Download - Fondation Cartier pour l'art contemporain - Cartier
Download - Fondation Cartier pour l'art contemporain - Cartier
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© Tabaimo, courtesy Gallery Koyanagi, Tokyo<br />
THE FONDATION CARTIER POUR L’ART CONTEMPORAIN PRESENTS, FOR THE FIRST<br />
TIME IN EUROPE, THE WORK OF JAPANESE ARTIST TABAIMO, A RISING STAR IN<br />
ANIMATION AND VIDEO ART. BREAKING AWAY FROM THE PREVAILING AESTHETIC<br />
OF ANIME IN JAPAN, TABAIMO’S CREATIONS ARE INSPIRED BY HER OBSERVATION<br />
OF MODERN CITY LIFE, BUT BORROW THEIR NUANCED HUES FROM TRADI-<br />
TIONAL JAPANESE PRINTS. THE THREE VIDEO INSTALLATIONS PRESENTED AT THE<br />
FONDATION CARTIER PLUNGE VIEW-<br />
ERS INTO A WORLD THAT IS BOTH<br />
ALLURING, INFINITELY TROUBLING,<br />
AND REVEALING OF PRESENT-DAY<br />
JAPAN’S DARK SIDE.<br />
TABAIMO<br />
Large Gallery<br />
Japanese Commuter Train, 2001<br />
Video installation, 8’ (looped)<br />
Projected across six screens, Japanese Commuter<br />
Train recreates the interior of a typical commuter<br />
train. In spite of an overall sense of calm, a series of<br />
incongruous events begins to take place inside the<br />
car—a schoolgirl is turned into sushi by a chef, the<br />
passengers’ arms fall off one by one, a woman flies<br />
out of the window—as the drowsy students and<br />
office workers look on impassively. Positioned in the<br />
middle of the installation, the viewer watches these<br />
semi-realistic, semi-phantasmagoric scenes while<br />
submerged in an uninterrupted flow of images and<br />
sounds.<br />
“In my opinion, only an uncomfortable environment<br />
will stimulate people like us to take initiative because<br />
we’re so accustomed to the passive nature of entertainment<br />
culture. My installations require some kind<br />
of participation to complete the story being told by<br />
the images that the viewer is watching. The enclosed,<br />
restricted spaces that I construct may provoke a feeling<br />
of oppression, physical confinement, or the loss<br />
of a sense of time. But in exchange, I hope that what<br />
viewers take away with them is a singular experience,<br />
one that is uniquely their own.”<br />
Passage from an interview with the artist<br />
published in the exhibition catalogue.