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Beatriz Milhazes ?Aquarium? - Fondation Cartier pour l'art ...

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and<br />

present<br />

<strong>Beatriz</strong> <strong>Milhazes</strong><br />

“<strong>Aquarium</strong>”<br />

ART|42|BASEL|MIAMI BEACH|1-4|12|11<br />

ART BASEL MIAMI BEACH


<strong>Beatriz</strong> <strong>Milhazes</strong>, <strong>Aquarium</strong><br />

The <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />

contemporain and <strong>Cartier</strong> present<br />

<strong>Beatriz</strong> <strong>Milhazes</strong> <strong>Aquarium</strong>. As partner<br />

of Art Basel for the past five years,<br />

<strong>Cartier</strong> is presenting the artist <strong>Beatriz</strong><br />

<strong>Milhazes</strong>, whose work was exhibited<br />

at the <strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />

contemporain in Paris in 2009. For<br />

ART|42|BASEL, <strong>Beatriz</strong> <strong>Milhazes</strong> has<br />

imagined a singular work, a mobile<br />

composed of pearls, precious and semiprecious<br />

stones. Crafted by the Ateliers<br />

<strong>Cartier</strong>, <strong>Aquarium</strong> is both a unique<br />

installation and a work of jewelry of<br />

unexpected dimensions. The space<br />

displaying the mobile is designed to<br />

resemble a jewel case and reveals<br />

the sculpture’s finesse and surprising<br />

lightness.<br />

Internationally renowned for her paintings<br />

and collages, in 2007, <strong>Beatriz</strong> <strong>Milhazes</strong><br />

created a theatrical set for the Marcia <strong>Milhazes</strong><br />

Dance Company. For the first time<br />

in her career, the artist produced a threedimensional<br />

structure, an installation composed<br />

of suspended elements and simple<br />

decorative patterns. This project was then<br />

developed and readapted on several different<br />

occasions according to the spaces in<br />

which it was used—first in New York, then<br />

in Basel at the <strong>Fondation</strong> Beyeler in January<br />

2011. When the <strong>Cartier</strong> Foundation<br />

commissioned <strong>Beatriz</strong> <strong>Milhazes</strong> to create<br />

an artwork inspired by <strong>Cartier</strong>’s collection<br />

of precious stones, the artist thus imagined<br />

a mobile inspired by the patterns and colors<br />

of her canvases and collages. This work<br />

and<br />

present<br />

<strong>Beatriz</strong> <strong>Milhazes</strong><br />

“<strong>Aquarium</strong>”<br />

ART|42|BASEL|MIAMI ART BASEL MIAMI BEACH|1-4|12|11<br />

BEACH<br />

quickly developed into a piece of monumental<br />

size. Composed of 15 rods, with<br />

the longest measuring nearly two meters,<br />

<strong>Aquarium</strong> reinvents a new vocabulary, one<br />

made of XXL pearls, spheres, and precious<br />

discs. It is a veritable celestial and aquatic<br />

treasure, both imposing and light, intricate<br />

and overwhelming, inviting the spectator<br />

to contemplate an ideal purity.<br />

The mobile will be held in the Miami Design<br />

District at the Collins Building, located<br />

at 139 NE 39th Street (cross streets 39th<br />

and NE 1st Court) Miami, Florida 33137.<br />

<strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art<br />

contemporain Background<br />

Founded in 1984, the <strong>Fondation</strong> <strong>Cartier</strong><br />

<strong>pour</strong> l’art contemporain is dedicated to<br />

supporting and facilitating the development<br />

of contemporary art forms and to<br />

fostering awareness of these arts. As such,<br />

it is a unique example of corporate philanthropy<br />

in France. In fact, not content to<br />

confine itself to ordinary patronage, the<br />

<strong>Fondation</strong> <strong>Cartier</strong> has become a prime<br />

mover in the world of contemporary artistic<br />

creation. In 1994, after ten years<br />

spent in Jouy-en-Josas near Versailles, the<br />

<strong>Fondation</strong> <strong>Cartier</strong> moved into the airy<br />

glass and steel building in central Paris<br />

designed specially by Jean Nouvel, also<br />

the creator of the Institut du Monde Arabe<br />

and the Musée du Quai Branly. Famous in<br />

France and internationally for his unique<br />

way of dematerializing architecture,<br />

Nouvel was presented the challenge by<br />

<strong>Cartier</strong> of harmoniously bringing together<br />

12,000 square feet of exhibition space and<br />

six stories of offices on the Boulevard Raspail.<br />

A lively place for discussions and exchanging<br />

ideas, the <strong>Fondation</strong> has built up<br />

steady relationships with artists, supporting<br />

their work through exhibitions, as well<br />

as through commissions and publications.<br />

The <strong>Fondation</strong> is distinguished by the<br />

many projects that, throughout its 24-year<br />

history, it has developed in close collaboration<br />

with both French and foreign artists.<br />

Highlights on the <strong>Fondation</strong> <strong>Cartier</strong>’s<br />

yearly calendar include, first of all, five<br />

exhibitions, thematic or solo, which often<br />

lead to commissioned works from artists;<br />

secondly, a weekly event that is open to<br />

one and all, the Nomadic Nights, initiated<br />

in 1994, which turn the spotlight on the<br />

theatrical and performance arts, dance,<br />

music and literature; finally, the yearly acquisition<br />

of additional pieces for the <strong>Fondation</strong>’s<br />

collection, which currently boasts<br />

1000 works by 300 different artists.<br />

Press Contact<br />

Matthieu Simonnet<br />

matthieu.simonnet@fondation.cartier.com<br />

Tel. +33 (0)1 42 18 56 77<br />

<strong>Fondation</strong> <strong>Cartier</strong> <strong>pour</strong> l’art contemporain<br />

261 boulevard Raspail F-75014 Paris<br />

Tel. +33 (0)1 42 18 56 50<br />

presse.fondation.cartier.com

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