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Notes 139
20. “Critical Report on ‘The Girl from the Marsh Croft’, compiled from answers to the
questionnaire distributed at the private review held under the auspices of National
Board of Review of Motion Pictures”, March 4, 1919, The Swedish Film Institute
Archive.
21. Ibid.
22. The New York Review, February 28, 1920.
23. Helen Rockwell, “A Man There Was – Good Dramatic Feature”, Exhibitor’s Trade
Review, March 6, 1920.
24. Carolus, “Amerika får upp ögonen för vår film”, Filmjournalen 8, 1922, 244; 9, 1922,
299.
25. Florin, 1997, 48 f.
26. Variety, November 25, 1921, 44; Photoplay, July 1923, 28; Photoplay, February 1926, 76.
27. Photoplay, July 1926, 134.
28. Film-Journal, October 8, 1926; Lichtbildbühne March 8, 1926, 1; Filmjournalen March
20, 1927, 130.
29. Ibid.
A European in Hollywood – Name the Man and the Shift of
Production Systems
1. As Bjarne Thorup Thomsen shows, she actually had made a “u-turn in the
evaluation of cinema” in the period from 1909 to 1921. Thomsen, “Ibsen, Lagerlöf,
Sjöström and Terje Vigen: (Inter)nationalism, (Inter)subjectivity, and the Interface
between Swedish Silent Cinema and Scandinavian Literature”, in C. Claire
Thomson, ed., Northern Constellations: New Readings in Nordic Cinema, Norwich:
Norvik Press, 2006, 193-204. For an account in Swedish of Stiller’s life and career,
see Bo Florin, “Mauritz (Mowscha) Stiller”, Åsa Karlsson, ed., Svenskt biografiskt
lexikon, vol 33, 2011, 493.
2. Frances Marion, Off with their Heads: A Serio-Comic Tale of Hollywood, New York: The
Macmillan Company, 1972, 155-156.
3. Mauritz Stiller, to mention only one example, met with considerable difficulties in
Hollywood, and several of his projects had to be taken over by other directors.
4. Hjalmar Bergman, Jac the Clown, trans. and intro. by Hanna Kalter Weiss, Columbia,
SC: Camden House, 1995, 174.
5. Thompson, 1996, 295.
6. Romulus, “Vad menas med svensk film?”, Biografbladet, March 1, 1923, 240.
7. Agreement between Victor Sjöström and Svensk Filmindustri, Stockholm January 9,
1923, Victor Sjöström Archives, vol 5, Swedish Film Institute Archive.
8. Biografbladet, March 1, 1923.
9. Sven Stolpe, “Stiller som modernist”, Filmjournalen 3, 1927.
10. Robert Ramin, “Kolonie oder Konkurrenz”, Der Kinematograph, January 30, 1927, 9.
11. Thomas J. Saunders, Hollywood in Berlin: American Cinema and Weimar Germany,
Berkeley: University of California Press, 1994, 200.
12. Märta Lindqvist, Hos filmstjärnor i U.S.A. Snapshots från New York och Hollywood,
Stockholm: Hugo Gebers förlag, 1924.
13. Ibid., 53.