13.08.2013 Views

Linke - Artinfo

Linke - Artinfo

Linke - Artinfo

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

THROCKMORTON FINE ART<br />

HONGSHAN<br />

March 7th - April 27th, 2013<br />

Catalogue available: HONGSHAN: $45.00<br />

Image: China, Coiled Zhulong (“Pig Dragon”),<br />

Hongshan Period, Neolithic Era, ca. 4700 - 2920 BCE, Jade, H: 7 1/4 in.<br />

145 EAST 57TH STREET, 3RD FLOOR, NEW YORK, NY 10022<br />

TEL 212.223.1059 FAX 212.223.1937<br />

info@throckmorton-nyc.com www.throckmorton-nyc.com<br />

CLOCKWISE FROM LOWER LEFT: SOTHEBY’S HONG KONG; BASELWORLD; THE J. PAUL GETTY MUSEUM, LOS ANGELES<br />

DATEBOOK<br />

ON THE CALENDAR<br />

watches and wines<br />

Blouin<strong>Artinfo</strong>.comAsiA | MARCH/APRIL 2013<br />

Baselworld 2012<br />

The elBulli Wine Cellar. In 2011, gastronomic innovator Ferran Adrià closed<br />

his celebrated elBulli restaurant in Spain and started the elBulli Foundation,<br />

a research center devoted to creativity and cooking. International cuisine is<br />

still adjusting to the loss, but there’s an upside: this season’s highly anticipated<br />

auction of wines from the elBulli cellars to benefit the foundation. More than<br />

5,000 bottles will go on the block in Hong Kong and New York, including some<br />

1,400 of red burgundy and 2,000 of Spanish wine. Highlights include five<br />

vintages of Yquem from 1989–2001 and a selection of rare oloroso and solera<br />

sherries dating back to 1830—as well as a series of “lifestyle lots” that include<br />

elBulli memorabilia and a meal with the master chef himself. Sotheby’s,<br />

April 3 – Hong Kong and April 25 – New York.<br />

Important Watches. More than 400 lots go under the<br />

hammer in this sale, including an A. Lange & Söhne “Pour<br />

Le Merite” tourbillon wristwatch—number 8 in an edition<br />

of 15—and a Patek Philippe reference 3974 in a white-gold<br />

case, only the second to come to auction in 20 years.<br />

Also on offer: a selection of custom-built Patek Philippe<br />

clocks, such as the gold “Magpie’s Treasure Nest” clock,<br />

left, embellished with diamonds, rubies, sapphires, and<br />

semiprecious stones. Sotheby’s, April 7 – Hong Kong.<br />

Baselworld. For the latest in technological breakthroughs and style trends<br />

in luxury watches, the spotlight shifts to Switzerland, where Baselworld<br />

opens April 25. Though strictly speaking a trade show, Baselworld is the<br />

preeminent global launchpad for new models and editions, and international<br />

media coverage ensures that word filters out quickly. This year’s event<br />

inaugurates a new exhibition complex designed by Herzog and de Meuron;<br />

global brands like Patek Philippe and Chanel have a hall to themselves, and<br />

so do jewelers specializing in diamonds, pearls, and other precious stones.<br />

April 25–May2, Basel. —SUSAN DELSON<br />

LOS ANGELES<br />

Mystery Man<br />

The Flemish master Peter Paul Rubens never<br />

traveled to Asia. Nor were there diplomatic relations<br />

between Korea and Europe during his lifetime. So<br />

how he was able to draw Man in Korean Costume,<br />

circa 1617, below, remains an unsolved art historical<br />

mystery. An exhibition at the J. Paul Getty Museum,<br />

“Looking East: Rubens’s Encounter with Asia,”<br />

invites experts to examine the possibilities. At the<br />

center is Rubens’s drawing, previously thought to<br />

depict a Siamese ambassador but identified in 1983 by<br />

a Korean newspaper as a man in traditional Korean<br />

garb. Orbiting around it are potential shreds of<br />

evidence such as Rubens’s contemporaneous portraits<br />

of the Jesuit missionary Nicolas Trigault and an<br />

account of the only Korean slave recorded in European<br />

history, Antonio Corea, arriving in Italy. While<br />

many have speculated that the drawing depicts Corea,<br />

the show’s curator, Stephanie Schrader, theorizes<br />

that Rubens accessed the costume via Trigault, who<br />

might have brought it back from China. “Instead of<br />

trying to find the one Korean who was ever in Europe<br />

when Rubens was alive, I think the question is more<br />

‘How could Korean goods have come to Europe?’ ” she<br />

explains. “The focus gets broader instead of narrower.”<br />

On view through June 9. —GEORGINA WELLS<br />

21

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!