Ismar</strong> <strong>David</strong>, 1910–1996<br />
<strong>Ismar</strong> <strong>David</strong>, considered one <strong>of</strong> <strong>the</strong> few graphic designers, illustr<strong>at</strong>ors,<br />
and calligraphers <strong>of</strong> intern<strong>at</strong>ional reput<strong>at</strong>ion, was a<br />
German-born graphic artist who practiced <strong>the</strong> first third <strong>of</strong> his<br />
pr<strong>of</strong>essional career in Jerusalem and <strong>the</strong> remainder in New<br />
York City. He is noted for his brilliant work in Hebrew and<br />
L<strong>at</strong>in calligraphy, lettering, and type design, as well as for his<br />
distinctive linear style <strong>of</strong> illustr<strong>at</strong>ion. <strong>David</strong> liked to say th<strong>at</strong> <strong>the</strong><br />
hand is <strong>the</strong> most marvelous tool if properly trained, and his<br />
own handwork supports this conviction.<br />
<strong>Ismar</strong> <strong>David</strong> was born in Breslau, Germany (now Wroclaw,<br />
Poland) on August 27, 1910. At <strong>the</strong> age <strong>of</strong> fourteen, he left<br />
school to apprentice as a house painter and varnisher. After<br />
receiving his journeyman papers, however, he returned to<br />
study decor<strong>at</strong>ive painting <strong>at</strong> <strong>the</strong> Arts & Crafts School <strong>of</strong> Berlin-<br />
Charlottenberg, where many <strong>of</strong> <strong>the</strong> finest book craftsmen <strong>of</strong><br />
<strong>the</strong> first part <strong>of</strong> <strong>the</strong> century taught and studied. Hans Orlowski<br />
and Johannes Boeland were among his teachers.<br />
In 1932, <strong>at</strong> <strong>the</strong> age <strong>of</strong> twenty-one, <strong>Ismar</strong> <strong>David</strong> entered and won<br />
an intern<strong>at</strong>ional competition sponsored by <strong>the</strong> Jewish N<strong>at</strong>ional<br />
Fund for <strong>the</strong> design <strong>of</strong> its honorary Golden Book. He traveled<br />
to Jerusalem to supervise <strong>the</strong> execution <strong>of</strong> <strong>the</strong> project, and he<br />
settled <strong>the</strong>re for <strong>the</strong> next twenty years and established a studio<br />
for interior and graphic design. In addition to receiving a<br />
broad range <strong>of</strong> commissions from priv<strong>at</strong>e industry, <strong>David</strong><br />
accepted commissions from n<strong>at</strong>ional institutions and <strong>the</strong> st<strong>at</strong>e<br />
government for design projects including posters, postage<br />
stamps, and currency.<br />
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