Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
Englisches Seminar - Ruhr-Universität Bochum
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Jane Barker, Love Intrigues; Daniel Defoe, Moll Flanders and Robinson Crusoe;<br />
Samuel Richardson, Pamela; Henry Fielding, Joseph Andrews; Tobias Smollett,<br />
Humphry Clinker; Jane Austen, Emma. Students will have to read Joseph Andrews in<br />
full and shorter excerpts from the other texts.<br />
Assessment/requirements: written end-of-term test.<br />
050 658 Pankratz<br />
Restoration Culture, 3 CP<br />
2 st. di 14-16 HGB 10<br />
The times between the Restoration of the monarchy in 1660 and the death of the last<br />
Stuart ruler in 1714 saw many profound changes. Power gradually shifted from the<br />
monarch to parliament; science and empiricism removed God from the centre of<br />
things; money and wealth challenged heredity. The development towards what we<br />
nowadays would consider a ‘modern’ state did not go smoothly, though. There is a to<br />
and fro between old and new. Hence, the Restoration period is full of crises, conflicts<br />
and paradoxes. Sometimes the people seem like our near contemporaries and<br />
sometimes like quaint bewigged figures from a very distant time.<br />
The lecture course aims at having a critical look at the familiar and to make the<br />
quaint more accessible. By dealing with political and religious developments,<br />
literature, music and fashion it intends to provide a multifaceted survey of Restoration<br />
culture.<br />
Assessment/requirements: written end-of-term test.<br />
050 624 Weidle<br />
Introduction to Shakespeare’s Tragedies, 3 CP<br />
2 st. do 10-12 HGB 20<br />
The lecture will give a short overview of Shakespeare’s tragedies: the early Titus<br />
Andronicus and Romeo and Juliet, the ‘Roman’ plays Julius Caesar, Antony and<br />
Cleopatra and Coriolanus, and the so-called ‘great four’ Hamlet, Othello, King Lear<br />
and Macbeth, plus the ‘afterthought’ Timon of Athens (Coleridge). Questions of<br />
genre, ideology, cosmologies, dramaturgy and staging will be addressed as well as<br />
the main themes and issues that are negotiated in the plays. Although the plot of