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Linke - Artinfo

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64<br />

When<br />

What’s What’s<br />

neW is<br />

heritage,<br />

too<br />

Progressive<br />

and contemporary<br />

Indian art are<br />

Kiran Nadar’s passions<br />

BY ROSALYN D’MELLO<br />

in april 2012 more than a few visitors to the dlf<br />

Place mall in Saket, New Delhi, believed they had come<br />

upon an unconventional retail display of stainless<br />

steel pots and pans in the form of a soaring mushroom<br />

cloud, nearly 33 feet tall. The installation was, in fact, the<br />

monumental sculpture Line of Control, a 2008 work by<br />

Subodh Gupta, the reigning star of contemporary Indian<br />

art. The baffled visitors had unknowingly left the mall<br />

proper and entered the Kiran Nadar Museum of Art (knma),<br />

an 18,000-square-foot exhibition space that opened<br />

in 2011 and bears the name of the collector, patron, and<br />

philanthropist who founded it.<br />

Line of Control debuted in London in the 2009<br />

Tate Triennial, which is where Nadar first encountered the<br />

MARCH/APRIL 2013 | Blouin<strong>Artinfo</strong>.comAsiA<br />

KNMA, New Delhi; OppOsite: RAM RAhMAN<br />

Blouin<strong>Artinfo</strong>.comAsiA | march/april 2013<br />

thecollector<br />

Subodh Gupta’s Line<br />

of Control, 2008,<br />

a 32¾-foot-tall<br />

mushroom cloud of<br />

stainless-steel<br />

kitchen utensils, was<br />

installed last spring<br />

at the Kiran Nadar<br />

Museum of Art in<br />

Saket, New Delhi.<br />

Opposite: Kiran<br />

Nadar at her New<br />

Delhi home. Behind<br />

her hangs Raja Ravi<br />

Varma’s Shakuntala<br />

Patralekhan, 1894.

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