READ MORE ABOUT AlsO fEATURED fOCUs ON - Kodak
READ MORE ABOUT AlsO fEATURED fOCUs ON - Kodak
READ MORE ABOUT AlsO fEATURED fOCUs ON - Kodak
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VOLUME 8, ISSUE 5 2011<br />
Foreword<br />
Push boundaries<br />
with KodaK<br />
A poll on the internet I recently visited asked people the meaning of:<br />
“to push the boundaries”.<br />
The answer that won the maximum votes was, “to extend ones’ frontiers,<br />
to boldly go, to experiment, not to be content with, and want to find out<br />
more; a step in the search for knowledge.”<br />
I couldn’t help but put two and two together. This was exactly what<br />
<strong>Kodak</strong> is encouraging the industry to do. By providing cutting edge<br />
products that have broadened the scope of the DoP’s work, it has<br />
certainly raised the glass ceiling, moreso in today’s context when<br />
Digital capture is really hyping up its technology bit.<br />
In this issue, each DoP featured, has in some way pushed the envelope.<br />
As you read, you will realise, page after page that each story is a success<br />
story, written with the help of <strong>Kodak</strong>. Either, it is the ability of the stock<br />
to give good results, despite low light conditions, or give clarity and<br />
colour as was envisaged, or completely eliminate grains – it’s all there<br />
in their own words.<br />
The first step towards innovation is merging disciplines and combining<br />
technologies. Our lead story is about DoP Ranjan Palit and the untrodden<br />
path that he and director Vishal Bharadwaj have taken in visualising the<br />
film Saat Khoon Maaf. Go ahead and read it. Read why Palit thinks<br />
<strong>Kodak</strong> makes a difference! And then experience it for yourself.<br />
Suresh S Iyer<br />
Country Business Manager<br />
Entertainment Imaging<br />
Managing Editor Suresh S Iyer<br />
Editor C Sengupta<br />
Contributors Jayanti Sen, Dev Tulal Das and KB Venu<br />
Design and Layout M-Power Creations<br />
Printing Printania, Mumbai<br />
Printed and Published by Suresh Iyer on behalf of <strong>Kodak</strong> India Private Limited, at Mumbai.<br />
Do write in with ideas, suggestions, comments to kodakimages@rediffmail.com<br />
This is an independent magazine. Views expressed in the articles are those of the editorial team.<br />
5<br />
9<br />
11<br />
28<br />
33<br />
36<br />
COnTEnTS<br />
ORIGINAL PERCEPTI<strong>ON</strong><br />
Sunil Patel on how today’s images<br />
are born out of a different thinking.<br />
DIFFERENT OUTLOOK<br />
Raja Satankar tries to understand<br />
the director’s vision before<br />
planning ‘the look’.<br />
HEART’S DESIRE<br />
Shaad Kumar’s story of commitment<br />
and dedication to the art and craft<br />
of cinematography.<br />
13<br />
23<br />
27<br />
REALITY BYTES<br />
VN Mohan says that it is best to fail<br />
by trying unusual things rather than<br />
to succeed by doing usual things.<br />
GOLDEN C<strong>ON</strong>TRIBUTI<strong>ON</strong><br />
FTII has indeed made a golden<br />
contribution to Indian Cinema.<br />
AN UNSUNG HERO<br />
The life and times of one of<br />
Kannada’s finest cinematographers,<br />
S Ramachandra.<br />
ENLIGHTENED MOMENTS<br />
R Chezhiyan paints a portrait on<br />
celluloid whenever he wields<br />
the camera.<br />
KODAK’LL REMAIN<br />
Badal Sarkar is deeply interested in<br />
how light is used to create images.<br />
FORGING AHEAD<br />
Prasad EFX offers an entire range of<br />
Digital services and more.