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EXHIBIT A-IOI - West Memphis Three Case - Document Archive

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<strong>Case</strong> 4:09-cv-00008-BSM <strong>Document</strong> 30-5 Filed 07/17/2009 Page 70 of 297<br />

.."<br />

LexisNexis"<br />

Copyright 1996 Chicago Tribune Company<br />

Chicago Tribune<br />

September 27, 1996 Friday, NORTH SPORTS FINAL EDITION<br />

SECTION: FRIDAY; Pg. K; ZONE: CN; Take 2. FRIDAY'S GUIDE TO MOVIES & MUSIC. Movie review.<br />

LENGTH: 773 words<br />

HEADLINE: FASCINATING 'PARADISE' TAKES A DISTURBING LOOK AT AN UNSPEAKABLE CRIME<br />

BYLINE: John Petrakis.<br />

BODY:<br />

On May 6, 1993, the lifeless bodies ofSteven Branch, Christopher Byers and Michael Moore -- three 8-year-old<br />

boys from the rural town of<strong>West</strong> <strong>Memphis</strong>, Ark. -- were found in a shallow river bed near Interstate Highway 40, in an<br />

area known as Robin Hood Hills. The boys had been murdered and mutilated; Byers had been castrated.<br />

The town went into shock, and as the days dragged on, pressure increased on local law authorities to fmd the killers.<br />

One month later, the police got their fIrst break when 17-year-old Jessie Misskelley Jr., a local high school dropout<br />

with an IQ of72, confessed that he had been at the crime scene but hadn't done any ofthe killing. For that, he implicated<br />

two other teenagers from <strong>West</strong> <strong>Memphis</strong> -- Damien Echols, 18, and Jason Baldwin, 16, -- known in the community<br />

as oddballs for their interest in devil worship and satanic ritual.<br />

Echols was a perfect suspect. He always wore black, dyed his hair black,<br />

and was partial to heavy metal bands such as Metallica, whose dark, suggestive<br />

lyrics had already drawn the ire ofconservative groups around the country.<br />

Once the "satanic cult murders" angle became known, the story drew national<br />

attention, including that offilmmakers Joe Berlinger and Bruce Sinofsky, who<br />

already had delved into an offbeat murder trial in their well-received 1992<br />

documentary "Brother's Keeper."<br />

For the next two years, Berlinger and Sinofsky made regular trips to <strong>West</strong><br />

<strong>Memphis</strong>, where they got to know the accused, the families, the lawyers, the<br />

townsfolk and everyone else associated with the grisly crime. What they have<br />

come up with is a documentary that works well on two separate levels.<br />

One level is the trial itself(actually two trials, since Misskelley was<br />

tried separately), complete with mediocre attorneys, inarticulate witnesses<br />

and assorted experts, like the specialist in satanism who received his<br />

"doctorate" without taking a single class on the subject.<br />

As the trials progress, it becomes clear that these teenagers are such<br />

outcasts in their own community that it is nearly impossible for them to get a<br />

fair, impartial verdict. Echols, in particular, with his soft-spoken,<br />

sometimes creepy observations and effeminate manner, looks like a dead duck<br />

from the opening gavel, even though the prosecution doesn't have a shred of<br />

physical evidence to prove the boys were even at the crime scene.<br />

But it is on the second, more personal, level that "Paradise Lost" truly<br />

succeeds, as it peeks into the chain-smoking, trailer-park living,<br />

Bible-misquoting lives ofthe friends and families ofthe victims and the<br />

accused.<br />

Take, for example, the mother of Steven Branch, who seems ecstatic that

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