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FILM FILM - University of Macau Library

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Introduction – From Sjöström to Seastrom 15<br />

equal success, whereas the delay in so doing is judged as being less on the forefront.<br />

The Hollywood style thus remains the norm, the general criterion to<br />

judge from.<br />

In the case <strong>of</strong> Sjöström, I hope to nuance the picture <strong>of</strong> a European in Hollywood<br />

a little in the following, by showing that, while “Seastrom” adapted well<br />

enough to the new context to remain in Hollywood for seven years, elements <strong>of</strong><br />

the particular “Sjöström style” from the Swedish years also appear to have been<br />

integrated and developed in the American context, modifying and varying the<br />

Hollywood system, which does seem to have allowed a range <strong>of</strong> possibilities<br />

within the given limits <strong>of</strong> the dream factory, and thus, in spite <strong>of</strong> its general<br />

formulaic structure, does not appear as monolithic.

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