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South Park - Creative COW Magazine

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Cows Around the World<br />

The “W” in <strong>COW</strong> stands for “world,”<br />

and we really mean it.<br />

Here are reports from Cows in Russia, India,<br />

the Netherlands and Canada about what<br />

they do, and what they’re working on.<br />

George Bazhenov<br />

Ekaterinaburg, Russia<br />

iPro, a distributor of Apple, opened a training center in<br />

Moscow this spring with outlets in St. Petersburg and<br />

Ekaterinaburg, my home city. I recently gave two FCP<br />

courses — a five-day course in a local university and a<br />

three-day course in the iPro training facility here.<br />

The three-day FCP course is madness, although<br />

my students absorbed quite a lot, and even passed the<br />

certification exam. They were a sight to look at after 90<br />

minutes of questioning in English! Microsoft is more<br />

generous with non-native English speakers and doubles<br />

the certification exam time for them, I am told.<br />

I am certified to teach FCP and Motion but editors<br />

and their employers are not prepared to buy training<br />

right now. Also, custom duties and fees on hi-tech<br />

goods in Russia are so high that customers in Far Eastern<br />

cities, such as Khabarovsk and Vladivostok, sometimes<br />

prefer to go to <strong>South</strong> Korea, Japan and China<br />

and shop for Apple products there.<br />

Meanwhile, I do sales presentations with Apple<br />

Final Cut Studio, Aperture, and using Wacom tablets.<br />

I even went abroad with Final Cut Studio and Aperture<br />

recently — to Baku, the capital of Azerbaijan. But my<br />

most recent destination was Khabarovsk (seen here,<br />

right), with Tomsk and Magnitogorsk before it.<br />

On a more creative front, I am finishing a DVD project<br />

with footage from a literary festival that took place<br />

in Ekaterinaburg. Young writers and poets competed<br />

among themselves and took part in writing workshops<br />

for three days. Six miniDV cassettes were used to tape<br />

some of these activities. My task was to edit the material<br />

and output a 90-second<br />

ad, a seven-minute narrative<br />

and a 90-minute documentary.<br />

The project is almost<br />

finished, and this week I<br />

plan to burn 80 DVDs that<br />

will eventually be mailed<br />

to every participant. The<br />

most distant of them lives<br />

near Lake Baikal, 2800 kilometers<br />

east (approximately<br />

1400 miles) in Siberia, near<br />

the Mongolian border —<br />

but I have made it very clear<br />

to the client that mailing<br />

will not be part of my job.<br />

And of course, our<br />

wedding season has just ended. Due to climatic conditions,<br />

it is short and intense. Every bride wants to get<br />

wed and not wet (and definitely not frozen on the way<br />

to the limo). DV shooters are in high demand, and I join<br />

their ranks with my Canon XM2.<br />

Guess what I use as a backup and B-roll cam? A<br />

Flip! It is excellent in semi-dark conditions and beats<br />

the XM2 when I shoot dances. Brides don’t like dancing<br />

before on-camera lights.<br />

With all that, my reading focus has shifted from<br />

Final Cut Studio to Business & Marketing and Event<br />

Videography at the <strong>COW</strong>.<br />

Subrato Sangupta<br />

Mumbai, India<br />

I have had over 18 years of experience in cinematography,<br />

coupled with nearly 12 years as a Director of<br />

Photography in Bollywood. To me, the best cinematography<br />

is the kind that takes you into another world,<br />

and makes you quickly forget that you are watching a<br />

movie. Seamless and realistic.<br />

(That’s me, at right.)<br />

My favorite lighting style is to shoot with naturallooking,<br />

motivated light sources. I enjoy working with<br />

large soft sources and then “paint” in the shadow<br />

areas. I work very<br />

hard to make certain<br />

that whatever<br />

story is being told<br />

is enhanced and<br />

c o m m u n i c a t e d<br />

with the light and<br />

images.<br />

Most recently,<br />

I have finished the<br />

research for a documentary<br />

on child<br />

prostitution and<br />

sex tourism in Goa<br />

that I hope to pro-<br />

duce. There are few, if any, local prostitutes in the red<br />

light districts of India’s major cities. The majority have<br />

either migrated or been trafficked to those cities.<br />

The daughters of migrant prostitute women are<br />

generally expected to enter into prostitution as soon<br />

as they reach puberty — and even before that, they<br />

are expected to work all night performing in bars.<br />

Prostitution involving boys tends to be less formal, but<br />

is still quite common.<br />

Locations like Goa can combine large numbers of<br />

vulnerable children, and an under-resourced police<br />

28 September / October 2008 — <strong>Creative</strong> <strong>COW</strong> <strong>Magazine</strong><br />

<strong>Creative</strong> <strong>COW</strong> <strong>Magazine</strong> — September / October 2008 29

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