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VOLUME 8, ISSUE 5 2011<br />

Foreword<br />

Push boundaries<br />

with KodaK<br />

A poll on the internet I recently visited asked people the meaning of:<br />

“to push the boundaries”.<br />

The answer that won the maximum votes was, “to extend ones’ frontiers,<br />

to boldly go, to experiment, not to be content with, and want to find out<br />

more; a step in the search for knowledge.”<br />

I couldn’t help but put two and two together. This was exactly what<br />

<strong>Kodak</strong> is encouraging the industry to do. By providing cutting edge<br />

products that have broadened the scope of the DoP’s work, it has<br />

certainly raised the glass ceiling, moreso in today’s context when<br />

Digital capture is really hyping up its technology bit.<br />

In this issue, each DoP featured, has in some way pushed the envelope.<br />

As you read, you will realise, page after page that each story is a success<br />

story, written with the help of <strong>Kodak</strong>. Either, it is the ability of the stock<br />

to give good results, despite low light conditions, or give clarity and<br />

colour as was envisaged, or completely eliminate grains – it’s all there<br />

in their own words.<br />

The first step towards innovation is merging disciplines and combining<br />

technologies. Our lead story is about DoP Ranjan Palit and the untrodden<br />

path that he and director Vishal Bharadwaj have taken in visualising the<br />

film Saat Khoon Maaf. Go ahead and read it. Read why Palit thinks<br />

<strong>Kodak</strong> makes a difference! And then experience it for yourself.<br />

Suresh S Iyer<br />

Country Business Manager<br />

Entertainment Imaging<br />

Managing Editor Suresh S Iyer<br />

Editor C Sengupta<br />

Contributors Jayanti Sen, Dev Tulal Das and KB Venu<br />

Design and Layout M-Power Creations<br />

Printing Printania, Mumbai<br />

Printed and Published by Suresh Iyer on behalf of <strong>Kodak</strong> India Private Limited, at Mumbai.<br />

Do write in with ideas, suggestions, comments to kodakimages@rediffmail.com<br />

This is an independent magazine. Views expressed in the articles are those of the editorial team.<br />

5<br />

9<br />

11<br />

28<br />

33<br />

36<br />

COnTEnTS<br />

ORIGINAL PERCEPTI<strong>ON</strong><br />

Sunil Patel on how today’s images<br />

are born out of a different thinking.<br />

DIFFERENT OUTLOOK<br />

Raja Satankar tries to understand<br />

the director’s vision before<br />

planning ‘the look’.<br />

HEART’S DESIRE<br />

Shaad Kumar’s story of commitment<br />

and dedication to the art and craft<br />

of cinematography.<br />

13<br />

23<br />

27<br />

REALITY BYTES<br />

VN Mohan says that it is best to fail<br />

by trying unusual things rather than<br />

to succeed by doing usual things.<br />

GOLDEN C<strong>ON</strong>TRIBUTI<strong>ON</strong><br />

FTII has indeed made a golden<br />

contribution to Indian Cinema.<br />

AN UNSUNG HERO<br />

The life and times of one of<br />

Kannada’s finest cinematographers,<br />

S Ramachandra.<br />

ENLIGHTENED MOMENTS<br />

R Chezhiyan paints a portrait on<br />

celluloid whenever he wields<br />

the camera.<br />

KODAK’LL REMAIN<br />

Badal Sarkar is deeply interested in<br />

how light is used to create images.<br />

FORGING AHEAD<br />

Prasad EFX offers an entire range of<br />

Digital services and more.

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