Linke - Artinfo
Linke - Artinfo
Linke - Artinfo
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THROCKMORTON FINE ART<br />
HONGSHAN<br />
March 7th - April 27th, 2013<br />
Catalogue available: HONGSHAN: $45.00<br />
Image: China, Coiled Zhulong (“Pig Dragon”),<br />
Hongshan Period, Neolithic Era, ca. 4700 - 2920 BCE, Jade, H: 7 1/4 in.<br />
145 EAST 57TH STREET, 3RD FLOOR, NEW YORK, NY 10022<br />
TEL 212.223.1059 FAX 212.223.1937<br />
info@throckmorton-nyc.com www.throckmorton-nyc.com<br />
CLOCKWISE FROM LOWER LEFT: SOTHEBY’S HONG KONG; BASELWORLD; THE J. PAUL GETTY MUSEUM, LOS ANGELES<br />
DATEBOOK<br />
ON THE CALENDAR<br />
watches and wines<br />
Blouin<strong>Artinfo</strong>.comAsiA | MARCH/APRIL 2013<br />
Baselworld 2012<br />
The elBulli Wine Cellar. In 2011, gastronomic innovator Ferran Adrià closed<br />
his celebrated elBulli restaurant in Spain and started the elBulli Foundation,<br />
a research center devoted to creativity and cooking. International cuisine is<br />
still adjusting to the loss, but there’s an upside: this season’s highly anticipated<br />
auction of wines from the elBulli cellars to benefit the foundation. More than<br />
5,000 bottles will go on the block in Hong Kong and New York, including some<br />
1,400 of red burgundy and 2,000 of Spanish wine. Highlights include five<br />
vintages of Yquem from 1989–2001 and a selection of rare oloroso and solera<br />
sherries dating back to 1830—as well as a series of “lifestyle lots” that include<br />
elBulli memorabilia and a meal with the master chef himself. Sotheby’s,<br />
April 3 – Hong Kong and April 25 – New York.<br />
Important Watches. More than 400 lots go under the<br />
hammer in this sale, including an A. Lange & Söhne “Pour<br />
Le Merite” tourbillon wristwatch—number 8 in an edition<br />
of 15—and a Patek Philippe reference 3974 in a white-gold<br />
case, only the second to come to auction in 20 years.<br />
Also on offer: a selection of custom-built Patek Philippe<br />
clocks, such as the gold “Magpie’s Treasure Nest” clock,<br />
left, embellished with diamonds, rubies, sapphires, and<br />
semiprecious stones. Sotheby’s, April 7 – Hong Kong.<br />
Baselworld. For the latest in technological breakthroughs and style trends<br />
in luxury watches, the spotlight shifts to Switzerland, where Baselworld<br />
opens April 25. Though strictly speaking a trade show, Baselworld is the<br />
preeminent global launchpad for new models and editions, and international<br />
media coverage ensures that word filters out quickly. This year’s event<br />
inaugurates a new exhibition complex designed by Herzog and de Meuron;<br />
global brands like Patek Philippe and Chanel have a hall to themselves, and<br />
so do jewelers specializing in diamonds, pearls, and other precious stones.<br />
April 25–May2, Basel. —SUSAN DELSON<br />
LOS ANGELES<br />
Mystery Man<br />
The Flemish master Peter Paul Rubens never<br />
traveled to Asia. Nor were there diplomatic relations<br />
between Korea and Europe during his lifetime. So<br />
how he was able to draw Man in Korean Costume,<br />
circa 1617, below, remains an unsolved art historical<br />
mystery. An exhibition at the J. Paul Getty Museum,<br />
“Looking East: Rubens’s Encounter with Asia,”<br />
invites experts to examine the possibilities. At the<br />
center is Rubens’s drawing, previously thought to<br />
depict a Siamese ambassador but identified in 1983 by<br />
a Korean newspaper as a man in traditional Korean<br />
garb. Orbiting around it are potential shreds of<br />
evidence such as Rubens’s contemporaneous portraits<br />
of the Jesuit missionary Nicolas Trigault and an<br />
account of the only Korean slave recorded in European<br />
history, Antonio Corea, arriving in Italy. While<br />
many have speculated that the drawing depicts Corea,<br />
the show’s curator, Stephanie Schrader, theorizes<br />
that Rubens accessed the costume via Trigault, who<br />
might have brought it back from China. “Instead of<br />
trying to find the one Korean who was ever in Europe<br />
when Rubens was alive, I think the question is more<br />
‘How could Korean goods have come to Europe?’ ” she<br />
explains. “The focus gets broader instead of narrower.”<br />
On view through June 9. —GEORGINA WELLS<br />
21