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Totally Tae Kwon Do Magazine - Issue 17 - Usadojo

Totally Tae Kwon Do Magazine - Issue 17 - Usadojo

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amboo sword called a shinai. The<br />

Kendoka (Kendo practitioners) are dressed<br />

in safety armour. Strikes are only allowed<br />

to a handful of specific areas on the<br />

opponent’s body. Striking is usually<br />

accompanied with a loud shout, known as<br />

the kiai. (The Korean term for kiai is gihap<br />

and literally means a “concentration of Ki.”)<br />

Success in Kendo often goes hand in hand<br />

with feint attacks. “For the feint to succeed,<br />

your opponent has to confuse it with a<br />

movement of actual attack,” and “if the feint<br />

succeeds, it is because your gesture, as<br />

minimal as it may have been, has<br />

succeeded in troubling the mind of your<br />

opponent,” explains Tokutsu (32, 33). At<br />

advanced level Kendoka are less likely to<br />

demonstrate<br />

any outward<br />

feints. The<br />

advanced level<br />

practitioner<br />

attempts to<br />

“cause a<br />

movement in<br />

the mind of<br />

[his or her]<br />

opponent<br />

w i t h o u t<br />

producing any<br />

o u t w a r d<br />

sign” (33). In<br />

the place of<br />

outward feints,<br />

the advanced<br />

level Kendoka<br />

disturbs the Ki<br />

of his or her opponent by projecting his<br />

own Ki onto the opponent. It is for this<br />

reason that most people actually finds<br />

Kendo quite boring to watch. The two<br />

advanced level practitioners may stand<br />

facing each other, their shinai crossed at<br />

the tip only revealing minute motions for<br />

extended periods of time with no dramatic<br />

movements at all. Then suddenly there will<br />

be a flurry of movement, some screaming,<br />

and a point scored. While no overt action<br />

was visible during their initial stillness, a<br />

big battle was actually occurring in the<br />

minds of the two opponents. They were<br />

40 - <strong>Totally</strong> <strong>Tae</strong> <strong>Kwon</strong> <strong>Do</strong><br />

sensing each other’s intentions,<br />

intimidating each other, fighting a battle of<br />

Ki. “The most important combat takes<br />

place in this not particularly dynamiclooking<br />

exchange,” says Tokutsu (35).<br />

Only at the moment when the Ki of one<br />

Kendoka overwhelmed or disturbed the Ki<br />

of the other, did the first land his attack.<br />

Tokutsu quotes the famous Kendo proverb:<br />

“<strong>Do</strong> not win after having struck, but strike<br />

after having won.”<br />

In the sport of WTF <strong>Tae</strong>kwon-<strong>Do</strong> sparring<br />

we find an unarmed counterpart to Kendo.<br />

When novice players spar each other their<br />

match is much more dynamic than when<br />

advanced players spar. Novice players<br />

seem to kick<br />

wildly and<br />

powerfully,<br />

often shouting<br />

ceaselessly. A<br />

bout between<br />

experienced<br />

WTF players<br />

looks quite<br />

different. The<br />

two opponents<br />

will face each<br />

other in a<br />

tension filled<br />

silence. Like<br />

the little<br />

movements of<br />

the shinai tips in<br />

the Kendo<br />

match, so the<br />

advanced level WTF competitors move<br />

only a little; bouncing in their knees or<br />

demonstrating careful, almost nervous,<br />

footwork. The non-WTF onlooker looks at<br />

the match with frustration as nothing<br />

seems to happen. Just little nervous jolts in<br />

the players’ bodies as each anticipate the<br />

movement of the other. Then suddenly a<br />

flurry of powerful kicks and counter-kicks<br />

are exchanged with deafening gihaps. Like<br />

with Kendo, in advanced level WTF<br />

<strong>Tae</strong>kwon-<strong>Do</strong> the real combat takes place<br />

during the time before the exchange of<br />

physical attacks occur. WTF has mastered<br />

Two practitioners may stand facing each other, their shinai<br />

crossed at the tip only revealing minute motions, for extended<br />

periods of time with no dramatic movements at all

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