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142 ANTIQUITIES IN THE MUSEUM AT PALERMO.<br />

o<strong>the</strong>r difficulties, be expla<strong>in</strong>ed when <strong>the</strong> site has been<br />

fully cleared.<br />

Perhaps <strong>the</strong> most <strong>in</strong>terest<strong>in</strong>g feature <strong>in</strong> this discovery<br />

is <strong>the</strong> evidence of polychrome <strong>which</strong> it supplies ; as soon<br />

as <strong>the</strong> fragments were dis<strong>in</strong>terred a red t<strong>in</strong>t <strong>in</strong> <strong>the</strong> lips of<br />

<strong>the</strong> lion was observed, and afterwards, on plac<strong>in</strong>g <strong>the</strong><br />

objects <strong>in</strong> a better light, Professor Sal<strong>in</strong>as noticed that<br />

<strong>the</strong> altered surface (pat<strong>in</strong>a) of <strong>the</strong> cornice showed traces<br />

of a pa<strong>in</strong>ted maeander and an ovolo immediately under it;<br />

what <strong>the</strong> orig<strong>in</strong>al colours of <strong>the</strong>se ornaments were, cannot<br />

now be even conjectured. 1<br />

Abundant illustrations of <strong>the</strong> use of lions' heads as gargoyles<br />

are supplied by <strong>the</strong> Unedited Antiquities of Attica,<br />

published by <strong>the</strong> Dilettanti Society. Plate 3, chapter iii,<br />

proves that this ornamental spout was adopted <strong>in</strong> <strong>the</strong><br />

Ionic order as well as <strong>in</strong> <strong>the</strong> Doric. "The back of <strong>the</strong><br />

cymatium of <strong>the</strong> cornice w r as channelled for <strong>the</strong> purpose<br />

of form<strong>in</strong>g a gutter, and <strong>the</strong> lions' heads <strong>in</strong> front were<br />

perforated." But <strong>the</strong> best examples are from <strong>the</strong> Temple<br />

of Diana-Propylaea, plates 3 & 4, chap, v, <strong>in</strong> <strong>the</strong> former<br />

of <strong>which</strong> we see each block of <strong>the</strong> sima ornamented with<br />

two lions' heads of bold projection. 2<br />

III. The Mosaics are <strong>the</strong> glory of Palermo; <strong>the</strong>y are<br />

<strong>the</strong> first objects that rivet <strong>the</strong> attention of <strong>the</strong> traveller,<br />

1 For <strong>the</strong> pa<strong>in</strong>ted decoration of Greek<br />

Temples <strong>in</strong> <strong>Sicily</strong> see Hit<strong>to</strong>rff," Restitution<br />

du Temple d'Empedocle ϊι Sel<strong>in</strong>onte,"8vo.<br />

vol. of text with atlas of f<strong>in</strong>e coloured<br />

plates, Paris, 1851.<br />

2 Stuart, " Antiquities of A<strong>the</strong>ns,"<br />

vol. ii, c. i, PI. 6, Elevation of <strong>the</strong> Portico<br />

of <strong>the</strong> Par<strong>the</strong>non; PI. 9, capital and entablature<br />

of <strong>the</strong> columns of <strong>the</strong> Portico.<br />

Die Ausgrabungen zu Olympia herausgegeben<br />

von E. Curtius, F. Adler und G.<br />

Treu, Vol. i, pi. xxvii, 2 Lowenkopfe<br />

mit sima vom Zeus-Tempel ; pi. xxx,<br />

architectur fragmente <strong>in</strong> Thon und<br />

Marmor, &c. Dr. Birch, " Ancient Pottery,"<br />

ii, 253, has a section on gutterspouts<br />

of terra· cotta. The most <strong>ord<strong>in</strong>ary</strong><br />

form was a lion's head, but masks comic<br />

and tragic, with open shell-shaped mouths,<br />

and heads of dogs and pan<strong>the</strong>rs were also<br />

used. These objects were generally of<br />

<strong>the</strong> same piece as <strong>the</strong> gutter-tile, so that<br />

<strong>in</strong> this respect <strong>the</strong>y resembled <strong>the</strong> gargoyles<br />

at Himera. Vitruvius does not<br />

give us any word exactly correspond<strong>in</strong>g<br />

<strong>to</strong> gargoyle, but colliquiae, ak<strong>in</strong> <strong>to</strong> liqueo,<br />

liquor, liquidus, occurs <strong>in</strong> his writ<strong>in</strong>gs, and<br />

means a gutter for carry<strong>in</strong>g <strong>the</strong> water<br />

from <strong>the</strong> roof <strong>in</strong><strong>to</strong> <strong>the</strong> impluvium; vi, 3,<br />

colliquias ab angulis parietum ad angulos<br />

tignorum <strong>in</strong>tercurrentes : cf. Forma iii,<br />

f. colliquiae, E<strong>in</strong>kehlen, ed. Rode.<br />

The gargoyles of <strong>the</strong> Middle Ages<br />

differ considerably from <strong>the</strong> classical<br />

types: <strong>the</strong>y show greater variety of grotesque<br />

forms — animal, human, and<br />

daemoniacal; <strong>the</strong>y generally project much<br />

fur<strong>the</strong>r from <strong>the</strong> wall; <strong>the</strong>y are often<br />

furnished with leaden pipes from <strong>which</strong><br />

<strong>the</strong> water issues ; and <strong>the</strong>y are sometimes<br />

placed <strong>in</strong> front of a buttress. In ancient<br />

gargoyles no signs of lead have been<br />

found, as far as I am aware, and buttresses<br />

were very rarely employed by <strong>the</strong> Greeks<br />

and Romans, because <strong>the</strong>ir roofs were<br />

lighter, and <strong>the</strong>ir walls were not weakened<br />

by <strong>the</strong> <strong>in</strong>sertion of w<strong>in</strong>dows. Parker's<br />

Glossary, Text, and Illustrations <strong>in</strong> vol.<br />

ii, pt. i, PI. 95 ; Architectural Publication<br />

Society, "Dictionary of Architecture,"<br />

engrav<strong>in</strong>gs chiefly of examples <strong>in</strong> Somersetshire<br />

churches.

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