Beatriz Milhazes ?Aquarium? - Fondation Cartier pour l'art ...
Beatriz Milhazes ?Aquarium? - Fondation Cartier pour l'art ...
Beatriz Milhazes ?Aquarium? - Fondation Cartier pour l'art ...
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and<br />
present<br />
<strong>Beatriz</strong> <strong>Milhazes</strong><br />
“<strong>Aquarium</strong>”<br />
ART|42|BASEL|MIAMI BEACH|1-4|12|11<br />
ART BASEL MIAMI BEACH
<strong>Beatriz</strong> <strong>Milhazes</strong>, <strong>Aquarium</strong><br />
The <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />
contemporain and <strong>Cartier</strong> present<br />
<strong>Beatriz</strong> <strong>Milhazes</strong> <strong>Aquarium</strong>. As partner<br />
of Art Basel for the past five years,<br />
<strong>Cartier</strong> is presenting the artist <strong>Beatriz</strong><br />
<strong>Milhazes</strong>, whose work was exhibited<br />
at the <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />
contemporain in Paris in 2009. For<br />
ART|42|BASEL, <strong>Beatriz</strong> <strong>Milhazes</strong> has<br />
imagined a singular work, a mobile<br />
composed of pearls, precious and semiprecious<br />
stones. Crafted by the Ateliers<br />
<strong>Cartier</strong>, <strong>Aquarium</strong> is both a unique<br />
installation and a work of jewelry of<br />
unexpected dimensions. The space<br />
displaying the mobile is designed to<br />
resemble a jewel case and reveals<br />
the sculpture’s finesse and surprising<br />
lightness.<br />
Internationally renowned for her paintings<br />
and collages, in 2007, <strong>Beatriz</strong> <strong>Milhazes</strong><br />
created a theatrical set for the Marcia <strong>Milhazes</strong><br />
Dance Company. For the first time<br />
in her career, the artist produced a threedimensional<br />
structure, an installation composed<br />
of suspended elements and simple<br />
decorative patterns. This project was then<br />
developed and readapted on several different<br />
occasions according to the spaces in<br />
which it was used—first in New York, then<br />
in Basel at the <strong>Fondation</strong> Beyeler in January<br />
2011. When the <strong>Cartier</strong> Foundation<br />
commissioned <strong>Beatriz</strong> <strong>Milhazes</strong> to create<br />
an artwork inspired by <strong>Cartier</strong>’s collection<br />
of precious stones, the artist thus imagined<br />
a mobile inspired by the patterns and colors<br />
of her canvases and collages. This work<br />
and<br />
present<br />
<strong>Beatriz</strong> <strong>Milhazes</strong><br />
“<strong>Aquarium</strong>”<br />
ART|42|BASEL|MIAMI ART BASEL MIAMI BEACH|1-4|12|11<br />
BEACH<br />
quickly developed into a piece of monumental<br />
size. Composed of 15 rods, with<br />
the longest measuring nearly two meters,<br />
<strong>Aquarium</strong> reinvents a new vocabulary, one<br />
made of XXL pearls, spheres, and precious<br />
discs. It is a veritable celestial and aquatic<br />
treasure, both imposing and light, intricate<br />
and overwhelming, inviting the spectator<br />
to contemplate an ideal purity.<br />
The mobile will be held in the Miami Design<br />
District at the Collins Building, located<br />
at 139 NE 39th Street (cross streets 39th<br />
and NE 1st Court) Miami, Florida 33137.<br />
<strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />
contemporain Background<br />
Founded in 1984, the <strong>Fondation</strong> <strong>Cartier</strong><br />
<strong>pour</strong> l’art contemporain is dedicated to<br />
supporting and facilitating the development<br />
of contemporary art forms and to<br />
fostering awareness of these arts. As such,<br />
it is a unique example of corporate philanthropy<br />
in France. In fact, not content to<br />
confine itself to ordinary patronage, the<br />
<strong>Fondation</strong> <strong>Cartier</strong> has become a prime<br />
mover in the world of contemporary artistic<br />
creation. In 1994, after ten years<br />
spent in Jouy-en-Josas near Versailles, the<br />
<strong>Fondation</strong> <strong>Cartier</strong> moved into the airy<br />
glass and steel building in central Paris<br />
designed specially by Jean Nouvel, also<br />
the creator of the Institut du Monde Arabe<br />
and the Musée du Quai Branly. Famous in<br />
France and internationally for his unique<br />
way of dematerializing architecture,<br />
Nouvel was presented the challenge by<br />
<strong>Cartier</strong> of harmoniously bringing together<br />
12,000 square feet of exhibition space and<br />
six stories of offices on the Boulevard Raspail.<br />
A lively place for discussions and exchanging<br />
ideas, the <strong>Fondation</strong> has built up<br />
steady relationships with artists, supporting<br />
their work through exhibitions, as well<br />
as through commissions and publications.<br />
The <strong>Fondation</strong> is distinguished by the<br />
many projects that, throughout its 24-year<br />
history, it has developed in close collaboration<br />
with both French and foreign artists.<br />
Highlights on the <strong>Fondation</strong> <strong>Cartier</strong>’s<br />
yearly calendar include, first of all, five<br />
exhibitions, thematic or solo, which often<br />
lead to commissioned works from artists;<br />
secondly, a weekly event that is open to<br />
one and all, the Nomadic Nights, initiated<br />
in 1994, which turn the spotlight on the<br />
theatrical and performance arts, dance,<br />
music and literature; finally, the yearly acquisition<br />
of additional pieces for the <strong>Fondation</strong>’s<br />
collection, which currently boasts<br />
1000 works by 300 different artists.<br />
Press Contact<br />
Matthieu Simonnet<br />
matthieu.simonnet@fondation.cartier.com<br />
Tel. +33 (0)1 42 18 56 77<br />
<strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art contemporain<br />
261 boulevard Raspail F-75014 Paris<br />
Tel. +33 (0)1 42 18 56 50<br />
presse.fondation.cartier.com