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Download - Fondation Cartier pour l'art contemporain - Cartier

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© Tabaimo, courtesy Gallery Koyanagi, Tokyo<br />

THE FONDATION CARTIER POUR L’ART CONTEMPORAIN PRESENTS, FOR THE FIRST<br />

TIME IN EUROPE, THE WORK OF JAPANESE ARTIST TABAIMO, A RISING STAR IN<br />

ANIMATION AND VIDEO ART. BREAKING AWAY FROM THE PREVAILING AESTHETIC<br />

OF ANIME IN JAPAN, TABAIMO’S CREATIONS ARE INSPIRED BY HER OBSERVATION<br />

OF MODERN CITY LIFE, BUT BORROW THEIR NUANCED HUES FROM TRADI-<br />

TIONAL JAPANESE PRINTS. THE THREE VIDEO INSTALLATIONS PRESENTED AT THE<br />

FONDATION CARTIER PLUNGE VIEW-<br />

ERS INTO A WORLD THAT IS BOTH<br />

ALLURING, INFINITELY TROUBLING,<br />

AND REVEALING OF PRESENT-DAY<br />

JAPAN’S DARK SIDE.<br />

TABAIMO<br />

Large Gallery<br />

Japanese Commuter Train, 2001<br />

Video installation, 8’ (looped)<br />

Projected across six screens, Japanese Commuter<br />

Train recreates the interior of a typical commuter<br />

train. In spite of an overall sense of calm, a series of<br />

incongruous events begins to take place inside the<br />

car—a schoolgirl is turned into sushi by a chef, the<br />

passengers’ arms fall off one by one, a woman flies<br />

out of the window—as the drowsy students and<br />

office workers look on impassively. Positioned in the<br />

middle of the installation, the viewer watches these<br />

semi-realistic, semi-phantasmagoric scenes while<br />

submerged in an uninterrupted flow of images and<br />

sounds.<br />

“In my opinion, only an uncomfortable environment<br />

will stimulate people like us to take initiative because<br />

we’re so accustomed to the passive nature of entertainment<br />

culture. My installations require some kind<br />

of participation to complete the story being told by<br />

the images that the viewer is watching. The enclosed,<br />

restricted spaces that I construct may provoke a feeling<br />

of oppression, physical confinement, or the loss<br />

of a sense of time. But in exchange, I hope that what<br />

viewers take away with them is a singular experience,<br />

one that is uniquely their own.”<br />

Passage from an interview with the artist<br />

published in the exhibition catalogue.

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